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of the manuscript but added later. 7 decorated catchwords (ff. 5v, 13v, 21v, 29v, 118v, 134v, 142v). 1 marginal drawing, in ink (f. 117v). ~Sefer ha-Terumah~ by Baruch ben Isaac (ff. 1-277); two short halakhical (legal) treatises (ff. 278-280) Scribal
part of the manuscript but added later. 7 decorated catchwords (ff. 5v, 13v, 21v, 29v, 118v, 134v, 142v). 1 marginal drawing, in ink (f. 117v). ~Sefer ha-Terumah~ by Baruch ben Isaac (ff. 1-277); two short halakhical (legal) treatises (ff. 278-280)
of the manuscript but added later. 7 decorated catchwords (ff. 5v, 13v, 21v, 29v, 118v, 134v, 142v). 1 marginal drawing, in ink (f. 117v). ~Sefer ha-Terumah~ by Baruch ben Isaac (ff. 1-277); two short halakhical (legal) treatises (ff. 278-280) Scribal
originally not part of the manuscript but added later. 7 decorated catchwords (ff. 5v, 13v, 21v, 29v, 118v, 134v, 142v). 1 marginal drawing, in ink (f. 117v). ~Sefer ha-Terumah~ by Baruch ben Isaac (ff. 1-277); two short halakhical (legal) treatises
part of the manuscript but added later. 7 decorated catchwords (ff. 5v, 13v, 21v, 29v, 118v, 134v, 142v). 1 marginal drawing, in ink (f. 117v). ~Sefer ha-Terumah~ by Baruch ben Isaac (ff. 1-277); two short halakhical (legal) treatises (ff. 278-280)
159v).Illegible censor's signature (f. 1). Extensive amount of erasures (e.g., ff. 11, 24, 31v, 35v, 40, 41, 57, 57v, 82v).Moses Gaster (b. 1856, d. 1939), scholar and rabbi: inscribed with his name, 'M. Gaster 582' (f. 1) and 'M. Gaster'
the later addition is more didactic, scholarly, and pessimistic. 1 large miniature, followed by a small miniature and a large decorated initial, with full foliate borders, in colours and gold (f. 1). 85 small miniatures, partly coloured pen drawings (ff.
the later addition is more didactic, scholarly, and pessimistic. 1 large miniature, followed by a small miniature and a large decorated initial, with full foliate borders, in colours and gold (f. 1). 85 small miniatures, partly coloured pen drawings (ff.
the later addition is more didactic, scholarly, and pessimistic. 1 large miniature, followed by a small miniature and a large decorated initial, with full foliate borders, in colours and gold (f. 1). 85 small miniatures, partly coloured pen drawings (ff.
the later addition is more didactic, scholarly, and pessimistic. 1 large miniature, followed by a small miniature and a large decorated initial, with full foliate borders, in colours and gold (f. 1). 85 small miniatures, partly coloured pen drawings (ff.
the later addition is more didactic, scholarly, and pessimistic. 1 large miniature, followed by a small miniature and a large decorated initial, with full foliate borders, in colours and gold (f. 1). 85 small miniatures, partly coloured pen drawings (ff.
the later addition is more didactic, scholarly, and pessimistic. 1 large miniature, followed by a small miniature and a large decorated initial, with full foliate borders, in colours and gold (f. 1). 85 small miniatures, partly coloured pen drawings (ff.
1 full-page miniature (unfinished drawing) (f. 26***v). Full-page canon tables, some painted, some inhabited (ff. 19v-26). 1 large foliate initial, in red ink. Small initials in plain red. Marginal sketches (ff. 51, 58v). Each Gospel is preceded by at least
1 full-page miniature (unfinished drawing) (f. 26***v). Full-page canon tables, some painted, some inhabited (ff. 19v-26). 1 large foliate initial, in red ink. Small initials in plain red. Marginal sketches (ff. 51, 58v). Each Gospel is preceded by at least
1 full-page miniature (unfinished drawing) (f. 26***v). Full-page canon tables, some painted, some inhabited (ff. 19v-26). 1 large foliate initial, in red ink. Small initials in plain red. Marginal sketches (ff. 51, 58v). Each Gospel is preceded by at least
and human heads. Leaves lost before f. 1 and after 147.f. 148 is from a different ?mid-12th century liturgical manuscript with red and blue penwork initials. Catchwords.f. 1* is a paper flyleaf, f. 148 is a medieval parchment flyleaf.This manuscript
'H'(enricus). f. 1 is a parchment flyleaf inscribed with chronological notes concerning English kings.ff. 2-9 is a Table of Contents.ff. 10-12 is inscribed with the Statutum de Consuetudinibus Kancie (in French).f. 13: is a list:Taxatio civitatis London[ensis] persingulas custodias sive
with various inscriptions. 2 large initials in blue with red penwork decoration (ff. 1, 7). Paraphs in blue. Capitals marked in yellow. Marginal notes in red. Eligantiae (with an alphabetical list of words, ff. 73-87) (index Elegantiolae) Giles Grene: sixteenth-century
Oxford and Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '1 Martij, 1720/21.' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during
Oxford and Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '1 Martij, 1720/21.' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during