• Detail of Christ being nailed to the Cross., Book of Hours, Use of Sarum

139v, 152, 156, 159v, 163, 165v, 166v, 167v, 168v). 1 small historiated initial, accompanied by a full foliate border, in colours and gold (f. 130v). 1 initial with arms and 1 with a shield with the symbol of the Trinity,

• Detail of the Crucifixion., Book of Hours, Use of Sarum

139v, 152, 156, 159v, 163, 165v, 166v, 167v, 168v). 1 small historiated initial, accompanied by a full foliate border, in colours and gold (f. 130v). 1 initial with arms and 1 with a shield with the symbol of the Trinity,

• Detail of Christ in Majesty., Book of Hours, Use of Sarum

139v, 152, 156, 159v, 163, 165v, 166v, 167v, 168v). 1 small historiated initial, accompanied by a full foliate border, in colours and gold (f. 130v). 1 initial with arms and 1 with a shield with the symbol of the Trinity,

• Detail of a funeral service., Book of Hours, Use of Sarum

139v, 152, 156, 159v, 163, 165v, 166v, 167v, 168v). 1 small historiated initial, accompanied by a full foliate border, in colours and gold (f. 130v). 1 initial with arms and 1 with a shield with the symbol of the Trinity,

• Detail of the Entombment., Book of Hours, Use of Sarum

139v, 152, 156, 159v, 163, 165v, 166v, 167v, 168v). 1 small historiated initial, accompanied by a full foliate border, in colours and gold (f. 130v). 1 initial with arms and 1 with a shield with the symbol of the Trinity,

• Detail of the Virgin and Child., Book of Hours, Use of Sarum

139v, 152, 156, 159v, 163, 165v, 166v, 167v, 168v). 1 small historiated initial, accompanied by a full foliate border, in colours and gold (f. 130v). 1 initial with arms and 1 with a shield with the symbol of the Trinity,

• Detail of initial with the symbol of the Trinity., Book of Hours, Use of Sarum

139v, 152, 156, 159v, 163, 165v, 166v, 167v, 168v). 1 small historiated initial, accompanied by a full foliate border, in colours and gold (f. 130v). 1 initial with arms and 1 with a shield with the symbol of the Trinity,

• Detail of the Trinity., Book of Hours, Use of Sarum

139v, 152, 156, 159v, 163, 165v, 166v, 167v, 168v). 1 small historiated initial, accompanied by a full foliate border, in colours and gold (f. 130v). 1 initial with arms and 1 with a shield with the symbol of the Trinity,

• Detail of the Veronica veil., Book of Hours, Use of Sarum

139v, 152, 156, 159v, 163, 165v, 166v, 167v, 168v). 1 small historiated initial, accompanied by a full foliate border, in colours and gold (f. 130v). 1 initial with arms and 1 with a shield with the symbol of the Trinity,

• Text page., Doctrinale, glossed

is a fragment of a legal document reused as a flyleaf. 1 large puzzle initial in red and blue with a long extension, terminating in a leaf (f. 1).1 large puzzle initial in red and blue with penwork decoration

• Puzzle initial., Various works, including the Didascalicon (ff. 1-25); the Liber Exceptionum, Part II: Allegoriae in Vetus et Novum Testamentum (ff. 191v-235v)

Novum Testamentum (ff. 191v-235v) The Cisterician abbey of St Mary, Cambron, 14th century: inscribed 'Liber sancte Marie de Camberone' (f. 1) and 'de Camberone' every few folios (ff. 14, 22, 33, 43, 53, 64, 72, 84, 94, 108, 120, 138,

• null, Various works, including the Didascalicon (ff. 1-25); the Liber Exceptionum, Part II: Allegoriae in Vetus et Novum Testamentum (ff. 191v-235v)

Novum Testamentum (ff. 191v-235v) The Cisterician abbey of St Mary, Cambron, 14th century: inscribed 'Liber sancte Marie de Camberone' (f. 1) and 'de Camberone' every few folios (ff. 14, 22, 33, 43, 53, 64, 72, 84, 94, 108, 120, 138,

