blue. Marginal pen-flourished decoration in red and blue forming a partial border (f. 1). Lives of the Saints Unidentified shelfmark '3˚ y' (?), 15th century (f. 1). Inscribed 'La vie de sains', 15th century (f. i).Added inscription related to Henry
blue. Marginal pen-flourished decoration in red and blue forming a partial border (f. 1). Lives of the Saints Unidentified shelfmark '3˚ y' (?), 15th century (f. 1). Inscribed 'La vie de sains', 15th century (f. i).Added inscription related to Henry
blue. Marginal pen-flourished decoration in red and blue forming a partial border (f. 1). Lives of the Saints Unidentified shelfmark '3˚ y' (?), 15th century (f. 1). Inscribed 'La vie de sains', 15th century (f. i).Added inscription related to Henry
blue. Marginal pen-flourished decoration in red and blue forming a partial border (f. 1). Lives of the Saints Unidentified shelfmark '3˚ y' (?), 15th century (f. 1). Inscribed 'La vie de sains', 15th century (f. i).Added inscription related to Henry
blue. Marginal pen-flourished decoration in red and blue forming a partial border (f. 1). Lives of the Saints Unidentified shelfmark '3˚ y' (?), 15th century (f. 1). Inscribed 'La vie de sains', 15th century (f. i).Added inscription related to Henry
blue. Marginal pen-flourished decoration in red and blue forming a partial border (f. 1). Lives of the Saints Unidentified shelfmark '3˚ y' (?), 15th century (f. 1). Inscribed 'La vie de sains', 15th century (f. i).Added inscription related to Henry
blue. Marginal pen-flourished decoration in red and blue forming a partial border (f. 1). Lives of the Saints Unidentified shelfmark '3˚ y' (?), 15th century (f. 1). Inscribed 'La vie de sains', 15th century (f. i).Added inscription related to Henry
with Royal 5 E XX in the same volume. Initials in red (f. 1) or brown. Rubrics in rustic capitals. Synonyma, Homilies, Commentaries on the Song of Songs The cathedral church of St Mary, Salisbury: probably to be identified with
The ownership inscription 'De camera abbatis Pippewell'. f. 1 is a parchment leaf. 12 miniatures in colours and gold of the labours of the months (ff. 2-7v). 1 large historiated initial at the beginning of Psalm 51 (f. 8). Large
woman and a man pollarding trees with an axe. f. 1 is a parchment leaf. 12 miniatures in colours and gold of the labours of the months (ff. 2-7v). 1 large historiated initial at the beginning of Psalm 51 (f.
red and blue with pen-flourishing in the same colours (2 initials combined on f. 322). 1 large arabesque initial in red and blue (f. 94v). 1 large plain initial in red (f. 265). Small initials in red or blue with
red and blue with pen-flourishing in the same colours (2 initials combined on f. 322). 1 large arabesque initial in red and blue (f. 94v). 1 large plain initial in red (f. 265). Small initials in red or blue with
red and blue with pen-flourishing in the same colours (2 initials combined on f. 322). 1 large arabesque initial in red and blue (f. 94v). 1 large plain initial in red (f. 265). Small initials in red or blue with
inscribed title and table of contents (ff. 1, 2). Sir Simonds d'Ewes (b.1602, d. 1650), 1st baronet, diarist, antiquary, and friend of Sir Robert Cotton (see Wright 1972): inscribed no. '81' (f. 1) and foliated the manuscript. Sir Simonds D’Ewes
red and blue with pen-flourishing in the same colours (2 initials combined on f. 322). 1 large arabesque initial in red and blue (f. 94v). 1 large plain initial in red (f. 265). Small initials in red or blue with
red and blue with pen-flourishing in the same colours (2 initials combined on f. 322). 1 large arabesque initial in red and blue (f. 94v). 1 large plain initial in red (f. 265). Small initials in red or blue with
red and blue with pen-flourishing in the same colours (2 initials combined on f. 322). 1 large arabesque initial in red and blue (f. 94v). 1 large plain initial in red (f. 265). Small initials in red or blue with
a further paper flyleaf; f. [i] was once a paste-down.ff. 1-12 are added. 1 large puzzle initial in red and blue with penwork decoration in brown, green, and light brown (f. 13). Numerous large puzzle initials in red and blue
lot 337, possibly bought by Chapman for 2s.Charles Burney (b. 1757, d. 1817), D.D., classical scholar.Acquired by the British Museum as part of Burney’s library from his son Charles Parr Burney in 1818 (inscription, f. 1). Decorated initials Eastern Mediterranean
initial 'P'(aulus) of Paul, at the beginning of 1 Corinthians. Bifolium signatures. 15 historiated initials in colours and gold, at the beginning of the Epistles and of Peter Lombard's prologue (ff. 1, 1v, 43v, 73v, 89, 101v, 111v, 118v, 125,