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Canon table. Musical notation: neumes, central France (Nevers), late 10th century (ff. 261-262).A 'Type II' Capitulary, according to Fischer 1985 p. 126. Full-page canon tables with decorated architectural frames in ink with coloured washes, with interlace and/or foliate patterns,
(ff. 1, 73) and the arms of his wife, Elisabeth of York, daughter of Edward IV, surmounted by crowns (f. 1) and impaled (f. 188), with two mottos 'la plus eure' (f. 1) and 'Dieu et mon droit (ff. 1,
(ff. 1, 73) and the arms of his wife, Elisabeth of York, daughter of Edward IV, surmounted by crowns (f. 1) and impaled (f. 188), with two mottos 'la plus eure' (f. 1) and 'Dieu et mon droit (ff. 1,
(ff. 1, 73) and the arms of his wife, Elisabeth of York, daughter of Edward IV, surmounted by crowns (f. 1) and impaled (f. 188), with two mottos 'la plus eure' (f. 1) and 'Dieu et mon droit (ff. 1,
were formerly pasted into The Samuel Rogers Album framed by Add. 21412, ff. 1 and 2, and foliated with their respective frames as Add. 21412, ff. 1 and 2. In 1989 they were lifted from the album, remounted and stored
were formerly pasted into The Samuel Rogers Album framed by Add. 21412, ff. 1 and 2, and foliated with their respective frames as Add. 21412, ff. 1 and 2. In 1989 they were lifted from the album, remounted and stored
were formerly pasted into The Samuel Rogers Album framed by Add. 21412, ff. 1 and 2, and foliated with their respective frames as Add. 21412, ff. 1 and 2. In 1989 they were lifted from the album, remounted and stored
were formerly pasted into The Samuel Rogers Album framed by Add. 21412, ff. 1 and 2, and foliated with their respective frames as Add. 21412, ff. 1 and 2. In 1989 they were lifted from the album, remounted and stored
and 'O'(mnibus). f. 1 (formerly 1*) is a paper flyleaf.3 unfoliated paper flyleaves after f. 1.1 blank parchment leaf after f. 48 (paginated 95).Paginated throughout.The majority of the documents are undated. Large plain initials in red. Rubrics and marginal annotations
or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca
or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca
or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca
or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca
or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca
or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca
or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca
or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca
or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca
or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca
or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca