• Miniature of the Seat of Virtue, with a personification of Virtue in a garden with Aeternitas, Gloria, Studius, and Mars., Tabula Cebetis, De mortis effectibus and other poems

in colours, gold and silver (ff. 1, 3). 5 large foliate initials, in colours, gold and silver (ff. 7, 11, 14, 19, 25v). 1 smaller initial in gold on a red ground (f. 21). 1 small initial in gold on

• Miniature of the knight kneeling and addressing Lady Imagination, with the city of Halle in the background, with a full trompe l'oeil border, including flowers, fruit, and the royal arms of England., Imaginacion de vraye noblesse

3, 11, 18v, 32v, 41, 90). 1 historiated initial in colours and gold, with a partial trompe l'oeil border, at the beginning of the preface of Poulet presenting the book to Henry VII (f. 1). Small initials and paraphs in

• Detail of a miniature of the knight kneeling and addressing Lady Imagination, with the city of Halle in the background., Imaginacion de vraye noblesse

3, 11, 18v, 32v, 41, 90). 1 historiated initial in colours and gold, with a partial trompe l'oeil border, at the beginning of the preface of Poulet presenting the book to Henry VII (f. 1). Small initials and paraphs in

• Detail of the Royal arms of England, with a crown in the lower margin of the folio., Imaginacion de vraye noblesse

3, 11, 18v, 32v, 41, 90). 1 historiated initial in colours and gold, with a partial trompe l'oeil border, at the beginning of the preface of Poulet presenting the book to Henry VII (f. 1). Small initials and paraphs in

• Miniature of Imagination showing the knight a man with severed arms (representing a man without chivalry or honour), with a full trompe l'oeil border including flowers, a bird of prey, a rooster, and a chicken emerging from a shell., Imaginacion de vraye noblesse

3, 11, 18v, 32v, 41, 90). 1 historiated initial in colours and gold, with a partial trompe l'oeil border, at the beginning of the preface of Poulet presenting the book to Henry VII (f. 1). Small initials and paraphs in

• Detail of a miniature of Imagination showing the knight a man with severed arms (representing a man without chivalry or honour)., Imaginacion de vraye noblesse

3, 11, 18v, 32v, 41, 90). 1 historiated initial in colours and gold, with a partial trompe l'oeil border, at the beginning of the preface of Poulet presenting the book to Henry VII (f. 1). Small initials and paraphs in

• Detail from the border of a bird of prey, a rooster, and a chicken emerging from a shell., Imaginacion de vraye noblesse

3, 11, 18v, 32v, 41, 90). 1 historiated initial in colours and gold, with a partial trompe l'oeil border, at the beginning of the preface of Poulet presenting the book to Henry VII (f. 1). Small initials and paraphs in

• Historiated initial 'A'(vous) of Henry VII receiving the book from the writer, with a partial trompe l'oeil border, including flowers and a bear., Imaginacion de vraye noblesse

3, 11, 18v, 32v, 41, 90). 1 historiated initial in colours and gold, with a partial trompe l'oeil border, at the beginning of the preface of Poulet presenting the book to Henry VII (f. 1). Small initials and paraphs in

• Miniature of an archer and a carter as models for a prince, with men with crossbows shooting at butts, sycophants flattering a king, and a wagoner driving a cart, with the knight kneeling in front of the lady Imagination, with a full trompe l'oeil border., Imaginacion de vraye noblesse

3, 11, 18v, 32v, 41, 90). 1 historiated initial in colours and gold, with a partial trompe l'oeil border, at the beginning of the preface of Poulet presenting the book to Henry VII (f. 1). Small initials and paraphs in

• Detail of a miniature of an archer and a carter as models for a prince, with men with crossbows shooting at butts, sycophants flattering a king, and a wagoner driving a cart, with the knight kneeling in front of the lady Imagination., Imaginacion de vraye noblesse

3, 11, 18v, 32v, 41, 90). 1 historiated initial in colours and gold, with a partial trompe l'oeil border, at the beginning of the preface of Poulet presenting the book to Henry VII (f. 1). Small initials and paraphs in

• Miniature of Imagination taking leave of the knight, with the city of Halle in the background, with a full trompe l'oeil border including a bird and an owl., Imaginacion de vraye noblesse

3, 11, 18v, 32v, 41, 90). 1 historiated initial in colours and gold, with a partial trompe l'oeil border, at the beginning of the preface of Poulet presenting the book to Henry VII (f. 1). Small initials and paraphs in

• Miniature of the Annunciation, at the beginning of the Hours of the Virigin., Book of Hours, Use of Rome

