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in ink, 1 with brown and red washes (ff. 25v, 109v, 145v). 5 smaller drawings in ink (ff. 60v, 69v, 79v, 82v, 131). Small initials in brown, some with penwork decoration. Cadels, 1 with an animal head, and 1 with
in ink, 1 with brown and red washes (ff. 25v, 109v, 145v). 5 smaller drawings in ink (ff. 60v, 69v, 79v, 82v, 131). Small initials in brown, some with penwork decoration. Cadels, 1 with an animal head, and 1 with
in ink, 1 with brown and red washes (ff. 25v, 109v, 145v). 5 smaller drawings in ink (ff. 60v, 69v, 79v, 82v, 131). Small initials in brown, some with penwork decoration. Cadels, 1 with an animal head, and 1 with
in ink, 1 with brown and red washes (ff. 25v, 109v, 145v). 5 smaller drawings in ink (ff. 60v, 69v, 79v, 82v, 131). Small initials in brown, some with penwork decoration. Cadels, 1 with an animal head, and 1 with
is a change of scribe at f. 64; the first uses quire signatures, the second uses catchwords. 1 large zoomorphic initial (f. 7v). 1 small iniital with zoomorphic features (f. 2). Added marginal drawings, 13th century (ff. 6v, 20, 85v,
'P'(rincipio), at the beginning of the volume, and, in the upper margin, two ownership inscriptions. 1 large puzzle initial with red penwork and flourishing (f. 1). Other large intiials in blue with red pen-flourishing, or red with pink pen-flourishing. Epitome
Andria, executed in red ink with a brown ink geometric pattern in the bowl. 1 large red initial decorated with black ink in the bowl (f. 1). Other large and small mostly very plain red initials. Andria, Eunuchus, Heautontimorumenos, Adelphi,
century with a similar decorated border. 2 miniatures and foliate borders in gold and colours at the beginning of Psalms 1 and 77 (ff. 3, 93v). Simple gold headpieces. Large gold initials and gold display script (chrysography). Psalter (ff. 3-186v);
Hoepli, 1952). 1 miniature, in colours and gold, occupying the space left for a large initial, accompanied by a full inhabited border, with putti, birds, animals, etc., and heraldic arms and devices, in colours and gold (f. 1). Small white
Epistolae ad familiares, Book 1 The decoration is typically Veronese according to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford.The inserted first leaf has an Easter table, covering 1480-1831 (f. 1)1 large interlace initial,
a letter 'B' ~or~, the shield depicted as if hanging from a hook. 1 large historiated initial, in colours and gold (f. 1). Heraldic arms (f. 1). Small initials alternately gold with blue penwork decoration or pen-flourishing, or blue with
as used between 1433 and 1530 (f. 1); foliated and inscribed 'scrite 122', 15th century (f. 123; cf. Burney 159).? Mario Maffei (b. 1463, d. 1537): inscribed 'No. 325.', 18th century (f. 1; cf. Burney 144 and Burney 160, both
Initial 'A' with pen-flourishing, at the beginning of John Capgrave's Life of Catherine. 1 large initial in red with pen-flourishing in brown (f. 1). Smaller initials in plain red. Capital letters highlighted in red. The Life of Catherine (ff. 1-117v),
3-sided white vine border, in colours and gold (f. 1). 11 large white vine initials, in colours and gold, at the beginning of the prologue and of the 10 books (ff. 1, 2, 16v, 33v, 49, 54, 63v, 81v, 95v,
and partial foliate border, at the beginning of Pseudo Acro's Commentaries on Horace. 1 large illuminated initial with a partial foliate border, in colours and gold (f. 1). Small initials in red or blue, with purple pen-flourishing. Commentaries on Horace
holding a cup. Musical notation. 1 bas-de page image of two animals and a red heart with an arrow through it (f. 20). 1 initial with a hybrid figure in red and blue (f. 30). 1 initial in red and
as used between 1433 and 1530 (f. 1); foliated and inscribed 'scrite 122', 15th century (f. 123; cf. Burney 159).? Mario Maffei (b. 1463, d. 1537): inscribed 'No. 325.', 18th century (f. 1; cf. Burney 144 and Burney 160, both
as used between 1433 and 1530 (f. 1); foliated and inscribed 'scrite 122', 15th century (f. 123; cf. Burney 159).? Mario Maffei (b. 1463, d. 1537): inscribed 'No. 325.', 18th century (f. 1; cf. Burney 144 and Burney 160, both
as used between 1433 and 1530 (f. 1); foliated and inscribed 'scrite 122', 15th century (f. 123; cf. Burney 159).? Mario Maffei (b. 1463, d. 1537): inscribed 'No. 325.', 18th century (f. 1; cf. Burney 144 and Burney 160, both
Francisci Maturantij’ and 'Est mon(aster)ij S. Petri de Perusio sig. N^o^. 91' (f. 1, both partially erased); 'Simo(n) franc(iscus) not(ariu)s mo(naste)rij S(an)c(t)i petri', 16th century (f. 1); 'S. Petri de Perusio', 17th century (f. 18v); cf. Burney 88 and 96.Charles