• Detail of a historiated initial of Pentecost., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Detail of historiated initial of the Trinity., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Historiated initial 'D'(ominus) with Andrew., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Detail of historiated initial of the Presentation., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Historiated initial of the Presentation., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Miniature of the Crucifixion, with the sun and moon overhead, and the Virgin Mary and John the Evangelist below., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Miniature of God enthroned, surrounded by symbols of the four evangelists., Missal, use of Paris

many with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The

• Detail of a zoomorphic initial 'B'(eatus) with a bird and a fish and interlace decoration at the beginning of the Psalms., Psalter, in the Hebraicum version, with preface, and Canticles

patron of the arts: inscribed as usual by their librarian, Humfrey Wanley '13 die Mensis Augusti, A. D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Coloured initials., Benedictional, with prayers (the 'Canterbury Benedictional')

and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '11 die Martii, A. D. 1723/4' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Zoomorphic initial 'B'(eatus vir) with a bird and a fish and interlace decoration in ink and red, green, and yellow at the beginning of the Psalms., Psalter, in the Hebraicum version, with preface, and Canticles

patron of the arts: inscribed as usual by their librarian, Humfrey Wanley '13 die Mensis Augusti, A. D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Decorated initial 'D'(ilecassimis) in brown with penwork decoration and floriate motifs., Psalter, in the Hebraicum version, with preface, and Canticles

patron of the arts: inscribed as usual by their librarian, Humfrey Wanley '13 die Mensis Augusti, A. D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Canon in circular form with a horseman, a dragon and the motto of the Garter, 'Hony soit qui mal y pense' in the centre., Book of 28 motets

badges of a portcullis adopted by Henry VIII and the Tudor rose, with Katherine's badge of a pomegranate (ff. 2v-3).[f. 1 only: Henry Fitzalan, 12th earl of Arundel (b. 1512, d. 1580), magnate, or his father William Fitzalan, 11th earl

• Calligraphic initials 'A'(bsalon), 'T'(enor), 'C', and 'B'., Book of 28 motets

badges of a portcullis adopted by Henry VIII and the Tudor rose, with Katherine's badge of a pomegranate (ff. 2v-3).[f. 1 only: Henry Fitzalan, 12th earl of Arundel (b. 1512, d. 1580), magnate, or his father William Fitzalan, 11th earl

• Detail of an historiated initial 'D'(eus) of the Holy Face, or portrait of Christ, at the reading for the feast of the Circumcision on 1 January., Breviary, Use of Sarum with Norwich variants ('The Stowe Breviary')

of Christ, at the reading for the feast of the Circumcision on 1 January. 46 large historiated initials, with three-sided or partial foliate borders, in colours and gold (ff. 16v, 20v, 23v, 25v, 27v, 40, 87, 109, 121, 125v, 128,

• Detail of an historiated initial 'E'(xaudi) with a bust of bishop Germanus, at the beginning of the reading for 28 May and 1 August., Breviary, Use of Sarum with Norwich variants ('The Stowe Breviary')

Germanus, at the beginning of the reading for 28 May and 1 August. 46 large historiated initials, with three-sided or partial foliate borders, in colours and gold (ff. 16v, 20v, 23v, 25v, 27v, 40, 87, 109, 121, 125v, 128, 130,

• Detail of an historiated initial 'D'(e) of Peter holding the chains of his imprisonment at the beginning of the reading for 28 May and 1 August, with a partial bar border including a peasant., Breviary, Use of Sarum with Norwich variants ('The Stowe Breviary')

his imprisonment at the beginning of the reading for 28 May and 1 August, with a partial bar border including a peasant. 46 large historiated initials, with three-sided or partial foliate borders, in colours and gold (ff. 16v, 20v, 23v,

• Decorated initial 'A'(d) and coloured initials 'E'(xcita) and 'F'(ratres)., Cistercian Missal, imperfect

or in red with blue penwork decoration, at the canon of the mass (ff. 115v-116). 1 large initial in blue with penwork decoration (f. 1). Large initials in red, green, or blue, some with penwork decoration, 3 with decoration in

• Historiated initial 'H'(ec), of Isaiah speaking to a group with God above, at the reading for Christmas Day, with a partial bar border., Epistolary of the Sainte-Chapelle, Use of Paris

in colours and gold (ff. 1, 13, 15, 84, 99v, 108v, 116v (x2)). Large puzzle initials in gold and blue, with pen-flourishing in blue (and red) and red (and blue), developing decorated extensions with fleur-de-lys, 1 developing a full border

• Historiated initial 'I'(n) of the Pentecost, with a partial bar border., Epistolary of the Sainte-Chapelle, Use of Paris

in colours and gold (ff. 1, 13, 15, 84, 99v, 108v, 116v (x2)). Large puzzle initials in gold and blue, with pen-flourishing in blue (and red) and red (and blue), developing decorated extensions with fleur-de-lys, 1 developing a full border

• Historiated initial with a battle scene., Fragment of a leaf of a Speculum maius (beginning of book 9)

leaf from a late 13th century English Troper (Sanctus and Agnus tropes). Musical notation: square notation on four-line red staves. 1 large historiated initial with partial bar borders with leaves, in colours and gold. Small initials in red with blue