• null, Historia adversus paganos (ff. 1-68v), and an anonymous compilation of Old Testament history (ff. 69-73v)

1 large puzzle initial (f. 1). Small initials alternately blue with red penwork decoration, or vice versa. Historia adversus paganos (ff. 1-68v), and an anonymous compilation of Old Testament history (ff. 69-73v) ? Written in or shortly before 1235:

• null, Historia adversus paganos (ff. 1-68v), and an anonymous compilation of Old Testament history (ff. 69-73v)

1 large puzzle initial (f. 1). Small initials alternately blue with red penwork decoration, or vice versa. Historia adversus paganos (ff. 1-68v), and an anonymous compilation of Old Testament history (ff. 69-73v) ? Written in or shortly before 1235:

• Detail of an historiated initial 'A'(lpha) of a teacher giving a lecture to his students, at the beginning of book 1., Summa super titulis Decretalium

teacher giving a lecture to his students, at the beginning of book 1. Catchwords and bifolium signatures. Running titles. Instructions for book numbers and rubrics. 1 historiated (f. 1) and 3 foliate (ff. 81, 153v, 225, 264) initials in colours

• Decorated initial 'P'(receptis), and the Pinelli number '7899' in the upper left-hand corner., Historia adversus paganos (ff. 1-68v), and an anonymous compilation of Old Testament history (ff. 69-73v)

Decorated initial 'P'(receptis), and the Pinelli number '7899' in the upper left-hand corner. 1 large puzzle initial (f. 1). Small initials alternately blue with red penwork decoration, or vice versa. Historia adversus paganos (ff. 1-68v), and an anonymous compilation of

• Decorated initials 'N'(eminem) and 'R'(ex); the lower margin with a note stating that from the creation of the world (5199 years before the birth of Christ) to the present is 6,434 years., Historia adversus paganos (ff. 1-68v), and an anonymous compilation of Old Testament history (ff. 69-73v)

creation of the world (5199 years before the birth of Christ) to the present is 6,434 years. 1 large puzzle initial (f. 1). Small initials alternately blue with red penwork decoration, or vice versa. Historia adversus paganos (ff. 1-68v), and

• Pen-flourished initial 'F'(ides) at the beginning of the first book with the ownership inscription of Worcester Cathedral Priory., Summa aurea (Summa super sententias Petri Lombardi) with an imperfect table of rubrics (ff. 200 r-v)

'Fides est rerum sperandarum argumentum'. 3 puzzle initials in red and blue with pen-flourishing in the same colours (ff. 1, 22, 160). Initials in red with blue pen-flourishing and in blue with red pen-flourishing. Plain initials in red. Rubrics in

• Decorated initials, and quire signature., Missal (the 'Missal of Fontebuono')

'i'-'cci' (ff. 203-412).Musical notation on a two-line stave.Quire signatures in small Roman numerals. 1 historiated initial in colours and gold on a blue ground (f. 18v). Large initials in gold, mainly on blue grounds with red penwork decoration, and foliate

• Marginal drawing of the Annunciation., Missal (the 'Missal of Fontebuono')

'i'-'cci' (ff. 203-412).Musical notation on a two-line stave.Quire signatures in small Roman numerals. 1 historiated initial in colours and gold on a blue ground (f. 18v). Large initials in gold, mainly on blue grounds with red penwork decoration, and foliate

• Historiated initial 'C'(oncede) with the Nativity, and illuminated initial 'I'(n)., Missal (the 'Missal of Fontebuono')

medieval red ink 'i'-'cci' (ff. 203-412).Musical notation on a two-line stave.Quire signatures in small Roman numerals. 1 historiated initial in colours and gold on a blue ground (f. 18v). Large initials in gold, mainly on blue grounds with red penwork

• Decorated initial 'P'(rima), at the beginning of Horace's Epistolae., Odes (ff. 3-42), Epodes (ff. 42-50), Carmen saeculare (ff. 50-51), Ars poetica (ff. 51-57), Epistolae (ff. 57-76), Sermones (index Satires) (ff. 76-101v)

Decorated initial 'P'(rima), at the beginning of Horace's Epistolae. Large and small initials alternately red with blue flourishing (as far as f. 25v), or vice versa; those on ff. 3 and 76 with penwork in both colours. Line-fillers. Odes

