gold, and partial bar borders with zoomorphic elements (ff. 129, 133v). 1 partial bar border incorporating a large hybrid (f. 3). Large initials in colours and silver and gold with foliate decoration, some with animal or human heads and partial
partial bar borders with zoomorphic elements (ff. 129, 133v). 1 partial bar border incorporating a large hybrid (f. 3). Large initials in colours and silver and gold with foliate decoration, some with animal or human heads and partial bar borders.
and partial bar borders with zoomorphic elements (ff. 129, 133v). 1 partial bar border incorporating a large hybrid (f. 3). Large initials in colours and silver and gold with foliate decoration, some with animal or human heads and partial bar
partial bar borders with zoomorphic elements (ff. 129, 133v). 1 partial bar border incorporating a large hybrid (f. 3). Large initials in colours and silver and gold with foliate decoration, some with animal or human heads and partial bar borders.
Decorated initial 'A' at the beginning of Augustine's Sermones. The whole manuscript, although written in different hands, is contemporary with its first part which is dated 1407 (see Provenance). Catchwords written horizontally, not only at the end of quires.Numerous
Tristram) (imperfect) Law papers in French relating to the Cassin family and others have been used for the flyleaves (ff. 1, 62) and for pasting inside the boards, one of them is dated 1639. Nicolas Joseph Foucault (b. 1643, d.
Inscriptions. 1 large initial in blue with pen-flourishing in red. Small initials in plain red. Diagrams. Alchemical treatises Inscription, 15th century, and the number 'XV.B' (f. 1).Francis Bernard (bap. 1628, d. 1698), apothecary and physician: inscribed '90. Bern.' (f. 2).Sir
drawings. 1 large initial in blue with pen-flourishing in red. Small initials in plain red. Diagrams. Alchemical treatises Inscription, 15th century, and the number 'XV.B' (f. 1).Francis Bernard (bap. 1628, d. 1698), apothecary and physician: inscribed '90. Bern.' (f. 2).Sir
coloured initials. f. 1 is a paper leaf. Large initials in blue. Parpahs in blue or red. Line-filllers in red. Drawings in brown and red of zodiac man, and surgical instruments and procedures (ff. 62v, 72v, 81v). Speculum Phlebotomae (ff.
f. [126] are former parchment pastedowns.f. 1 is a blank parchment leaf with ownership inscriptions by Foucault and Wanley. 3 large initials in colours at the beginning of each book (ff. 2, 33v, 69). Blank space left for initial (f.
f. [126] are former parchment pastedowns.f. 1 is a blank parchment leaf with ownership inscriptions by Foucault and Wanley. 3 large initials in colours at the beginning of each book (ff. 2, 33v, 69). Blank space left for initial (f.
1 is a paper flyleaf.Added texts ff. 23v,180v-184v. Full-page outline drawing in brown of a Zodiac man with labelling in blue and gold (f. 2). 2 full border in colours and gold with foliate decoration (ff. 25, 43), and
1 is a paper flyleaf.Added texts ff. 23v,180v-184v. Full-page outline drawing in brown of a Zodiac man with labelling in blue and gold (f. 2). 2 full border in colours and gold with foliate decoration (ff. 25, 43), and
s(an)c(t)e marie in Eb(ir)bach' (ff. 1, 145v), and mentioned in the catalogue of the library of 1502 as '7 [sign after 'Z'] 1' or 'a29' (see Palmer 1998, pp. 258, 262).Inscribed 'Z 140' (f. 1); similar inscriptions consisting of a
the beginning of Pseudo-Boethius's De disciplina scholarium. 1 large puzzle initial in red and blue with pen-flourishing in blue and red, and decorated extension (f. 1). Small initials in plain red or blue. 1 marginal drawing of a head, 15th
New York, ex-Stern Collection; Washington National Gallery of Art, inv. B 14842.Musical notation. 1 historiated initial 'T' in colours and gold, of the Dedication of a Church. 1 decorated initial 'O' in colours (f. 10v). On the reverse, musical notation
Add. 20916, ff. 10-15 and 17. To see this leaf in the Manuscripts Reading Room order Add. 20916, ff. 10-17. 1 full-page miniature in colours and gold, of a Venetian nobleman kneeling in prayer before a seated Virgin and Child
Portrait medallion of Niccolo III d'Este (b. 1383, d. 1441). A second volume is Harley 3311.The 17th-century portrait medallions are painted on paper slips glued onto the manuscript leaves. Numerous medallions in colours with imaginary portraits of members of
Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XII.6.20’, inside upper cover).Purchased by the British Museum from the Royal Society of
parchment leaves inserted after ff. 13, 14, 62 (x2), 80, 119, 124, 137. 1 large initial in gold on a red and blue ground, with foliate extensions into the margins (f. 4). Initials in gold on red and blue grounds,