• null, Tractatus in Evangelium Ioannis, imperfect, lacking tracts 18 and 19 and substituting Sermo 125 (ff. 66-70)

the Arno plain: ‘hic liber est sancte marie de Popllena [in quid?] est librum beati Johannis super expositionem evangelii’ (f. 1, upper margin), and a note of the consecration of the abbey church of S. Mariae de Poplina in 1100,

• Decorated initial 'R'(egistrum) with penwork decoration of leaves, at the beginning of the cartulary of John Blaunchard., Cartulary of John Blaunchard

marks from the two clasps at the fore-edge (ff. 2-4 and [2a]). 1 large initial in black with red penwork decoration in the form of leaves (f. 4). 1 large initial in brown ink with foliate decoration highlighted in yellow

• Detail of a miniature of several episodes from book IV of Virgil's Aeneid: on the right, the hunt during which Dido and Aeneas meet; on the left, Dido and Aeneas ride into a cave together, and in the middle of the image, Dido is on her funeral pyre, committing suicide after the departure of Aeneas.and decorated initial 'A'(t)., Bucolica (index Bucolics, Eclogues)(ff. 1-16v); Georgica (index Georgics)(ff. 17-58), with argumenta; Aeneis (index Aeneid)(ff. 58v-244v), with argumenta and verse preface, omitting 2:567-588 ('The King's Virgil')

cornucopiae, dolphins, sphinxes, masks, trophies and heraldic decoration, in colours and gold, at the beginning of texts or books (ff. 1, 17, 26v-27 [miniature f. 26v, accompanying border f. 27], 37, 47v, 59, 73v, 88, 101v, 115, 131v, 148v, 164,

• Medallion containing the zodiacal sign for Virgo and men making barrels, at the page for August in the Calendar., Book of Hours ('The Hours of Laudomia de' Medici')

for or after her marriage to Francesco Salviati in 1502: their arms, partly obliterated with gold (not obliterated on ff. 1, 20v, 31, 36v, 39v, 44v, 82, and 117v); the initials of Laudomia de' Medici and Francesco Salviati (ff. 33v,

• Miniature of the presentation of the Virgin in the Temple, and historiated initial 'A'(d) with the Virgin as Woman of the Apocalypse, and full all'antica borders, with martyred saints in the corners, at the beginning of the Gradual Psalms; at the bottom, the arms of the Medici and the Salviati have been obliterated with gold., Book of Hours ('The Hours of Laudomia de' Medici')

for or after her marriage to Francesco Salviati in 1502: their arms, partly obliterated with gold (not obliterated on ff. 1, 20v, 31, 36v, 39v, 44v, 82, and 117v); the initials of Laudomia de' Medici and Francesco Salviati (ff. 33v,

• Illuminated initial 'A'(ctum) with a partial bar border, at the beginning of book 10., Commentary on Unum ex quatuor

and St. Egwin, Evesham, given by him to the abbey of Evesham on 28th August, 1458: inscribed 'Monasterij Eweshamie' (f. 1), 'Liber Monasterij Eweshamie' (f. 471v), and 'Notingham sup[er] ev[a]ngelia ex dono Reverendissi[m]i Patris do[m]pni Joh[ann]is Wykwon Abb[at]is / Mon[asteri]

• Detail of a miniature of Charles V of France receiving the book from the author, at the beginning of book 1., Le Songe du Vergier

(e.g., f. 57v) 1 full-page miniature in colours and gold of a debate between a churchman and a knight, preceding the text (f. 1v). 2 two-column miniatures in colours and gold, at the beginning of books 1 and 2 (ff.

• Miniature of Charles V of France receiving the book from the author, and a foliate initial 'A'(udite) with a full border and a shield bearing the royal arms of France flanked by two lions, at the beginning of book 1., Le Songe du Vergier

(e.g., f. 57v) 1 full-page miniature in colours and gold of a debate between a churchman and a knight, preceding the text (f. 1v). 2 two-column miniatures in colours and gold, at the beginning of books 1 and 2 (ff.

