• Miniature of knights entering the city, with a partial border, at the beginning of book 3., City of God (La cité de Dieu)

signatures (volume 2). 1 large miniature in colours and gold with a full border bearing the royal arms of England, and an initial with foliate decoration in colours and gold, at the beginning of the prologue (f. 1). 3 one-column

• Miniature of the exposure and finding of Moses, with a full border containing the royal arms of England, at the beginning of Exodus., La Bible Historiale, Part 1 (Bible Historiale of Edward IV)

borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible Historiale

• Miniature of Judah defeating Canaanites in Bezek and the punishement of Adonibezek, with a partial border, at the beginning of Judges., La Bible Historiale, Part 1 (Bible Historiale of Edward IV)

borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible Historiale

• Detail of a decorated initial 'S' (epe et multum) at the beginning of Cicero's De inventione, Book I., De inventione (index Rhetorica)

at the beginning of Cicero's De inventione, Book I. 1 large puzzle initial in red, blue, green, and yellow with foliate motifs, at the beginning of the first book (f. 1).1 large initial in blue with red and blue

• Miniature of men in prayer before the ark and tabernacle., La Bible Historiale, Part 1 (Bible Historiale of Edward IV)

borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible Historiale

• Miniature of the golden tabernacle, with tents pitched round it., La Bible Historiale, Part 1 (Bible Historiale of Edward IV)

borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible Historiale

• Miniature of the ark being carried by a group of men, through a watery landscape., La Bible Historiale, Part 1 (Bible Historiale of Edward IV)

borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible Historiale

• Detail of a miniature of men in prayer before the ark and tabernacle., La Bible Historiale, Part 1 (Bible Historiale of Edward IV)

borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible Historiale

• Detail of a miniature of the golden tabernacle, with tents pitched round it., La Bible Historiale, Part 1 (Bible Historiale of Edward IV)

borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible Historiale

• Detail of a miniature of the ark being carried by a group of men, through a watery landscape., La Bible Historiale, Part 1 (Bible Historiale of Edward IV)

borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible Historiale

• Miniature of the Annunciation, decorated initial 'D'(omine) and foliate borders, at the beginning of the Hours of the Virgin., Book of Hours, Use of Rome

1 large decorated initial at the beginning of the prayer Obsecro te (f. 15). Small initials (1-2 lines) and line-fillers in gold on red or blue grounds. Book of Hours, Use of Rome Inscribed in French, 15/16th century (ff.

• Miniature of the Visitation, decorated initial 'D'(eus) and foliate borders, at the beginning of Lauds in the Hours of the Virgin., Book of Hours, Use of Rome

1 large decorated initial at the beginning of the prayer Obsecro te (f. 15). Small initials (1-2 lines) and line-fillers in gold on red or blue grounds. Book of Hours, Use of Rome Inscribed in French, 15/16th century (ff.

• Miniature of the Nativity, decorated initial 'D'(eus) and foliate borders, at the beginning of Prime in the Hours of the Virgin., Book of Hours, Use of Rome

1 large decorated initial at the beginning of the prayer Obsecro te (f. 15). Small initials (1-2 lines) and line-fillers in gold on red or blue grounds. Book of Hours, Use of Rome Inscribed in French, 15/16th century (ff.

• Miniature of David penitent, decorated initial 'D'(omine) and foliate borders, at the beginning of the Penitential Psalms., Book of Hours, Use of Rome

1 large decorated initial at the beginning of the prayer Obsecro te (f. 15). Small initials (1-2 lines) and line-fillers in gold on red or blue grounds. Book of Hours, Use of Rome Inscribed in French, 15/16th century (ff.

• Bar border sprouting with foliage, and illuminatedinitial 'H'(odie) at the beginning of Bernard of Clairvaux's first sermon In adventu Domini, decorated with flowers, and the inscription 'Celestinorum Ambianensium' of the Celestines of Amiens in the lower border., Various sermons, (labelled as those from Advent to Easter) with table of contents

with sprouting foliage, and large blue initial on gold background with painted flowers in the bowl of the letter (ff. 1, 73v). A large illuminated pink initial with foliate forms in the bowl and sprouting into the inner border (f.

• Partial illuminated foliate border and large initial 'V'(icit) at the beginning of Bernard of Clairvaux's sermon In die sancto pasche, with foliage decoration in the bowl of the letter, and the inscription 'Celestinorum Ambianensium' of the Celestines of Amiens in the lower border., Various sermons (labelled as those from Easter to Advent), with a table of contents

Partial foliate border and large blue initial on gold background with foliage decoration in the bowl of the letter (f. 1). Large and small red and blue puzzle initials. Light yellow highlights to the capital letters at the beginning of

• Illuminated initial 'C'(onsidero) at the beginning of the preface of Bernard of Clairvaux's sermon 17 on Psalm 90, decorated with a strawberry plant in the bowl of the letter., Various sermons, (labelled as those from Advent to Easter) with table of contents

with sprouting foliage, and large blue initial on gold background with painted flowers in the bowl of the letter (ff. 1, 73v). A large illuminated pink initial with foliate forms in the bowl and sprouting into the inner border (f.

• Stylised puzzle initial 'I'(n) at the beginning of Bernard of Clairvaux's sermon for the vigil of saints Peter and Paul., Various sermons (labelled as those from Easter to Advent), with a table of contents

Partial foliate border and large blue initial on gold background with foliage decoration in the bowl of the letter (f. 1). Large and small red and blue puzzle initials. Light yellow highlights to the capital letters at the beginning of

• Foliate headpiece and decorated initial 'M' at the beginning of Hesiod's Theogony., Works and Days, with interlinear and marginal Triclinian scholia, and Theogony

Hesiod's Theogony. Decorated headpieces, in a braided or foliate pattern (ff. 1, 35, 59). Pink initials, some with simple penwork decoration. Works and Days, with interlinear and marginal Triclinian scholia, and Theogony Colophon giving the date of the completion of

• Headpiece with a woven pattern and decorated initials 'H' and 'M' at the beginning of Hesiod's Works and Days, and the ink stamp of the Royal Society, London in the right margin., Works and Days, with interlinear and marginal Triclinian scholia, and Theogony

ink stamp of the Royal Society, London in the right margin. Decorated headpieces, in a braided or foliate pattern (ff. 1, 35, 59). Pink initials, some with simple penwork decoration. Works and Days, with interlinear and marginal Triclinian scholia, and