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119, 124, 126, 128v, 132 (x2), 141v, 151, 163, 165v, 167). 1 large historiated initial with a three-sided foliate border, in colours and gold (f. 129). 1 large and 1 smaller decorated initial with foliate extensions into the margins, in
119, 124, 126, 128v, 132 (x2), 141v, 151, 163, 165v, 167). 1 large historiated initial with a three-sided foliate border, in colours and gold (f. 129). 1 large and 1 smaller decorated initial with foliate extensions into the margins, in
119, 124, 126, 128v, 132 (x2), 141v, 151, 163, 165v, 167). 1 large historiated initial with a three-sided foliate border, in colours and gold (f. 129). 1 large and 1 smaller decorated initial with foliate extensions into the margins, in
119, 124, 126, 128v, 132 (x2), 141v, 151, 163, 165v, 167). 1 large historiated initial with a three-sided foliate border, in colours and gold (f. 129). 1 large and 1 smaller decorated initial with foliate extensions into the margins, in
119, 124, 126, 128v, 132 (x2), 141v, 151, 163, 165v, 167). 1 large historiated initial with a three-sided foliate border, in colours and gold (f. 129). 1 large and 1 smaller decorated initial with foliate extensions into the margins, in
119, 124, 126, 128v, 132 (x2), 141v, 151, 163, 165v, 167). 1 large historiated initial with a three-sided foliate border, in colours and gold (f. 129). 1 large and 1 smaller decorated initial with foliate extensions into the margins, in
119, 124, 126, 128v, 132 (x2), 141v, 151, 163, 165v, 167). 1 large historiated initial with a three-sided foliate border, in colours and gold (f. 129). 1 large and 1 smaller decorated initial with foliate extensions into the margins, in
119, 124, 126, 128v, 132 (x2), 141v, 151, 163, 165v, 167). 1 large historiated initial with a three-sided foliate border, in colours and gold (f. 129). 1 large and 1 smaller decorated initial with foliate extensions into the margins, in
the Arno plain: ‘hic liber est sancte marie de Popllena [in quid?] est librum beati Johannis super expositionem evangelii’ (f. 1, upper margin), and a note of the consecration of the abbey church of S. Mariae de Poplina in 1100,
the Arno plain: ‘hic liber est sancte marie de Popllena [in quid?] est librum beati Johannis super expositionem evangelii’ (f. 1, upper margin), and a note of the consecration of the abbey church of S. Mariae de Poplina in 1100,
for or after her marriage to Francesco Salviati in 1502: their arms, partly obliterated with gold (not obliterated on ff. 1, 20v, 31, 36v, 39v, 44v, 82, and 117v); the initials of Laudomia de' Medici and Francesco Salviati (ff. 33v,
for or after her marriage to Francesco Salviati in 1502: their arms, partly obliterated with gold (not obliterated on ff. 1, 20v, 31, 36v, 39v, 44v, 82, and 117v); the initials of Laudomia de' Medici and Francesco Salviati (ff. 33v,
and St. Egwin, Evesham, given by him to the abbey of Evesham on 28th August, 1458: inscribed 'Monasterij Eweshamie' (f. 1), 'Liber Monasterij Eweshamie' (f. 471v), and 'Notingham sup[er] ev[a]ngelia ex dono Reverendissi[m]i Patris do[m]pni Joh[ann]is Wykwon Abb[at]is / Mon[asteri]
(e.g., f. 57v) 1 full-page miniature in colours and gold of a debate between a churchman and a knight, preceding the text (f. 1v). 2 two-column miniatures in colours and gold, at the beginning of books 1 and 2 (ff.
(e.g., f. 57v) 1 full-page miniature in colours and gold of a debate between a churchman and a knight, preceding the text (f. 1v). 2 two-column miniatures in colours and gold, at the beginning of books 1 and 2 (ff.
p(ro)sp(er). Glosati’ in a formal script (f. 1, upper margin). Small red initials, some decorated with simple patterns. Epigrammata ex sententiis S. Augustini, prefatory poem, and poema coniugis ad uxorem, Poems (ff. 1; 22-23v) The Cistercian abbey of St. Mary,
p(ro)sp(er). Glosati’ in a formal script (f. 1, upper margin). Small red initials, some decorated with simple patterns. Epigrammata ex sententiis S. Augustini, prefatory poem, and poema coniugis ad uxorem, Poems (ff. 1; 22-23v) The Cistercian abbey of St. Mary,
with a marked change on f. 195.Catchwords and bifolium signatures. 8 foliate initials in colours and gold, with full (f. 1) or partial foliate borders (ff. 45v, 70v, 73v, 82v, 99v, 144v, 189), at the beginning of the prologue and
with a marked change on f. 195.Catchwords and bifolium signatures. 8 foliate initials in colours and gold, with full (f. 1) or partial foliate borders (ff. 45v, 70v, 73v, 82v, 99v, 144v, 189), at the beginning of the prologue and
with a marked change on f. 195.Catchwords and bifolium signatures. 8 foliate initials in colours and gold, with full (f. 1) or partial foliate borders (ff. 45v, 70v, 73v, 82v, 99v, 144v, 189), at the beginning of the prologue and