• Miniature divided in four compartments: 1. Coronation of the Virgin; 2. Male saints in two groups; 3. Female saints in two groups; 4. The Last Judgement; with a full border and a foliate initial 'L'(avenement), at the beginning of the text., Legenda aurea

in four compartments: 1. Coronation of the Virgin; 2. Male saints in two groups; 3. Female saints in two groups; 4. The Last Judgement; with a full border and a foliate initial 'L'(avenement), at the beginning of the text. Contains

• Detail of a miniature divided in four compartments: 1. Coronation of the Virgin; 2. Male saints in two groups; 3. Female saints in two groups; 4. The Last Judgement; with a full border and a foliate initial 'L'(avenement), at the beginning of the text., Legenda aurea

divided in four compartments: 1. Coronation of the Virgin; 2. Male saints in two groups; 3. Female saints in two groups; 4. The Last Judgement; with a full border and a foliate initial 'L'(avenement), at the beginning of the text.

• null, Epigrammata ex sententiis S. Augustini, prefatory poem, and poema coniugis ad uxorem, Poems (ff. 1; 22-23v)

p(ro)sp(er). Glosati’ in a formal script (f. 1, upper margin). Small red initials, some decorated with simple patterns. Epigrammata ex sententiis S. Augustini, prefatory poem, and poema coniugis ad uxorem, Poems (ff. 1; 22-23v) The Cistercian abbey of St. Mary,

• null, Epigrammata ex sententiis S. Augustini, prefatory poem, and poema coniugis ad uxorem, Poems (ff. 1; 22-23v)

p(ro)sp(er). Glosati’ in a formal script (f. 1, upper margin). Small red initials, some decorated with simple patterns. Epigrammata ex sententiis S. Augustini, prefatory poem, and poema coniugis ad uxorem, Poems (ff. 1; 22-23v) The Cistercian abbey of St. Mary,

• Illuminated initial 'A'(nno), with a partial border, at the beginning of book 2., Commentary on Unum ex quatuor

with a marked change on f. 195.Catchwords and bifolium signatures. 8 foliate initials in colours and gold, with full (f. 1) or partial foliate borders (ff. 45v, 70v, 73v, 82v, 99v, 144v, 189), at the beginning of the prologue and

• Illuminated initial 'P'(ost) with a partial border, at the beginning of book 5., Commentary on Unum ex quatuor

with a marked change on f. 195.Catchwords and bifolium signatures. 8 foliate initials in colours and gold, with full (f. 1) or partial foliate borders (ff. 45v, 70v, 73v, 82v, 99v, 144v, 189), at the beginning of the prologue and

• Detail of an angel holding a scroll with a catchword., Commentary on Unum ex quatuor

with a marked change on f. 195.Catchwords and bifolium signatures. 8 foliate initials in colours and gold, with full (f. 1) or partial foliate borders (ff. 45v, 70v, 73v, 82v, 99v, 144v, 189), at the beginning of the prologue and

• null, Commentary on Unum ex quatuor

with a marked change on f. 195.Catchwords and bifolium signatures. 8 foliate initials in colours and gold, with full (f. 1) or partial foliate borders (ff. 45v, 70v, 73v, 82v, 99v, 144v, 189), at the beginning of the prologue and

• null, Commentary on Unum ex quatuor

with a marked change on f. 195.Catchwords and bifolium signatures. 8 foliate initials in colours and gold, with full (f. 1) or partial foliate borders (ff. 45v, 70v, 73v, 82v, 99v, 144v, 189), at the beginning of the prologue and

• null, Commentary on Unum ex quatuor

with a marked change on f. 195.Catchwords and bifolium signatures. 8 foliate initials in colours and gold, with full (f. 1) or partial foliate borders (ff. 45v, 70v, 73v, 82v, 99v, 144v, 189), at the beginning of the prologue and

• null, Commentary on Unum ex quatuor

with a marked change on f. 195.Catchwords and bifolium signatures. 8 foliate initials in colours and gold, with full (f. 1) or partial foliate borders (ff. 45v, 70v, 73v, 82v, 99v, 144v, 189), at the beginning of the prologue and

• Illuminated initial 'D'(a michi), with a full border, at the beginning of the prologue., Commentary on Unum ex quatuor

with a marked change on f. 195.Catchwords and bifolium signatures. 8 foliate initials in colours and gold, with full (f. 1) or partial foliate borders (ff. 45v, 70v, 73v, 82v, 99v, 144v, 189), at the beginning of the prologue and