• Two decorated initial-word panels in foliate frames., Haggadah for Passover (the 'Hispano-Moresque Haggadah')

and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical band with

• Two decorated initial-word panels in foliate frames., Haggadah for Passover (the 'Hispano-Moresque Haggadah')

and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical band with

• Two decorated initial-word panels and foliate frame., Haggadah for Passover (the 'Hispano-Moresque Haggadah')

and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical band with

• Decorated initial-word panels in foliate frame: ~Hakham~ (Wise Son) and ~Rasha~ ( Wicked Son)., Haggadah for Passover (the 'Hispano-Moresque Haggadah')

(ff. 62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical

• Decorated initial-word panel, at the beginning of the passage 'Rabbi Eliezer ben Azaryah said'., Haggadah for Passover (the 'Hispano-Moresque Haggadah')

(ff. 62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical

• Decorated initial-word panel ~Avadim~ (slaves) at the beginning of the passage, 'We were Pharaoh's slaves'., Haggadah for Passover (the 'Hispano-Moresque Haggadah')

(ff. 62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical

• Marginal drawing of the standard used at the Battle of the Standard, with an inscription reading 'Standard'., Chronica; Tractatus de legibus et consuetudinibus regum Angliae, and other texts

Battle of the Standard in red, green, and blue ink (f. 88), and of a red star (f. 100), and 1 drawing in black and red ink of a seal of William, king of Sicily (f. 160v). Initials in red

• Puzzle and flourished initials., Tractatus de practica officii Inquisitionis heretice

puzzle initials in red and blue with pen-flourishing in purple and red and decorated extension in red and blue (ff. 1, 3). Small initials in red with purple pen-flourishing or in blue with red pen-flourishing. Tractatus de practica officii Inquisitionis

• Puzzle initial., Tractatus de practica officii Inquisitionis heretice

puzzle initials in red and blue with pen-flourishing in purple and red and decorated extension in red and blue (ff. 1, 3). Small initials in red with purple pen-flourishing or in blue with red pen-flourishing. Tractatus de practica officii Inquisitionis

• Historiated initial 'P'(uer) with a Majestas Domini, in the Gradual., Icelandic Gradual

162, 171, 183-186).Little booklet containing a prayer in French and dated 'xi Juin 1674' pasted to f. 8 (ff. 2-7). 1 large historiated initial, in colours (f. 33). Large decorated initials, in colours. Smaller initials in red, blue, green, or

• Decorated initial 'B'(enedicta), and initials with pen-flourishing, in the Gradual., Icelandic Gradual

162, 171, 183-186).Little booklet containing a prayer in French and dated 'xi Juin 1674' pasted to f. 8 (ff. 2-7). 1 large historiated initial, in colours (f. 33). Large decorated initials, in colours. Smaller initials in red, blue, green, or

• Detail of a historiated initial 'S'(ub) of the Virgin and Child, at the beginning of a motet to the Virgin by Benedictus de Opitiis., Motets

notation. 1 full-page miniature in colours and gold of the Tudor rose (f. 2). 2 miniatures in colours and gold of red roses of Lancaster surrounded by couplets with music inscribed on two circular staves (ff. 2v, 3). 1 historiated

• Detail of an illuminated initial with a red rose., Motets

notation. 1 full-page miniature in colours and gold of the Tudor rose (f. 2). 2 miniatures in colours and gold of red roses of Lancaster surrounded by couplets with music inscribed on two circular staves (ff. 2v, 3). 1 historiated

• Detail of an illuminated initial 'B'(eati)., Motets

notation. 1 full-page miniature in colours and gold of the Tudor rose (f. 2). 2 miniatures in colours and gold of red roses of Lancaster surrounded by couplets with music inscribed on two circular staves (ff. 2v, 3). 1 historiated

• Decorated initial at the beginning of the canon of the mass., Cistercian Missal, imperfect

or in red with blue penwork decoration, at the canon of the mass (ff. 115v-116). 1 large initial in blue with penwork decoration (f. 1). Large initials in red, green, or blue, some with penwork decoration, 3 with decoration in

• Genealogie., The Pedigree and arms of the family of Las Casas

17 lots were purchased subsequently for £2 9s. 6d. (Egerton MSS 710-730). 2 full-page miniatures, in colours and gold (ff. 1, 2). Genealogy, in colours and gold (f. 50). 11 large historiated initials, in colours and gold (ff. 2v, 3,

• Text page., Historical writings; Life and Miracles of St. Louis

(ff. 20-60v); bifolium signatures Bands in colours enclosing columns of the text (1-11v). 1 initial in blue with red pen-flourishing, at the beginning of the text (f. 1). Initials in red or blue. Space left for initials (ff. 7-11v). Historical

• Historiated initial 'A'(d) with the Mass and full foliate borders including birds and heraldic arms., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Miniatures of the Crucifixion and the Majesta Domini, at the beginning of the Canon of the mass., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Historiated initial of the Nativity., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The