• Decorated initial 'A'(t) at the beginning of Book III. In the top margin and top right corner are the book number '3', and the folio number '63'; the sketch of a horse's head in the lower margin is a doodle by a later reader., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect

decoration in purple, green, red, and blue, a few also with yellow highlighting at the beginning of the prologue, books, or texts (ff. 2, 4v, 36v, 63, 100, 137v ). Initials in red, green, blue or purple, some with penwork

• Calendar with diagrams of lunar eclipses., Scientific miscellany, including a calendar (from 1387 to 1462) (ff. 2-14), Canon minoris calendarii and Canon majoris calendarii by John Somer (ff. 16-18), treatise on the use of the astrolabe attributed to Simon de Bredon (ff. 24v-28), various other astrological tables and treatises

the movements of the moon (f. 29). Large initials in blue with red pen-flourishing. Smaller initials in red with brown penwork decoration. Plain initials in red. Paraphs in red or blue. Capitals marked in red. Scientific miscellany, including a calendar

• Historiated initial 'D'(ominus) with king David pointing at his eyes at the beginning of Psalm 26., Psalter, imperfect, beginning in Psalm 16

(a larger initial at the beginning of Psalm 21 (f. 11v)). Initials in gold with blue or red pen-flourishing. Line-fillers in gold, red and blue. Coloured initials in red. Psalter, imperfect, beginning in Psalm 16 ?Added litany including Livine, Servati,

• Decorated initial 'O'(mnipotens) and musical notation., Pontifical

contemporary hand including Secundiane, Viriane, Marcelliane, Iuste, Blasi, Brixti, and Egidi (ff. 86-87). Initials with white foliage on a pale blue, dark blue/green, dark purple and red ground (ff. 1 (damaged), 2v, 3v, 11, 14v, 17v, 20, 21v, 34v, 48,

• Miniature of the Three Holy Women at the Tomb, facing the decorative incipit page for the text used to celebrate Easter mass., Sacramentary (the 'Augsburg Sacramentary') with calendar (ff. 1v-7)

of the monk Ulrich (f. 112). Large initials in gold with foliate decoration, with green, red, and sometimes blue. Large initials in blue, green, red, and gold. Small initials in gold or red, some with gold highlights. Chrysography. Sacramentary (the

• Historiated initial 'O', which introduces the text for the feast of Ulrich, patron saint of Augsburg Cathedral, with a bust-length image of the saint in priestly garments., Sacramentary (the 'Augsburg Sacramentary') with calendar (ff. 1v-7)

of the monk Ulrich (f. 112). Large initials in gold with foliate decoration, with green, red, and sometimes blue. Large initials in blue, green, red, and gold. Small initials in gold or red, some with gold highlights. Chrysography. Sacramentary (the

• Drawing of a diagram of the vision of Claudius Senator, and a drawing of a diagram of 'labarum Constantini.', Translation of Testamenta duodecim patriarcharum, and Suidas De probatione Virginitatis Beate Marie

in ink of candelabres, and of a human head (ff. 2, 238). Initials in blue with red pen-flourishing or in red with blue pen-flourishing. Notabilia in blue or red frames. Translation of Testamenta duodecim patriarcharum, and Suidas De probatione Virginitatis

• Puzzle initial 'I'(n principio) at the beginning of the text., 'Breviarium Bartholomei', with glosses and recipes by John Dee

large puzzle initials in red and blue with red, purple, blue or black flourishing (ff. 6, 21v, 58, 83v, 96, 114, 131v, 136, 158v, 189, 196, 202, 240v, 282, 289v). Smaller initials in blue with red pen-flourishing. Cadels in the

• Historiated initial 'I'(nter) of the four Evangelists with their symbols, with a full border containing two peacocks, a bird and arms of Grey, at the beginning of the De consensu evangelistarum of Augustine., De consensu evangelistarum, De musica

colours and gold with full border, at the beginning of the text (f. 1). Initials in red with blue pen-flourishing, or in blue with red pen-flourishing. De consensu evangelistarum, De musica Probably made for a member of the Grey family:

