• Miniature of the Nativity, prefacing the reading for Christmas., Gospel Lectionary, imperfect

silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures

• Puzzle initial 'V'(oluntas) and flourished border at the beginning of the Similitudines Anselmi., Similitudines Anselmi, with table of chapters

similar mis-en-page and decoration, and flyleaf notations. Full border, of red pen flourishing (f. 2). Small initials in red and blue with pen-flourishing. Similitudines Anselmi, with table of chapters Former shelfmark (?) ‘L.N.9’, ‘N° 3’ (f. i verso) and ‘B’

• Illuminated headpiece with a foliate pattern and decorated initial 'E'(n) at the beginning of the Gospel of John., Four Gospels, each preceded by a table of capitula (index New Testament, Bible)

157) at the beginning of each Gospel. Simple headpieces and endpieces in red and sometimes brown. Large decorated initials in blue and red at the beginning of each Gospel. Small simple initials in red. Four Gospels, each preceded by a

• Detail of a historiated initial 'U' with Christ giving the keys to Peter, a dragon making up part of the letter., Gospel Lectionary, imperfect

silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures

• Drawing of Alexander the Great holding an orb and sceptre, with Philosophy holding a pot and brush, preceding the Historia Alexandri Magni., Historia Alexandri Magni; Epistola Alexandri ad Aristotelem de situ Indiae; Epistolae Alexandri; Recapitulatio

in red, initials in red, some with penwork decoration in green, initials in purple, or/and in blue. Display script in red, green and blue (f. 52), or in red and purple (ff. 4v, 78v, 79v, 89v, 91, 94v). Chapter numbers

• Decorated initial 'S'(emper) with display script, at the beginning of the Epistola Alexandri ad Aristotelem de situ Indiae., Historia Alexandri Magni; Epistola Alexandri ad Aristotelem de situ Indiae; Epistolae Alexandri; Recapitulatio

in red, initials in red, some with penwork decoration in green, initials in purple, or/and in blue. Display script in red, green and blue (f. 52), or in red and purple (ff. 4v, 78v, 79v, 89v, 91, 94v). Chapter numbers

• Text page with initials, marginal notes and ink drawing of a pitcher., De fide orthodoxa

of no. 498 in the same catalogue is a mistake.) Initials in red or blue with pen-flourishing in the other colour. Paraphs in red or blue. Rubrics in red in triangular shapes inserted in the text (e.g., f. 26v). Numbers

• Coloured initial 'R'(everentissimis)., De laudibus virginitatis, with Old English and Latin glosses

of Barking. Large outline initial in red and black on blue ground with man and hybrid creature enmeshed in foliage (f. 4). Large initial in red (now oxided) with a blue wash and foliate decoration (f. 1). Large initial in

• Text page with inventory of relics at Exeter: 'These are the names of the holy saints, which are in the monastery of St Peter and St Mary, Exeter . . .'. The list begins with relics of Christ's blood, his cross, tomb, and clothing. The list also enumerates a part of St Peter's beard and St Andrew's walking-stick., De laudibus virginitatis, with Old English and Latin glosses

of Barking. Large outline initial in red and black on blue ground with man and hybrid creature enmeshed in foliage (f. 4). Large initial in red (now oxided) with a blue wash and foliate decoration (f. 1). Large initial in

• Initial with foliate decoration., De laudibus virginitatis, with Old English and Latin glosses

of Barking. Large outline initial in red and black on blue ground with man and hybrid creature enmeshed in foliage (f. 4). Large initial in red (now oxided) with a blue wash and foliate decoration (f. 1). Large initial in

• Initial 'I'(am) with man and a dragon enmeshed in foliage., De laudibus virginitatis, with Old English and Latin glosses

of Barking. Large outline initial in red and black on blue ground with man and hybrid creature enmeshed in foliage (f. 4). Large initial in red (now oxided) with a blue wash and foliate decoration (f. 1). Large initial in

• Display script with penwork decoration and reserved lines., Epistolae

(added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate

• Dedtail of display script with penwork decoration and reserved lines., Epistolae

(added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate

• Detail of decorated initial 'H'(abens) with reserved lines, arabesque and foliate motifs., Epistolae

(added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate

• Detail of decorated initial 'A'(ugustinus) with reserved lines, arabesque and foliate motifs., Epistolae

(added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate

• Detail of display script with reserved lines., Epistolae

(added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate

• White vine initial 'N'(el) and full border at the beginning of the text., Trionfi (index Triumphs)

the text (f. 2). 10 large initials in blue ink marking each chapter (ff. 5, 8v, 12, 15v, 19, 23, 26v, 29, 34v, 37v). Smaller initials and paragraph marks in alternating blue or dark red. Trionfi (index Triumphs) Defaced arms

• Miniature of the Three Holy Women at the Tomb, facing the decorative incipit page for the text used to celebrate Easter mass., Sacramentary (the 'Augsburg Sacramentary') with calendar (ff. 1v-7)

of the monk Ulrich (f. 112). Large initials in gold with foliate decoration, with green, red, and sometimes blue. Large initials in blue, green, red, and gold. Small initials in gold or red, some with gold highlights. Chrysography. Sacramentary (the

• Historiated initial 'O', which introduces the text for the feast of Ulrich, patron saint of Augsburg Cathedral, with a bust-length image of the saint in priestly garments., Sacramentary (the 'Augsburg Sacramentary') with calendar (ff. 1v-7)

of the monk Ulrich (f. 112). Large initials in gold with foliate decoration, with green, red, and sometimes blue. Large initials in blue, green, red, and gold. Small initials in gold or red, some with gold highlights. Chrysography. Sacramentary (the

• Drawing of a diagram of the vision of Claudius Senator, and a drawing of a diagram of 'labarum Constantini.', Translation of Testamenta duodecim patriarcharum, and Suidas De probatione Virginitatis Beate Marie

in ink of candelabres, and of a human head (ff. 2, 238). Initials in blue with red pen-flourishing or in red with blue pen-flourishing. Notabilia in blue or red frames. Translation of Testamenta duodecim patriarcharum, and Suidas De probatione Virginitatis