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France in 1380 (f. 1).Catchwords. 34 miniatures in colours and gold with partial borders, at the beginning of books (ff. 1, 3, 4, 8v, 11v, 14v, 17v, 20, 24v, 25v, 28, 30, 32v, 39, 47, 48v, 50, 51v, 55, 58,
France in 1380 (f. 1).Catchwords. 34 miniatures in colours and gold with partial borders, at the beginning of books (ff. 1, 3, 4, 8v, 11v, 14v, 17v, 20, 24v, 25v, 28, 30, 32v, 39, 47, 48v, 50, 51v, 55, 58,
France in 1380 (f. 1).Catchwords. 34 miniatures in colours and gold with partial borders, at the beginning of books (ff. 1, 3, 4, 8v, 11v, 14v, 17v, 20, 24v, 25v, 28, 30, 32v, 39, 47, 48v, 50, 51v, 55, 58,
France in 1380 (f. 1).Catchwords. 34 miniatures in colours and gold with partial borders, at the beginning of books (ff. 1, 3, 4, 8v, 11v, 14v, 17v, 20, 24v, 25v, 28, 30, 32v, 39, 47, 48v, 50, 51v, 55, 58,
borders, at the beginning of the Hours of the Virgin. 1 large full-page miniature of the Annunciation with full foliate borders, in colours and gold (f. 14v). 4 large initials in gold on red and blue grounds with three-sided foliate
67-76, and 82 were printed fragments and have been removed.Musical notation (e.g., ff. 18v, 38, 40, 77r-v, 78r-v, 80r-v, 83r-v). 1 large puzzle initial in red and blue with red and blue pen-flourishing for Psalm 26 (f. 24v). Small initials
transferred there in 1638, with a 18th century French note regarding the manuscript’s provenance (f. ir-v), and 'No. 197' (f. 1, lower left corner).? The abbey of St-Laurence (18th century French note regarding the manuscript’s provenance, f. ir-v).Charles Burney (b.
transferred there in 1638, with a 18th century French note regarding the manuscript’s provenance (f. ir-v), and 'No. 197' (f. 1, lower left corner).? The abbey of St-Laurence (18th century French note regarding the manuscript’s provenance, f. ir-v).Charles Burney (b.
transferred there in 1638, with a 18th century French note regarding the manuscript’s provenance (f. ir-v), and 'No. 197' (f. 1, lower left corner).? The abbey of St-Laurence (18th century French note regarding the manuscript’s provenance, f. ir-v).Charles Burney (b.
transferred there in 1638, with a 18th century French note regarding the manuscript’s provenance (f. ir-v), and 'No. 197' (f. 1, lower left corner).? The abbey of St-Laurence (18th century French note regarding the manuscript’s provenance, f. ir-v).Charles Burney (b.
x 80) on paper.Various watermarks visible. 5 diagrams on thick paper with moveable parts, in yellow and brown (ff. 20v-22v), 1 also with yellow and black (f. 21v) and one with a man in colours (f. 20v). Miniature of a
wifhon (?)' (f. 169).Inscription 'William made thys x deay of Februeary J Faning' (f. 152v).Inscription 'Gabriel Gostwyke' (ff. 1, 1434v); on f. 1 with the date 1633.Added index (ff. 108-115v).Sir Hans Sloane (b. 1660, d. 1753), baronet, physician and collector.
x 80) on paper.Various watermarks visible. 5 diagrams on thick paper with moveable parts, in yellow and brown (ff. 20v-22v), 1 also with yellow and black (f. 21v) and one with a man in colours (f. 20v). Miniature of a
x 80) on paper.Various watermarks visible. 5 diagrams on thick paper with moveable parts, in yellow and brown (ff. 20v-22v), 1 also with yellow and black (f. 21v) and one with a man in colours (f. 20v). Miniature of a
brown ink (f. 48). Specimens of Calligraphy Written in London by Petruccio Ubaldini; signed and dated 20 July 1550 (ff. 1, 21, 42).Edward VI (b. 1537, d.1553), king of England and Ireland, king from 1547: apparently intended for him (ff.
1400-1401; preceded by a list of contents (ff. 1-22).Catchwords written vertically and bifolium signatures. Foliation in red beginning on f. 1. 4 large miniatures in colours and gold, with full foliate borders containing the royal arms of England, and foliate
in four compartments: 1. the Entry into Jerusalem, 2. the Cleansing of the Temple, 3. Christ and the woman taken in adultery, 4. Judas agreeing to betray Christ, with a full border, at the beginning of part 5. Includes 'La
in two compartments: 1. the Resurrection of Christ, 2. Noli me tangere, with a full border and an illuminated initial 'L'(e jour), at the beginning of part 7. Includes 'La vie de notre seigneur Jhesucrist', the French adaptation attributed to
in four compartments: 1. Finding of the infant Judas, 2. Judas killing his foster brother, 3. Judas killing his father, 4. Judas before Pilate, with a full border, at the beginning of the La Vengance de la mort Jhesu Christ.
miniatures, in colours and gold, at the beginning of the books (ff. 1, 9, 74, 100v, 116v, 130, 146, 172v, 192, 254v). Large and small initials in gold on red and blue grounds. Les commentaires de César Bought by the