• German glosses on the Isidore text., Etymologies; De natura rerum (ff. 154-166), and other short texts

busts, in brown ink with red (f. 77). Genealogical tree starting with Adam in brown ink, with some red, blue, and yellow (ff. 39-42). Large initial in brown ink with foliage and clasps, with colour washes (ff. 51, 119). Large

• Text with diagrams., Etymologies; De natura rerum (ff. 154-166), and other short texts

brown ink with red (f. 77). Genealogical tree starting with Adam in brown ink, with some red, blue, and yellow (ff. 39-42). Large initial in brown ink with foliage and clasps, with colour washes (ff. 51, 119). Large initial in

• Colophon in column 1., Etymologies; De natura rerum (ff. 154-166), and other short texts

in brown ink with red (f. 77). Genealogical tree starting with Adam in brown ink, with some red, blue, and yellow (ff. 39-42). Large initial in brown ink with foliage and clasps, with colour washes (ff. 51, 119). Large initial

• Miniature of the Pentecost., Psalter (The 'Melisende Psalter') with canticles, prayers, and litany

of Psalm 1 (f. 24). Large and small initials in gold, with penwork decoration in blue and yellow from ff. 24v-32v. Text in red, blue, or gold (chrysography). Psalter (The 'Melisende Psalter') with canticles, prayers, and litany ? made for

• Miniature of the Ascension of Christ., Psalter (The 'Melisende Psalter') with canticles, prayers, and litany

of Psalm 1 (f. 24). Large and small initials in gold, with penwork decoration in blue and yellow from ff. 24v-32v. Text in red, blue, or gold (chrysography). Psalter (The 'Melisende Psalter') with canticles, prayers, and litany ? made for

• Detail of a miniature of the Ascension of Christ., Psalter (The 'Melisende Psalter') with canticles, prayers, and litany

of Psalm 1 (f. 24). Large and small initials in gold, with penwork decoration in blue and yellow from ff. 24v-32v. Text in red, blue, or gold (chrysography). Psalter (The 'Melisende Psalter') with canticles, prayers, and litany ? made for

• Miniatures of the Adoration of the Magi and their departure, and the Presentation., Psalter (The 'Melisende Psalter') with canticles, prayers, and litany

of Psalm 1 (f. 24). Large and small initials in gold, with penwork decoration in blue and yellow from ff. 24v-32v. Text in red, blue, or gold (chrysography). Psalter (The 'Melisende Psalter') with canticles, prayers, and litany ? made for

• Miniatures of the Transfiguration, and the Raising of Lazarus., Psalter (The 'Melisende Psalter') with canticles, prayers, and litany

of Psalm 1 (f. 24). Large and small initials in gold, with penwork decoration in blue and yellow from ff. 24v-32v. Text in red, blue, or gold (chrysography). Psalter (The 'Melisende Psalter') with canticles, prayers, and litany ? made for

• Miniature of the Annunciation., Psalter (The 'Melisende Psalter') with canticles, prayers, and litany

of Psalm 1 (f. 24). Large and small initials in gold, with penwork decoration in blue and yellow from ff. 24v-32v. Text in red, blue, or gold (chrysography). Psalter (The 'Melisende Psalter') with canticles, prayers, and litany ? made for

• Miniature of the Visitation., Psalter (The 'Melisende Psalter') with canticles, prayers, and litany

of Psalm 1 (f. 24). Large and small initials in gold, with penwork decoration in blue and yellow from ff. 24v-32v. Text in red, blue, or gold (chrysography). Psalter (The 'Melisende Psalter') with canticles, prayers, and litany ? made for

• Miniature of the Presentation., Psalter (The 'Melisende Psalter') with canticles, prayers, and litany

of Psalm 1 (f. 24). Large and small initials in gold, with penwork decoration in blue and yellow from ff. 24v-32v. Text in red, blue, or gold (chrysography). Psalter (The 'Melisende Psalter') with canticles, prayers, and litany ? made for