• Decorated initial 'Q'(ui), at the beginning of Horace's Sermones., Odes (ff. 3-42), Epodes (ff. 42-50), Carmen saeculare (ff. 50-51), Ars poetica (ff. 51-57), Epistolae (ff. 57-76), Sermones (index Satires) (ff. 76-101v)

Decorated initial 'Q'(ui), at the beginning of Horace's Sermones. Large and small initials alternately red with blue flourishing (as far as f. 25v), or vice versa; those on ff. 3 and 76 with penwork in both colours. Line-fillers. Odes

• Bas-de-page scene of a blue-faced grotesque, hunched, with a man standing on his shoulders, and in the upper margin, a man painted around a textual addtion so that he appears to be holding it, from Book 1 of the Decretals., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

margin, a man painted around a textual addtion so that he appears to be holding it, from Book 1 of the Decretals. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with

• Historiated initial 'I'(n) with a man and building at the beginning of Esdras 1., Bible, with prologues, with a Franciscan calendar (ff. 364v-365v); and the Interpretations of Hebrew names (ff. 366-390v)

and building at the beginning of Esdras 1. Pfändtner's early 1st style.The version of Psalms in this manuscript is the sole complete witness so far identified of a translation prepared by Nicholas Maniacoria (d. 1145), based on the Hebrew text

• Historiated initial 'P'(etrus) of Peter being handed the keys at the beginning of 1 Peter., Bible, with prologues, with a Franciscan calendar (ff. 364v-365v); and the Interpretations of Hebrew names (ff. 366-390v)

handed the keys at the beginning of 1 Peter. Pfändtner's early 1st style.The version of Psalms in this manuscript is the sole complete witness so far identified of a translation prepared by Nicholas Maniacoria (d. 1145), based on the Hebrew

• Historiated initial 'V'(ere) with the face of Christ and two angels, and decorated initial 'P'(er)., Sacramentary, imperfect, including a calendar (ff. 1-6v) and computus (f. 7)

shape of a heart affixed to the lower inside cover; f. vi is the pastedown on the lower inside cover. 1 full-page miniature in colours of the Crucifixion (f. 14v). 2 large historiated initials in colours (ff. 14, 62). 8

• Miniature of the Crucifixion, with the standing Mary and John, and the sun and moon above, before the Canon of the Mass., Sacramentary, imperfect, including a calendar (ff. 1-6v) and computus (f. 7)

shape of a heart affixed to the lower inside cover; f. vi is the pastedown on the lower inside cover. 1 full-page miniature in colours of the Crucifixion (f. 14v). 2 large historiated initials in colours (ff. 14, 62). 8

• Historiated initial 'C'(oncede) with Christ and the Virgin with an angel., Sacramentary, imperfect, including a calendar (ff. 1-6v) and computus (f. 7)

shape of a heart affixed to the lower inside cover; f. vi is the pastedown on the lower inside cover. 1 full-page miniature in colours of the Crucifixion (f. 14v). 2 large historiated initials in colours (ff. 14, 62). 8

• Calendar page for July., Sacramentary, imperfect, including a calendar (ff. 1-6v) and computus (f. 7)

shape of a heart affixed to the lower inside cover; f. vi is the pastedown on the lower inside cover. 1 full-page miniature in colours of the Crucifixion (f. 14v). 2 large historiated initials in colours (ff. 14, 62). 8

• Miniature of the Crucifixion, with the standing Mary and John, and the sun and moon above, before the Canon of the Mass., Sacramentary, imperfect, including a calendar (ff. 1-6v) and computus (f. 7)

shape of a heart affixed to the lower inside cover; f. vi is the pastedown on the lower inside cover. 1 full-page miniature in colours of the Crucifixion (f. 14v). 2 large historiated initials in colours (ff. 14, 62). 8

• Detail of historiated initial., Sacramentary, imperfect, including a calendar (ff. 1-6v) and computus (f. 7)

shape of a heart affixed to the lower inside cover; f. vi is the pastedown on the lower inside cover. 1 full-page miniature in colours of the Crucifixion (f. 14v). 2 large historiated initials in colours (ff. 14, 62). 8