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langton' (f. vol. 2, f. 242).John Theyer (bap. 1598, d. 1673), antiquary: his monogram (vol. 1, f. i verso), a note in his hand (vol. 1, f. 9); included in the catalogue of his library left to his grandson Charles
langton' (f. vol. 2, f. 242).John Theyer (bap. 1598, d. 1673), antiquary: his monogram (vol. 1, f. i verso), a note in his hand (vol. 1, f. 9); included in the catalogue of his library left to his grandson Charles
langton' (f. vol. 2, f. 242).John Theyer (bap. 1598, d. 1673), antiquary: his monogram (vol. 1, f. i verso), a note in his hand (vol. 1, f. 9); included in the catalogue of his library left to his grandson Charles
langton' (f. vol. 2, f. 242).John Theyer (bap. 1598, d. 1673), antiquary: his monogram (vol. 1, f. i verso), a note in his hand (vol. 1, f. 9); included in the catalogue of his library left to his grandson Charles
langton' (f. vol. 2, f. 242).John Theyer (bap. 1598, d. 1673), antiquary: his monogram (vol. 1, f. i verso), a note in his hand (vol. 1, f. 9); included in the catalogue of his library left to his grandson Charles
langton' (f. vol. 2, f. 242).John Theyer (bap. 1598, d. 1673), antiquary: his monogram (vol. 1, f. i verso), a note in his hand (vol. 1, f. 9); included in the catalogue of his library left to his grandson Charles
langton' (f. vol. 2, f. 242).John Theyer (bap. 1598, d. 1673), antiquary: his monogram (vol. 1, f. i verso), a note in his hand (vol. 1, f. 9); included in the catalogue of his library left to his grandson Charles
in colours, gold and silver (ff. 1, 3). 5 large foliate initials, in colours, gold and silver (ff. 7, 11, 14, 19, 25v). 1 smaller initial in gold on a red ground (f. 21). 1 small initial in gold on
in colours, gold and silver (ff. 1, 3). 5 large foliate initials, in colours, gold and silver (ff. 7, 11, 14, 19, 25v). 1 smaller initial in gold on a red ground (f. 21). 1 small initial in gold on
during a speech by the Chevalier sans peur to Meliadus. The attribution to Hélie de Borron in this manuscript (f. 1) is doubtful. The text was composed between 1235 and c.1240.The miniatures, by several Neapolitan artists with French influence, were
during a speech by the Chevalier sans peur to Meliadus. The attribution to Hélie de Borron in this manuscript (f. 1) is doubtful. The text was composed between 1235 and c.1240.The miniatures, by several Neapolitan artists with French influence, were
neumes. Large initial in colours with a dragon and foliage (f. 1). Large initial in red with green penwork decoration (f. 33). Large initials in red, green, or brown. Small initials in red or brown. Highlighting of letters in red
Decorated initials. ff. 1-2 are parchment flyleaves. Large initials in red, some with penwork decoration. Chronicle, imperfect; De gestis Ludouici imperatoris; Life of Charlemagne (ff. 94-105); Prophecy of the tenth sibyl (ff. 106-109v) The Fugger family: inscription 'Ex Bibliotheca
Decorated initial 'V'(itam). ff. 1-2 are parchment flyleaves. Large initials in red, some with penwork decoration. Chronicle, imperfect; De gestis Ludouici imperatoris; Life of Charlemagne (ff. 94-105); Prophecy of the tenth sibyl (ff. 106-109v) The Fugger family: inscription 'Ex
Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XIII.6.9’, inside upper cover).Purchased by the British Museum from the Royal Society of
and meeting on the other side. Old foliation in Part 1 on verso and in Part 2 on verso to xxiiii. Circular ink diagrams in brown and red of: the elements (f. 52v); diagrams showing the 'roundness' of the earth,
de la table rounde'. Old foliation in Part 1 on verso and in Part 2 on verso to xxiiii. Circular ink diagrams in brown and red of: the elements (f. 52v); diagrams showing the 'roundness' of the earth, the first
night. Old foliation in Part 1 on verso and in Part 2 on verso to xxiiii. Circular ink diagrams in brown and red of: the elements (f. 52v); diagrams showing the 'roundness' of the earth, the first two with men
Full foliate border at Deuteronomy 32. f. 1 is cut off most part. Folios 1 and 4 are later additions.Hebrew foliation from f. 5, starting with 2 until the end of the Pentateuch (f. 99).In the colophon (f. 184), the
Full foliate border at Deuteronomy 32. f. 1 is cut off most part. Folios 1 and 4 are later additions.Hebrew foliation from f. 5, starting with 2 until the end of the Pentateuch (f. 99).In the colophon (f. 184), the