• null, Various works, including the Didascalicon (ff. 1-25); the Liber Exceptionum, Part II: Allegoriae in Vetus et Novum Testamentum (ff. 191v-235v)

Novum Testamentum (ff. 191v-235v) The Cisterician abbey of St Mary, Cambron, 14th century: inscribed 'Liber sancte Marie de Camberone' (f. 1) and 'de Camberone' every few folios (ff. 14, 22, 33, 43, 53, 64, 72, 84, 94, 108, 120, 138,

• Headpiece in colours and gold, with a large initial 'M' in colours and gold., Psalms and Odes, imperfect at the end

gold (ff. 1, 8v, 17v, 28v, 39v, 49v, 62, 73v, 82v, 92v, 103v, 118, 129, 139, 159, 167, 178, 203v). 1 large initial in blue with red penwork decoration (f. 149). 2 headpieces in colours and gold (ff. 1, 103v).

• Miniature of Christ nailed to the Cross, foliate initial 'D'(eus), and full foliate border, at the beginning of None of the Hours of the Virgin., Book of Hours, Use of Sarum

139v, 152, 156, 159v, 163, 165v, 166v, 167v, 168v). 1 small historiated initial, accompanied by a full foliate border, in colours and gold (f. 130v). 1 initial with arms and 1 with a shield with the symbol of the Trinity,

• Detail of a miniature of John and the angel witnessing four angels standing at the four corners of the earth, holding back the four winds, in illustration of Revelation 7:1., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

Sandler, stylistically related to the Grey-Fitzpayn Hours, Cambridge, Fitzwilliam Museum 242. See also Egbert 1940.Catchwords. 17 large historiated initials (ff. 1, 5v, 6, 8, 24, 34v, 49, 52, 65v, 88), or miniatures (ff. 1v, 2, 3, 58v, 64v) in colours

• Detail of a miniature of John witnessing the fifth angel sounding his trumpet, causing a great star to fall from the heaven into a pit, and unleashing locusts from the earth, in illustration of Revelation 9:1-3., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

Sandler, stylistically related to the Grey-Fitzpayn Hours, Cambridge, Fitzwilliam Museum 242. See also Egbert 1940.Catchwords. 17 large historiated initials (ff. 1, 5v, 6, 8, 24, 34v, 49, 52, 65v, 88), or miniatures (ff. 1v, 2, 3, 58v, 64v) in colours

• Detail of a miniature of John listening to an angel, holding a book, with a rainbow issuing from his head, with feet of fire, standing with one foot on the sea and one foot on the earth, and seven beasts representing seven thunders, in illustration of Revelation 10: 1-17., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

Sandler, stylistically related to the Grey-Fitzpayn Hours, Cambridge, Fitzwilliam Museum 242. See also Egbert 1940.Catchwords. 17 large historiated initials (ff. 1, 5v, 6, 8, 24, 34v, 49, 52, 65v, 88), or miniatures (ff. 1v, 2, 3, 58v, 64v) in colours

• Detail of a miniature of the angel speaking to John holding a reed; and the temple of God on the right with the worshippers inside, in illustration of Revelation 11: 1-2., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

Sandler, stylistically related to the Grey-Fitzpayn Hours, Cambridge, Fitzwilliam Museum 242. See also Egbert 1940.Catchwords. 17 large historiated initials (ff. 1, 5v, 6, 8, 24, 34v, 49, 52, 65v, 88), or miniatures (ff. 1v, 2, 3, 58v, 64v) in colours

• Detail of a miniature of a woman standing upon the moon, with a crown of twelve stars, standing before a rainbow issuing from a building, in illustration of Revelation 12: 1., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

twelve stars, standing before a rainbow issuing from a building, in illustration of Revelation 12: 1. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in Anglo-French (ff. 1-103v), and the Apocalypse with a commentary in