• Inhabited initial 'Q'(uisque) with dogs and a dragon., Theological miscellany, including Paschasius Radbertus, De corpore et sanguine Domini; Augustine, De sacramento altaris (sermon 52); Lanfranc, De corpore et sanguine Domini; Augustine, De purgatorio igne

Albendone . . .' wth anathema (f. 1). 14th-century list of contents (f. 1). Ownership notes of the Augustinian priory of Val St.-Martin, at Leuven (index Louvain), and its prior, Johannes Vlimmerius (f. 1). The Harley Collection, formed by Robert

• Historiated puzzle initial 'D'(eus) with Thomas Aquinas., Life of Thomas Aquinas

Historiated puzzle initial 'D'(eus) with Thomas Aquinas. 1 historiated puzzle initial in red and blue with pen-flourishing in red, extending into a partial border in red and blue (f. 1). Small initials in blue with red pen-flourishing. Paraph marks in

• Detail of a historiated initial 'H'(ec) of Nicholas of Lyre in a Franciscan habit, sitting at a desk and presenting his book to a king and a queen, at the beginning of the prologue 1., Postilla litteralis in vetus et novum testamentum

initials in colours and gold, usually containing hybrids, with partial borders and 1 full border with drolleries (f. 1), at the beginning of all books and prologues (ff. 1, 2, 43v, 77, 92v, 110v, 129, 140, 151, 153, 169v, 182,

• Decorated initial 'P'(auci) with stems and foliate motifs, a clasp, and a face, at the beginning of Jerome's 'Adversus Iovinianum'., Adversus Iovinianum; Commentarius in Symbolum apostolorum; De viris illustribus (excerpt)

erased). 1 large decorated initial with stems and foliate motifs, a clasp, and a face, outlined in brown ink, with yellow wash, on a red ground (f. 1).1 rough drawing of a profile head (f. 99v, erased?). 1 smaller

• Decorated initial 'T'(ribus) with two masks and foliate motifs., Commentary on the Song of Songs; Nativity of Christ according to the Gospels

Ampersands; ae caudatas. 1 large initial with two masks (effaced) and foliate motifs, outlined in brown ink (f. 1).1 large initial with stems and foliate motifs, outlined in brown ink, with some red (f. 2v). 1 large initial in

• Initial 'A'(bba) with penwork decoration., Commentary on the Song of Songs (ff. 1-52); Regula S. Benedicti (ff. 52-84)

decoration. Two scribes (one is on ff. 1-3; ff. 8-18; ff. 52r-52v and ff. 57-84).Ampersands; ae caudatas. 1 initial in gold (f. 1).1 initial in green with penwork decoration in green and red (f. 54v). Some large and several

• Miniature of the pope Boniface VIII with a canonist holding a book before him; and a foliate initial 'B'(onifacius) and a full border including two grotesques in the bas-de-page, at the beginning of Liber sextus., Apparatus ad Sextum; Liber sextus Decretalium; Apparatus ad Sextum

signatures; lemmas underlined in yellow. 1 miniature and 1 historiated initial in colours and gold, with full borders, at the beginning of the Apparatus ad Sextum of Guido de Baysio and the Liber sextus (ff. 1, 107). Large foliate initials

• Decorated initial 'A'(n) with pen-flourishing., Nova Statuta (index Statutes of England, Statuta Angliae), for 1-38 Edward III (ff. 1-77), and other legal texts, imperfect

red and blue with pen-flourishing in the same colours including foliate motifs extending into the borders on all sides (f. 1). Large initials in blue with red pen-flourishing including foliate motifs and flowers (ff. 5v (with face), 9, 12, 14v,

• Historiated initial 'C'(arissimi) with a standing bishop (Basil?)., 'De Vita et miraculis sancti Basilii'

(part 1) may have been altered as it is not painted in an Italian style.f. 108v is blank. ff. 108-111v are unwritten ruled parchment leaves. Large historiated initial in colours and gold with a standing bishop (Basil) (f. 1; perhaps

• Text page with title in rustic capitals., Retractatio de animae quantitate (index On the Size of the Soul) (ff. 1-32v); Paschalis operis (index Carmen paschale), libri 5 (ff. 33-70v), Commentary on the Apocalypse (ff. 71-84v)

