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cornucopiae, dolphins, sphinxes, masks, trophies and heraldic decoration, in colours and gold, at the beginning of texts or books (ff. 1, 17, 26v-27 [miniature f. 26v, accompanying border f. 27], 37, 47v, 59, 73v, 88, 101v, 115, 131v, 148v, 164,
cornucopiae, dolphins, sphinxes, masks, trophies and heraldic decoration, in colours and gold, at the beginning of texts or books (ff. 1, 17, 26v-27 [miniature f. 26v, accompanying border f. 27], 37, 47v, 59, 73v, 88, 101v, 115, 131v, 148v, 164,
cornucopiae, dolphins, sphinxes, masks, trophies and heraldic decoration, in colours and gold, at the beginning of texts or books (ff. 1, 17, 26v-27 [miniature f. 26v, accompanying border f. 27], 37, 47v, 59, 73v, 88, 101v, 115, 131v, 148v, 164,
cornucopiae, dolphins, sphinxes, masks, trophies and heraldic decoration, in colours and gold, at the beginning of texts or books (ff. 1, 17, 26v-27 [miniature f. 26v, accompanying border f. 27], 37, 47v, 59, 73v, 88, 101v, 115, 131v, 148v, 164,
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.
and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.
and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.
and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.
and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.
and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.
and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.
and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.
and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.
and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.
and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.