Lisbonae' (f. 227v).Unidentified 18th(?)- and 19th-century owners: inscribed 'N^o^ 29', crossed through (f. 1); '1342' (f. 1); '5606' (f. 1); a description in pencil in French (f. 1); 'OE.' in red ink (f. 227, lower left corner).James Edwards: his sale,

• Historiated border with the Tree of Jesse and decorated initial 'D'(omine), at the beginning of the Hours of the Virigin., Book of Hours, Use of Rome

Lisbonae' (f. 227v).Unidentified 18th(?)- and 19th-century owners: inscribed 'N^o^ 29', crossed through (f. 1); '1342' (f. 1); '5606' (f. 1); a description in pencil in French (f. 1); 'OE.' in red ink (f. 227, lower left corner).James Edwards: his sale,

• Coloured initial 'P'(aseha) in red with penwork decoration in red, black, and green, at the beginning of the text, with the Old Royal Library seal of a ship in the lower left corner., Carmen Paschale; poems

green and red with penwork decoration (f. 7v). Initial in green (f. 1). Rubrics and capitals at the beginning of each line in red. Carmen Paschale; poems Part 1: The Benedictine cathedral priory of Christ Church, Canterbury: (see Temple 1976).Part

• An engraved historiated full-page border of medallions containing the four Evangelists and scenes from the life of the Virgin and the life and Passion of Christ: (anti-clockwise from top left) of the Annunciation, Luke, the Nativity, the Flight into Egypt, Christ's Dispute with the Doctors, the Baptism of Christ, John, the Feeding of the Five Thousand, the Last Supper, Matthew, the Agony in the Garden, Christ before Caiaphas, Christ before Pontius Pilate, the Crucifixion, Mark, and the Resurrection., Cuttings from a printed Missal, containing text from the Masses for the feasts of Pentecost and Augustus

into The Samuel Rogers Album with f. 1 framing cuttings Add. 21412, ff. 1a-c and f. 2 framing cuttings Add. 21412, ff. 2a-c, and foliated with their respective cuttings as Add. 21412, ff. 1 and 2. In 1989 they were

• An engraved historiated full-page border of medallions containing the four Evangelists and scenes from the life of the Virgin and the life and Passion of Christ: (anti-clockwise from top left) of the Annunciation, Luke, the Nativity, the Flight into Egypt, Christ's Dispute with the Doctors, the Baptism of Christ, Matthew, the Feeding of the Five Thousand, the Last Supper, John, the Agony in the Garden, Christ before Caiaphas, Christ before Pontius Pilate, the Crucifixion, Mark, and the Resurrection., Cuttings from a printed Missal, containing text from the Masses for the feasts of Pentecost and Augustus

into The Samuel Rogers Album with f. 1 framing cuttings Add. 21412, ff. 1a-c and f. 2 framing cuttings Add. 21412, ff. 2a-c, and foliated with their respective cuttings as Add. 21412, ff. 1 and 2. In 1989 they were

• Illuminated initial 'F'(ive) with a full border with flowers, acanthus leaves branches, the royal arms of England and a gold portcullis with chains, the heraldic badge of the Beauforts., Prologue to the Wycliffite Bible, in the later version (imperfect)

ends 'descendant in infernum viventes'.Catchwords and bifolium signatures. Some pointing hands in the margins, sometimes with annotations (e.g., f. 265). 1 initial in blue on gold ground, with a red rose, and a full border with red and white Tudor

• Inscription 'sinistra / No. 1'., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

/ No. 1'. Italian cuttings.The present cuttings were formerly pasted into The Samuel Rogers Album and foliated as Add. 21412, ff. 3 (ff. 3a, 3c), 5 (ff. 5a-c, 6a-c), 6 (ff. 7, 8a-c), 7 (ff. 9a-h), 8 (ff. 10a-c), 9

• Detail of a miniature of the translator reading., Historia destructionis Troiae in a French translation

France in 1380 (f. 1).Catchwords. 34 miniatures in colours and gold with partial borders, at the beginning of books (ff. 1, 3, 4, 8v, 11v, 14v, 17v, 20, 24v, 25v, 28, 30, 32v, 39, 47, 48v, 50, 51v, 55, 58,

• Detail of a miniature of the voyage of Jason., Historia destructionis Troiae in a French translation

France in 1380 (f. 1).Catchwords. 34 miniatures in colours and gold with partial borders, at the beginning of books (ff. 1, 3, 4, 8v, 11v, 14v, 17v, 20, 24v, 25v, 28, 30, 32v, 39, 47, 48v, 50, 51v, 55, 58,