Marginal notes in Ottoman Turkish (ff. 1, 49, 149). Headpiece with vine scroll decoration in colours on a gold ground, partially mutilated, with title and initial in gold (f. 1). Subsequent headpieces decorated in red ink. Large and small red
is a change of scribe at f. 64; the first uses quire signatures, the second uses catchwords. 1 large zoomorphic initial (f. 7v). 1 small iniital with zoomorphic features (f. 2). Added marginal drawings, 13th century (ff. 6v, 20, 85v,
chapter 1 of Bernardus de Gordonio's De conservatione vitae humanae. 4 large decorated initials, developing partial borders, the second with many birds, a squirrel, a butterfly and a grotesque figure fighting a snake, in colours and gold (ff. 1, 3v,
Includes three separately written parts:1. Iohannes Andreae (b. c. 1270-1275, d. 1348), Apparatus ad Sextum (ff. 1 - 113v);2. Liber Sextus Decretalium (ff. 115-204v), a canonical collection compiled under order of Boniface VIII by Guillaume de Mandagot, bishop of Embrun,
Ottoman Turkish. Marginal notes in Ottoman Turkish (ff. 1, 49, 149). Headpiece with vine scroll decoration in colours on a gold ground, partially mutilated, with title and initial in gold (f. 1). Subsequent headpieces decorated in red ink. Large and
many birds, a squirrel, a butterfly and a grotesque figure fighting a snake, in colours and gold (ff. 1, 3v, 61v (x2)). 1 large initial in gold on a red and blue ground with foliate extensions into the margins (f.
many birds, a squirrel, a butterfly and a grotesque figure fighting a snake, in colours and gold (ff. 1, 3v, 61v (x2)). 1 large initial in gold on a red and blue ground with foliate extensions into the margins (f.
many birds, a squirrel, a butterfly and a grotesque figure fighting a snake, in colours and gold (ff. 1, 3v, 61v (x2)). 1 large initial in gold on a red and blue ground with foliate extensions into the margins (f.
many birds, a squirrel, a butterfly and a grotesque figure fighting a snake, in colours and gold (ff. 1, 3v, 61v (x2)). 1 large initial in gold on a red and blue ground with foliate extensions into the margins (f.
many birds, a squirrel, a butterfly and a grotesque figure fighting a snake, in colours and gold (ff. 1, 3v, 61v (x2)). 1 large initial in gold on a red and blue ground with foliate extensions into the margins (f.
(ff. 62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical
Flourished initials, in the Register book of the Archbishop of York. Large initials in red with blue pen-flourishing or in blue with red pen-flourishing. Register book of the Archbishop of York Inscribed 'Regestum Archiep. Eborac. FN', and 'Histor. Eborac
Flourished initials, in the Breviary. Large and small initials in gold with purple or brown foliate pen-flourishing or in blue with red foliate pen-flourishing. Breviary, Use of Sarum, fragment, with prayers and meditations in English Inscribed 'LLd No. 62'
brown ink (f. 48). Specimens of Calligraphy Written in London by Petruccio Ubaldini; signed and dated 20 July 1550 (ff. 1, 21, 42).Edward VI (b. 1537, d.1553), king of England and Ireland, king from 1547: apparently intended for him (ff.
books signed by Richard III: see Sutton and Visser-Fuchs 1997 p. 1. 2 large puzzle initials in red and blue with foliate pen-flourishing in blue and red (ff. 1, 20v). Large and smaller initials in blue with red foliate pen-flourishing.
(ff. 62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical
(ff. 62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical
(ff. 62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical
62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical band
and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical band with