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Library, Oxford.Leaf signatures. Catchwords.Written by two scribes and decorated in different hands (change particularly noticeable from f. 91, for instance). 1 miniature in colours and gold showing Pliny writing in his study and a landscape with animals, rivers, the sea,
Library, Oxford.Leaf signatures. Catchwords.Written by two scribes and decorated in different hands (change particularly noticeable from f. 91, for instance). 1 miniature in colours and gold showing Pliny writing in his study and a landscape with animals, rivers, the sea,
[inceptus est liber] ?' (f. 1): see Cohen-Mushlin 1990.The Augustinian monastery of St Mary, outside of Worms: 17th-century inscription 'Hic liber pertinet ad Ecclesiam Beatae Mariae Virginis in Suburbio Wormatiensis', signed 'J. G.' (f. 1). J. G. might be Joannes
3, on f. 3v.Catchwords. 1 full foliate border in colours and gold with miniatures of Creation in medallions on a parchment folio (f. 3). Large miniature of God in Majesty in colours and gold (f. 3). 1 large decorated initial
3, on f. 3v.Catchwords. 1 full foliate border in colours and gold with miniatures of Creation in medallions on a parchment folio (f. 3). Large miniature of God in Majesty in colours and gold (f. 3). 1 large decorated initial
with foliate extensions into the margins, in colours and gold (ff. 1, 55v, 82, 113v). Smaller initials in gold on red and blue grounds. Small initials in plain red or blue. Elegiae (index Elegies) (ff. 1-55); Carmina (ff. 55v-81v); Catullus
309, 309v, 310v (x3), 311, 314 (x2), 323, 323v, 324v, 325, 326, 326v, 327 (x2), 327v, 331v, ). 1 large and 1 smaller puzzle initials in red and blue, with pen-flourishing in blue and red (ff. 89v, 356v). Smaller initials
collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley, ‘18 die Januarij, A.D. 1723/4’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
in red, blue, and green (ff. 1, 86). Satires (index Saturae, Satirae) The Capilupi family of Mantua: its arms of a wolf's head in profile on a gold ground and 3 silver balls (f. 1); inscribed, 'Laelii Capilupi Codex' (f.
red penwork decoration. Book of Hours, Use of Rome Cut strip from another manuscript written on paper pasted on f. 1, ?15th century.Nathaniel Noel (fl. 1681, d. c. 1753), bookseller, employed by Edward Harley for buying books and manuscripts chiefly
3, on f. 3v.Catchwords. 1 full foliate border in colours and gold with miniatures of Creation in medallions on a parchment folio (f. 3). Large miniature of God in Majesty in colours and gold (f. 3). 1 large decorated initial
large white vine initial 'S'(equitur) in colours and gold (f. 176). 35 large white vine initials in colours and gold, 1 at the beginning of each book (ff. 20v, 35v, 44v, 52, 60v, 72v, 84v, 97, 107, 116v, 129, 135,
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘20 die mensis Octobris, A.D. 1725’ (ff. 1, 34). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her
of arms in the lower margin (f. 1). 3 large white vine initials in colours and gold (ff. 39, 57, 84). Display script in alternating lines of purple, red, and sometimes yellow (ff. 1, 39, 57, 84). Text written in
of arms in the lower margin (f. 1). 3 large white vine initials in colours and gold (ff. 39, 57, 84). Display script in alternating lines of purple, red, and sometimes yellow (ff. 1, 39, 57, 84). Text written in
white vine initials in gold and colours (ff. 1, 28, 43v, 59v, 76v, 92, 106, 123, 138v). Alternating initials in red or blue. Rubrics in red. Marginal notes in red. Letters and other texts Written by Pietro Cennini in Florence
red penwork decoration. Book of Hours, Use of Rome Cut strip from another manuscript written on paper pasted on f. 1, ?15th century.Nathaniel Noel (fl. 1681, d. c. 1753), bookseller, employed by Edward Harley for buying books and manuscripts chiefly
Library, Oxford, this manuscript was made in Rome or Naples. 2 large white vine initials in gold and colours (ff. 1, 35v). 2 smaller initials in blue ink (ff. 2v, 37v). Display script. Spaces for initials left blank. A few
la Mare at the Bodleian Library, Oxford. Large initial in colours with acanthus leaves extending into the margins (f. 1).1 initial painted with acanthus leaves drawn but left unfinished (f. 131). Large coloured initials in blue, red, or pink-red
large white vine initial 'S'(equitur) in colours and gold (f. 176). 35 large white vine initials in colours and gold, 1 at the beginning of each book (ff. 20v, 35v, 44v, 52, 60v, 72v, 84v, 97, 107, 116v, 129, 135,