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('De Trinitate') of Petrus Alfonsi's 'Dialogus contra Judaeos'. Running headers (ff. 1-17); catchwords (1 word respectively); quire signatures (on the first leaf of quires, near the gutter).Ampersands. 1 diagram in red and brown, with a yellow wash (f. 53v). Numerous
Pen-flourished initial 'D'(ilecto). 1 large initial in red with red pen-flourishing (f. 1). Smaller initials in red with reserve designs. Rubrics in red. Capitals marked in red. Tractatus consolatorius de morte amici, ad Ludovicum Regum Francorum Charles Davis (bap. 1693,
'Liber Sancte Mariae de Fontibus' (f. 1v).? Shelfmark: 'CXIII', f. 1, in near-contemporary red capitals.Added 14th-century marginal faces and annotations.Johannes Yong: inscription, first quarter of the 16th century (f. 1). ? Thomas Howard (b. 1585, d. 1646), 2nd earl of
'Liber Sancte Mariae de Fontibus' (f. 1v).? Shelfmark: 'CXIII', f. 1, in near-contemporary red capitals.Added 14th-century marginal faces and annotations.Johannes Yong: inscription, first quarter of the 16th century (f. 1). ? Thomas Howard (b. 1585, d. 1646), 2nd earl of
'Liber Sancte Mariae de Fontibus' (f. 1v).? Shelfmark: 'CXIII', f. 1, in near-contemporary red capitals.Added 14th-century marginal faces and annotations.Johannes Yong: inscription, first quarter of the 16th century (f. 1). ? Thomas Howard (b. 1585, d. 1646), 2nd earl of
'H'(uius), 'P'(hisici), and 'S'(ecunda) in Isidore's Etymologiae. 1 large puzzle initial in red and blue (f. 12). Small initials alternately in blue or red (green or red on f. 12). Spaces, perhaps for illustrations, remain blank. Marginal ink drawing of
an arm with a pointing hand indicating where the verses should be inserted. 1 full-page ink drawing with a red wash of Christ in Majesty (f. 1). Large initials in gold on blue grounds with white filigree, with pen-flourishing in
156, 178). 1 smaller initial in gold on a red and blue ground (f. 227). Smaller initials (2 lines) in red or blue with pen-flourishing in blue (and red) or red (and blue), with decorated extensions. Small initials (1 line)
156, 178). 1 smaller initial in gold on a red and blue ground (f. 227). Smaller initials (2 lines) in red or blue with pen-flourishing in blue (and red) or red (and blue), with decorated extensions. Small initials (1 line)
at the beginning of Thomas of Erfurt's Summa curiae regis. 1 large puzzle initial in red and blue, with penwork decoration and pen-flourishing in extensions in blue and red (f. 1). Small plain initials in red. Summa curiae regis, and
1 large puzzle initial in red and blue with pen-flourishing in red (f. 3v). Smaller puzzle initials in red and blue with pen-flourishing in blue and red, or initials in red or blue with pen-flourishing in blue or red.
text, and of Matthew, Mark, and John (ff. 1, 8, 46, 79). 4 smaller initials in yellow, orange, brown and sometimes blue, one with zoomorphic features, at the beginning of prefaces (ff. 1, 2v, 44v, 77v). Highlighing of letters in
text, and of Matthew, Mark, and John (ff. 1, 8, 46, 79). 4 smaller initials in yellow, orange, brown and sometimes blue, one with zoomorphic features, at the beginning of prefaces (ff. 1, 2v, 44v, 77v). Highlighing of letters in
text, and of Matthew, Mark, and John (ff. 1, 8, 46, 79). 4 smaller initials in yellow, orange, brown and sometimes blue, one with zoomorphic features, at the beginning of prefaces (ff. 1, 2v, 44v, 77v). Highlighing of letters in
text, and of Matthew, Mark, and John (ff. 1, 8, 46, 79). 4 smaller initials in yellow, orange, brown and sometimes blue, one with zoomorphic features, at the beginning of prefaces (ff. 1, 2v, 44v, 77v). Highlighing of letters in
text, and of Matthew, Mark, and John (ff. 1, 8, 46, 79). 4 smaller initials in yellow, orange, brown and sometimes blue, one with zoomorphic features, at the beginning of prefaces (ff. 1, 2v, 44v, 77v). Highlighing of letters in
text, and of Matthew, Mark, and John (ff. 1, 8, 46, 79). 4 smaller initials in yellow, orange, brown and sometimes blue, one with zoomorphic features, at the beginning of prefaces (ff. 1, 2v, 44v, 77v). Highlighing of letters in
Decorated initials 'Primum quidem' at the beginning of Acts. The manuscript is a collection of fragments and leaves. Not described separately: ff. 1-23v; 25-29v; 31, 34, 36-37, 41-43, 45, 48-51, 52-54, 57-59, 60-64, 66, 79, 84-86, 89, 90-96, 98-99,
text, and of Matthew, Mark, and John (ff. 1, 8, 46, 79). 4 smaller initials in yellow, orange, brown and sometimes blue, one with zoomorphic features, at the beginning of prefaces (ff. 1, 2v, 44v, 77v). Highlighing of letters in
One of six known manuscript copies. Full border in colours and gold with foliate forms, with the initial of Psalm 1 excised (f. 2). 7 large puzzle initials in red and blue with red and blue pen-flourishing forming a partial