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the later addition is more didactic, scholarly, and pessimistic. 1 large miniature, followed by a small miniature and a large decorated initial, with full foliate borders, in colours and gold (f. 1). 85 small miniatures, partly coloured pen drawings (ff.
the later addition is more didactic, scholarly, and pessimistic. 1 large miniature, followed by a small miniature and a large decorated initial, with full foliate borders, in colours and gold (f. 1). 85 small miniatures, partly coloured pen drawings (ff.
the later addition is more didactic, scholarly, and pessimistic. 1 large miniature, followed by a small miniature and a large decorated initial, with full foliate borders, in colours and gold (f. 1). 85 small miniatures, partly coloured pen drawings (ff.
the later addition is more didactic, scholarly, and pessimistic. 1 large miniature, followed by a small miniature and a large decorated initial, with full foliate borders, in colours and gold (f. 1). 85 small miniatures, partly coloured pen drawings (ff.
the later addition is more didactic, scholarly, and pessimistic. 1 large miniature, followed by a small miniature and a large decorated initial, with full foliate borders, in colours and gold (f. 1). 85 small miniatures, partly coloured pen drawings (ff.
the later addition is more didactic, scholarly, and pessimistic. 1 large miniature, followed by a small miniature and a large decorated initial, with full foliate borders, in colours and gold (f. 1). 85 small miniatures, partly coloured pen drawings (ff.
the beginning of Matteo Maria Boiardo's Amorum libri tres; heraldic arms in the lower margin. 1 large decorated initial with a full white-vine border including medaillons and heraldic arms, in colours and gold (f. 7). 2 large decorated initials [the
the beginning of book 3; the border in the lower margin is a 15th-century replacement. 1 large decorated initial with a full white-vine border including medaillons and heraldic arms, in colours and gold (f. 7). 2 large decorated initials [the
arms of Richard IV, at the beginning of chapter 7 of book 1. Contains the second translation of De casibus virorum illustrium of Boccaccio made by Laurent de Premierfait in 1409, and dedicated to Jean, duke of Berry. The manuscript
border, at the beginning of chapter 10 of book 1. Contains the second translation of De casibus virorum illustrium of Boccaccio made by Laurent de Premierfait in 1409, and dedicated to Jean, duke of Berry. The manuscript shares the same
border, at the beginning of chapter 17 of book 1. Contains the second translation of De casibus virorum illustrium of Boccaccio made by Laurent de Premierfait in 1409, and dedicated to Jean, duke of Berry. The manuscript shares the same
and the Yorkist badge of a white ~rose en soleil~ and motto 'Dieu et mon droit' (volume 1, Royal 18 D IX, f. 1, etc); written for him probably in Bruges, in 1479: inscribed 'Cy fine le cinquieme et /
and the Yorkist badge of a white ~rose en soleil~ and motto 'Dieu et mon droit' (volume 1, Royal 18 D IX, f. 1, etc); written for him probably in Bruges, in 1479: inscribed 'Cy fine le cinquieme et /
and the Yorkist badge of a white ~rose en soleil~ and motto 'Dieu et mon droit' (volume 1, Royal 18 D IX, f. 1, etc); written for him probably in Bruges, in 1479: inscribed 'Cy fine le cinquieme et /
and the Yorkist badge of a white ~rose en soleil~ and motto 'Dieu et mon droit' (volume 1, Royal 18 D IX, f. 1, etc); written for him probably in Bruges, in 1479: inscribed 'Cy fine le cinquieme et /
and the Yorkist badge of a white ~rose en soleil~ and motto 'Dieu et mon droit' (volume 1, Royal 18 D IX, f. 1, etc); written for him probably in Bruges, in 1479: inscribed 'Cy fine le cinquieme et /
of confirmation within his cathedral. Musical notation. 1 full-page miniature, in colours and gold (f. 12). 18 large historiated initials or small miniatures with full foliate borders, two including a tower with a motto, in colours and gold (ff. 2,
an extract from Flavius Philostratus, 'Heroicus', at the end (ff. 260-60v; see Pontani 2005). Decorated headpiece in light brown (f. 1, faded). Decorated lines, rubrics, titles in display capitals and large decorated initials in light brown at the beginning of
initials and paraph marks in gold on red and blue grounds. Livre des anges Château d'Anet: its library mark (vol. 1), see Pierre Gandoin, Catalogue des Manuscrits trouvéz après le décès de Madame la Princesse, dans son château royal d'Anet
initials and paraph marks in gold on red and blue grounds. Livre des anges Château d'Anet: its library mark (vol. 1), see Pierre Gandoin, Catalogue des Manuscrits trouvéz après le décès de Madame la Princesse, dans son château royal d'Anet