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Illuminated initial 'C'(um) at the beginning of chapter 1 of book 1. The preliminary copy of Decembrio's translation of the first five books of the Republic, in his autograph.Beginning with correspondence between Pier Candido Decembrio (b. 1399, d. 1477) and
collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘18 die Januarij, A.D. 1723/4’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘18 die Januarij, A.D. 1723/4’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘18 die Januarij, A.D. 1723/4’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
letters.Pricking holes. Large white vine initial in gold and colours enclosing a putto, with a butterfly in the margin (f. 1). Numerous large white vine initials in gold and colours. Numerous smaller initials in blue ink. Catilina (ff. 1-16), Jugurtha
the beginning of chapter 8 of book 1. The preliminary copy of Decembrio's translation of the first five books of the Republic, in his autograph.Beginning with correspondence between Pier Candido Decembrio (b. 1399, d. 1477) and Humphrey (index Humfrey or
more common surname; some details of the acquisition may be found in Sir Frederic Madden's diary for 10 June, and 1, 3, & 5 July 1844), using the Bridgewater fund (£12,000 bequeathed in 1829 by Francis Henry Egerton, 8th Earl
more common surname; some details of the acquisition may be found in Sir Frederic Madden's diary for 10 June, and 1, 3, & 5 July 1844), using the Bridgewater fund (£12,000 bequeathed in 1829 by Francis Henry Egerton, 8th Earl
more common surname; some details of the acquisition may be found in Sir Frederic Madden's diary for 10 June, and 1, 3, & 5 July 1844), using the Bridgewater fund (£12,000 bequeathed in 1829 by Francis Henry Egerton, 8th Earl
more common surname; some details of the acquisition may be found in Sir Frederic Madden's diary for 10 June, and 1, 3, & 5 July 1844), using the Bridgewater fund (£12,000 bequeathed in 1829 by Francis Henry Egerton, 8th Earl
Borsa 1904).Contains brief notices of the subject of the last five books (ff. 95v-96).Oxford, Bodleian Library, MS. Duke Humfrey d. 1 was certainly also copied by Pier Candido Decembrio. 12 large initials in gold and colours (ff. 2, 2v, 3,
Borsa 1904).Contains brief notices of the subject of the last five books (ff. 95v-96).Oxford, Bodleian Library, MS. Duke Humfrey d. 1 was certainly also copied by Pier Candido Decembrio. 12 large initials in gold and colours (ff. 2, 2v, 3,
Borsa 1904).Contains brief notices of the subject of the last five books (ff. 95v-96).Oxford, Bodleian Library, MS. Duke Humfrey d. 1 was certainly also copied by Pier Candido Decembrio. 12 large initials in gold and colours (ff. 2, 2v, 3,
Borsa 1904).Contains brief notices of the subject of the last five books (ff. 95v-96).Oxford, Bodleian Library, MS. Duke Humfrey d. 1 was certainly also copied by Pier Candido Decembrio. 12 large initials in gold and colours (ff. 2, 2v, 3,
Borsa 1904).Contains brief notices of the subject of the last five books (ff. 95v-96).Oxford, Bodleian Library, MS. Duke Humfrey d. 1 was certainly also copied by Pier Candido Decembrio. 12 large initials in gold and colours (ff. 2, 2v, 3,
White vine initial 'P'(ublium). Horizontal catchwords. White vine initials in gold and colours at the beginning of the 3 books ( f. 2, 34, 60v). Marginal drawings of flowers in black ink (ff. 11v, 24v, 37, 64v). Rubrics, notes,
ff. [250] and [252]). Large initial drawn crudely in brown ink with interlace at the beginning of each book (ff. 1, 2, 21, 41, 59), but spaces for initials left blank from book 5 onwards. Rubrics and paraphs in red.
Large puzzle initials in red and blue with pen-flourishing in the same colours including ivy leaves (ff. 1, 8v, 29v). Numerous smaller initials in blue with red pen-flourishing. Paraphs in alternating red or blue. Capitals marked in red ink. Chronica
moral treatise involving virtues and allegories. Miniature in colours, silver and gold (Presentation scene (f. 1)). Large initial in colours, silver and gold (f. 1). Initial with cadels in brown ink Moral text dedicated to the House of Savoy The
notation. 1 full-page miniature in colours and gold of the Tudor rose (f. 2). 2 miniatures in colours and gold of red roses of Lancaster surrounded by couplets with music inscribed on two circular staves (ff. 2v, 3). 1 historiated