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Flourished initials, in the Register book of the Archbishop of York. Large initials in red with blue pen-flourishing or in blue with red pen-flourishing. Register book of the Archbishop of York Inscribed 'Regestum Archiep. Eborac. FN', and 'Histor. Eborac
Flourished initials, in the Breviary. Large and small initials in gold with purple or brown foliate pen-flourishing or in blue with red foliate pen-flourishing. Breviary, Use of Sarum, fragment, with prayers and meditations in English Inscribed 'LLd No. 62'
Illuminated initial 'D'(eus) with foliate and interlace decoration. Other capital lettering in gold. Musical notation: neumes, central France (Nevers), 10th century (ff. 3-3v, 39v-40, 86v-88, 90v-92v).Rubric following chant for the 'Consecratio fontis' directs: 'Hic muta vocem quasi lectionem legens'
17 lots were purchased subsequently for £2 9s. 6d. (Egerton MSS 710-730). 2 full-page miniatures, in colours and gold (ff. 1, 2). Genealogy, in colours and gold (f. 50). 11 large historiated initials, in colours and gold (ff. 2v, 3,
is a change of scribe at f. 64; the first uses quire signatures, the second uses catchwords. 1 large zoomorphic initial (f. 7v). 1 small iniital with zoomorphic features (f. 2). Added marginal drawings, 13th century (ff. 6v, 20, 85v,
(ff. 62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical
manuscript’s history, its first folio (and perhaps more) went missing. This folio would have contained the opening words of Psalm 1, ‘Beatus Vir’, and would doubtless have contained a historiated initial. In order to provide the manuscript with a colourful
manuscript’s history, its first folio (and perhaps more) went missing. This folio would have contained the opening words of Psalm 1, ‘Beatus Vir’, and would doubtless have contained a historiated initial. In order to provide the manuscript with a colourful
manuscript’s history, its first folio (and perhaps more) went missing. This folio would have contained the opening words of Psalm 1, ‘Beatus Vir’, and would doubtless have contained a historiated initial. In order to provide the manuscript with a colourful
manuscript’s history, its first folio (and perhaps more) went missing. This folio would have contained the opening words of Psalm 1, ‘Beatus Vir’, and would doubtless have contained a historiated initial. In order to provide the manuscript with a colourful
manuscript’s history, its first folio (and perhaps more) went missing. This folio would have contained the opening words of Psalm 1, ‘Beatus Vir’, and would doubtless have contained a historiated initial. In order to provide the manuscript with a colourful
manuscript’s history, its first folio (and perhaps more) went missing. This folio would have contained the opening words of Psalm 1, ‘Beatus Vir’, and would doubtless have contained a historiated initial. In order to provide the manuscript with a colourful
manuscript’s history, its first folio (and perhaps more) went missing. This folio would have contained the opening words of Psalm 1, ‘Beatus Vir’, and would doubtless have contained a historiated initial. In order to provide the manuscript with a colourful
manuscript’s history, its first folio (and perhaps more) went missing. This folio would have contained the opening words of Psalm 1, ‘Beatus Vir’, and would doubtless have contained a historiated initial. In order to provide the manuscript with a colourful
brown ink (f. 48). Specimens of Calligraphy Written in London by Petruccio Ubaldini; signed and dated 20 July 1550 (ff. 1, 21, 42).Edward VI (b. 1537, d.1553), king of England and Ireland, king from 1547: apparently intended for him (ff.
(ff. 62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical
(ff. 62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical
(ff. 62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical
62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical band
and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical band with