• Miniature of Juliana beating the devil, with an illuminated initial 'I'(ulienne), and partial foliate borders, at the beginning of her legend., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Text page of the Golden Legend (George)., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Text of the Golden Legend (the Passion)., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Detail of a miniature of the stoning of Stephen, with an historiated initial 'E'(stienne) of Stephen preaching, at the beginning of his legend., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Detail of a miniature of the conversion of Saul (Paul) on the road to Damascus, with partial foliate borders, at the beginning of the legend of Paul., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Detail of a miniature of Juliana beating the devil, with an illuminated initial 'I'(ulienne), at the beginning of her legend., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Marginal decoration of a dragon., Prayers for Rosh ha-Shanah and Yom Kippur, Ashkenazi rite (aka 'London Days of Awe Mahzor')

visible. 1 initial-word panel inhabited by birds, dragons, and hybrids in ink (f. 1). 2 initial words decorated with geometrical motifs/inhabited by hybrids and dragons in brown ink (ff. 28v, 48v). 8 marginal decorations in brown ink (ff. 1, 2,

• Initial word, ~Kol~ (all), at the beginning of ~Kol nidre~ (all vows) inhabited by dragons and hybrids., Prayers for Rosh ha-Shanah and Yom Kippur, Ashkenazi rite (aka 'London Days of Awe Mahzor')

visible. 1 initial-word panel inhabited by birds, dragons, and hybrids in ink (f. 1). 2 initial words decorated with geometrical motifs/inhabited by hybrids and dragons in brown ink (ff. 28v, 48v). 8 marginal decorations in brown ink (ff. 1, 2,

• Decorated catchword., Prayers for Rosh ha-Shanah and Yom Kippur, Ashkenazi rite (aka 'London Days of Awe Mahzor')

visible. 1 initial-word panel inhabited by birds, dragons, and hybrids in ink (f. 1). 2 initial words decorated with geometrical motifs/inhabited by hybrids and dragons in brown ink (ff. 28v, 48v). 8 marginal decorations in brown ink (ff. 1, 2,

• Full-page decoration at the beginning of a ~piyyut~ (liturgical poem) for Yom Kippur (Davidson vol. 1, no. 2106). The text of the poem is surrounded by an architectural frame with towers on both sides and with columns held by lions. The upper section of the frame is scallopped and is flanked by a dragon and a hybrid., Prayers for Rosh ha-Shanah and Yom Kippur, Ashkenazi rite (aka 'London Days of Awe Mahzor')

visible. 1 initial-word panel inhabited by birds, dragons, and hybrids in ink (f. 1). 2 initial words decorated with geometrical motifs/inhabited by hybrids and dragons in brown ink (ff. 28v, 48v). 8 marginal decorations in brown ink (ff. 1, 2,

• Decorated initial 'A'(ltus) at the beginning of a short preface to Terence's Andria, executed in red ink with a brown ink geometric pattern in the bowl., Andria, Eunuchus, Heautontimorumenos, Adelphi, Hecyra (fragment)

Andria, executed in red ink with a brown ink geometric pattern in the bowl. 1 large red initial decorated with black ink in the bowl (f. 1). Other large and small mostly very plain red initials. Andria, Eunuchus, Heautontimorumenos, Adelphi,

• null, Andria, Eunuchus, Heautontimorumenos, Adelphi, Hecyra (fragment)

1 large red initial decorated with black ink in the bowl (f. 1). Other large and small mostly very plain red initials. Andria, Eunuchus, Heautontimorumenos, Adelphi, Hecyra (fragment) Formerly bound with Burney 137, 272, and 352, which have similar

• Added diagrams and puzzle initial 'D'(ixit) with pen-flourishing, at the beginning of Johannes de Rupescissa's De quinta essentia., Alcehmical texts, including De quinta essentia

with pen-flourishing, at the beginning of Johannes de Rupescissa's De quinta essentia. 1 large puzzle initial in red and blue with pen-flourishing in brown and red (f. 2). 1 smaller puzzle initial in red and blue with pen-flourishing in purple

• Illuminated initials 'T'(his) and 'R'(irste) at the beginning of a treatise on the rights of the Marshall during wartime., One gathering of a treatise of rights of the Marshall in wartime

during wartime. Large initials in gold on blue and pink backgrounds with white or black filigree (f. 1). Paraphs in blue. LIne-fillers in blue. Rubrics in red. One gathering of a treatise of rights of the Marshall in wartime The

• Detail of a miniature of God creating animals, at the beginning of chapter 1., La Bible Historiale, Part 1 (Bible Historiale of Edward IV)

borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible Historiale

• Miniature of the Sacrifice of Abraham, with a partial border, at the beginning of chapter 38 of book 1 (Genesis)., La Bible Historiale, Part 1 (Bible Historiale of Edward IV)

borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible Historiale

• Miniature of the sale of Joseph, with a partial border, at the beginning of chapter 66 of book 1., La Bible Historiale, Part 1 (Bible Historiale of Edward IV)

borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible Historiale

• Miniature of Moses speaking to people, with the partial border, at the beginning of chapter 1 of Deuteronomy., La Bible Historiale, Part 1 (Bible Historiale of Edward IV)

borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible Historiale

• Detail of a miniature of the exposure and finding of Moses., La Bible Historiale, Part 1 (Bible Historiale of Edward IV)

borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible Historiale

• Detail of a miniature of of preparing and burning of offerings, at the beginning of book 3 (Leviticus)., La Bible Historiale, Part 1 (Bible Historiale of Edward IV)

borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible Historiale