Ganz, 'the hands show marked Tours influence especially in the half uncial.' Title in rustic capitials and 1 large initial in red (f. 1). Plain initials in black. Rubrics and abbreviations of protagonists' names in red. Retractatio de animae quantitate

• Detail of a miniature of Christians fighting Saracens and a decorated initial 'E'(n) including heraldic arms., Roman de Mélusine (ends imperfectly)

arms and three-sided column-wide foliate borders, in colours and gold (ff. 1, 17, 36, 43v, 56, 66v, 80v, 88v, 99, 113, 118v, 140v, 160v, 174, 190, 204v, 214v); 1 miniature probably excised after f. 7. Small initials (1-2 lines), paraphs

• Historiated initial 'P'(unctus) with Euclid holding a circle in a dispute, and marginal diagrams, at the beginning of Euclid's Elementorum., Elementorum, in the translation by Athelarum

46v), and human figures (ff. 73v, 84, 84v, copying the original marginal drawings). 1 large historiated initial, developing a partial border, in colours and gold (f. 1). Numerous marginal diagrams. 13 large decorated initials, mostly with dragons, and foliate extensions,

• Decorated initial 'S'(uperficies), and marginal diagrams, in Euclid's Elementorum., Elementorum, in the translation by Athelarum

46v), and human figures (ff. 73v, 84, 84v, copying the original marginal drawings). 1 large historiated initial, developing a partial border, in colours and gold (f. 1). Numerous marginal diagrams. 13 large decorated initials, mostly with dragons, and foliate extensions,

• Decorated initial incorporating heraldic arms, and a full foliate border, at the beginning of a Breviary., Ordinal, and noted Breviary, Use of Sarum (ff. 1-100), Metrologus de plana musica (ff. 100-117v), Offences which deserve excommunication (f. 118, fragment)

he was known as Lord Poynings.Musical notation. 1 large initial in gold on a ground in blue and red, incorporating heraldic arms, and a full foliate border, in colours and gold (f. 1). Small initials (2-3 lines) in gold with

• Part of a full foliate border, at the beginning of a Breviary., Ordinal, and noted Breviary, Use of Sarum (ff. 1-100), Metrologus de plana musica (ff. 100-117v), Offences which deserve excommunication (f. 118, fragment)

he was known as Lord Poynings.Musical notation. 1 large initial in gold on a ground in blue and red, incorporating heraldic arms, and a full foliate border, in colours and gold (f. 1). Small initials (2-3 lines) in gold with

• Historiated initial 'P'(unctus) with Euclid holding a compass, in conversation with three men, at the beginning of Euclid's Elementorum., Elementorum, in the translation by Athelarum

46v), and human figures (ff. 73v, 84, 84v, copying the original marginal drawings). 1 large historiated initial, developing a partial border, in colours and gold (f. 1). Numerous marginal diagrams. 13 large decorated initials, mostly with dragons, and foliate extensions,

• Decorated initial 'S'(uper), in Euclid's Elementorum., Elementorum, in the translation by Athelarum

46v), and human figures (ff. 73v, 84, 84v, copying the original marginal drawings). 1 large historiated initial, developing a partial border, in colours and gold (f. 1). Numerous marginal diagrams. 13 large decorated initials, mostly with dragons, and foliate extensions,

• Marginal diagrams., Elementorum, in the translation by Athelarum

46v), and human figures (ff. 73v, 84, 84v, copying the original marginal drawings). 1 large historiated initial, developing a partial border, in colours and gold (f. 1). Numerous marginal diagrams. 13 large decorated initials, mostly with dragons, and foliate extensions,

• Illuminated initial and marginal diagrams., Elementorum, in the translation by Athelarum

46v), and human figures (ff. 73v, 84, 84v, copying the original marginal drawings). 1 large historiated initial, developing a partial border, in colours and gold (f. 1). Numerous marginal diagrams. 13 large decorated initials, mostly with dragons, and foliate extensions,

• Drawing of the Tree of Vices, with Pride at the bottom and Luxury at the top, with snakes and dragons, at the beginning of epistle IV.1., Speculum virginum

'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur