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Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester Bible, now in Cathedral Library, Winchester; 2. the
Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester Bible, now in Cathedral Library, Winchester; 2. the
painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester Bible, now in Cathedral Library, Winchester; 2. the calendar roundels
to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester Bible, now in Cathedral Library, Winchester; 2.
to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester Bible, now in Cathedral Library, Winchester; 2.
to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester Bible, now in Cathedral Library, Winchester; 2.
to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester Bible, now in Cathedral Library, Winchester; 2.
to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester Bible, now in Cathedral Library, Winchester; 2.
to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester Bible, now in Cathedral Library, Winchester; 2.
to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester Bible, now in Cathedral Library, Winchester; 2.
to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester Bible, now in Cathedral Library, Winchester; 2.
to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester Bible, now in Cathedral Library, Winchester; 2.
to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester Bible, now in Cathedral Library, Winchester; 2.
to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester Bible, now in Cathedral Library, Winchester; 2.
Full-page inscription by Ralph Prynne, grocer of London, who dedicated, and possibly gave, the Psalter to Queen Mary I. According to Carlvant 1986 and 1987, illuminated by a German artist working in Bruges and Brabant. Other manuscripts associated with
Miniature of Christ on the Entry into Jerusalem, preceding Psalm 26. According to Carlvant 1986 and 1987, illuminated by a German artist working in Bruges and Brabant. Other manuscripts associated with him are: Cambridge Magdalene College F.4.7 and Aschaffenburg,
Detail of an historiated initial 'D'(ominus) of the Temptation of Christ, at the beginning of Psalm 26. According to Carlvant 1986 and 1987, illuminated by a German artist working in Bruges and Brabant. Other manuscripts associated with him are:
Historiated initial 'D'(ominus) of the Temptation of Christ, at the beginning of Psalm 26. According to Carlvant 1986 and 1987, illuminated by a German artist working in Bruges and Brabant. Other manuscripts associated with him are: Cambridge Magdalene College
Miniature of a man hawking, in the calendar for May. According to Carlvant 1986 and 1987, illuminated by a German artist working in Bruges and Brabant. Other manuscripts associated with him are: Cambridge Magdalene College F.4.7 and Aschaffenburg, Hofbibliothek
Miniature of the Nativity from the prefatory cycle. According to Carlvant 1986 and 1987, illuminated by a German artist working in Bruges and Brabant. Other manuscripts associated with him are: Cambridge Magdalene College F.4.7 and Aschaffenburg, Hofbibliothek 5.Includes a