• Miniature of Christ's entry into Jerusalem., Psalter (The 'Melisende Psalter') with canticles, prayers, and litany

of Psalm 1 (f. 24). Large and small initials in gold, with penwork decoration in blue and yellow from ff. 24v-32v. Text in red, blue, or gold (chrysography). Psalter (The 'Melisende Psalter') with canticles, prayers, and litany ? made for

• Initial 'I'(n principio) with the eagle, symbol of John in a medallion, at the beginning of John., Gospel of John; Augustine, Tractatus in Evangelium Iohannis

God, at the beginning of John and of the Tractatus in Evangelium Iohannis of Augustine (ff. 3, 14v). Initials in blue, green, red, or purple, some with penwork decoration and/or yellow washes (e.g., ff. 30v, 35). Gospel of John; Augustine,

• Foliate initial 'P'(aulus) with dragons, and display script, at the of the Commentary on the Pauline Epistles of Florus of Lyon, and in the lower margin, the typical (but partially erased) Rochester ownership inscription, naming Baldwin, archbishop of Canterbury from 1184 to 1190., Commentary on the Pauline Epistles

at the beginning of the text (f. 1v). 3 initials with penwork decoration and display script in green, red, and blue (f. 1v). Smaller initials in red, green, or purple throughout the text. Commentary on the Pauline Epistles The cathedral

• Inhabited initial 'D'(ici) with lions and dragons, at the beginning of the Enchiridion of Augustine., Enchiridion

1 inhabited initial in colours, with display script, at the beginning of the text (f. 1). Initials in red, brown, blue, or green, at the beginning of chapters. Enchiridion The Benedictine abbey of St Augustine, Canterbury: included in the catalogue

• Decorated initial 'P'(etrus) at the beginning of Bede's commentary on the Epistle of Peter., Commentary on Catholic Epistles and Commentary on Tobit

in colours at the beginning of Bede's commentary to James's Epistle (f. 2). 7 large initials in red, green or blue, some with a decoration in the form of dots, at the beginning of the commentaries to other Epistles and

• Decorated initial 'L'(iber) at the beginning of Bede's commentary on the Epistle of Jude., Commentary on Catholic Epistles and Commentary on Tobit

in colours at the beginning of Bede's commentary to James's Epistle (f. 2). 7 large initials in red, green or blue, some with a decoration in the form of dots, at the beginning of the commentaries to other Epistles and

• Decorated initial 'Q'(uod) at the beginning of Bede's commentary on the first Epistle of John., Commentary on Catholic Epistles and Commentary on Tobit

in colours at the beginning of Bede's commentary to James's Epistle (f. 2). 7 large initials in red, green or blue, some with a decoration in the form of dots, at the beginning of the commentaries to other Epistles and

• Text page with coloured initials., Commentary on the Pauline Epistles

at the beginning of the text (f. 1v). 3 initials with penwork decoration and display script in green, red, and blue (f. 1v). Smaller initials in red, green, or purple throughout the text. Commentary on the Pauline Epistles The cathedral

• Zoomorphic initial 'I'(ntuentes) formed of a dragon, with the Lamb of God in a medallion, at the beginning of Augustine's Tractatus in Evangelium Iohannis., Gospel of John; Augustine, Tractatus in Evangelium Iohannis

God, at the beginning of John and of the Tractatus in Evangelium Iohannis of Augustine (ff. 3, 14v). Initials in blue, green, red, or purple, some with penwork decoration and/or yellow washes (e.g., ff. 30v, 35). Gospel of John; Augustine,

• Decorated initial 'I'(n quattuor)., Gospel of John; Augustine, Tractatus in Evangelium Iohannis

God, at the beginning of John and of the Tractatus in Evangelium Iohannis of Augustine (ff. 3, 14v). Initials in blue, green, red, or purple, some with penwork decoration and/or yellow washes (e.g., ff. 30v, 35). Gospel of John; Augustine,

• Foliate initial 'S'(I rationi) at the beginning of book 2., De civitate Dei; Notae on De ciuitate Dei

60v, 81v, 88v, 112v, 121v, 130, 155, 170, 227, 241), at the beginning of books. Small initials in red or blue. De civitate Dei; Notae on De ciuitate Dei The cathedral priory of St. Andrew, Rochester: inscribed, 'Liber de claust[r]o

• Foliate initial 'I'(am) at the beginning of book 3., De civitate Dei; Notae on De ciuitate Dei

60v, 81v, 88v, 112v, 121v, 130, 155, 170, 227, 241), at the beginning of books. Small initials in red or blue. De civitate Dei; Notae on De ciuitate Dei The cathedral priory of St. Andrew, Rochester: inscribed, 'Liber de claust[r]o

• Foliate initial 'D'(e felicitate) at the beginning of book 15., De civitate Dei; Notae on De ciuitate Dei

60v, 81v, 88v, 112v, 121v, 130, 155, 170, 227, 241), at the beginning of books. Small initials in red or blue. De civitate Dei; Notae on De ciuitate Dei The cathedral priory of St. Andrew, Rochester: inscribed, 'Liber de claust[r]o

• Coloured initial 'D'(anielem) at the beginning of Jerome's 'Commentary on the Prophet Daniel' with the title 'The prologue of St Jerome, Exposition on the Prophet Daniel'., Theological miscellany (contents listed in Notes)

S. Nicholai; Miracula S. Nicholai Large initial in red with penwork decoration in green (f. 85). Large initials in red, blue, or green, some with simple penwork decoration and sometimes highlighted in yellow. Rubrics in red or green. Theological miscellany

• Coloured initial 'A'(nno)., Theological miscellany (contents listed in Notes)

S. Nicholai; Miracula S. Nicholai Large initial in red with penwork decoration in green (f. 85). Large initials in red, blue, or green, some with simple penwork decoration and sometimes highlighted in yellow. Rubrics in red or green. Theological miscellany

• Coloured initial 'B'(eatis) at the beginning of the Life of Nicholas of Myra (or Bari)., Theological miscellany (contents listed in Notes)

S. Nicholai; Miracula S. Nicholai Large initial in red with penwork decoration in green (f. 85). Large initials in red, blue, or green, some with simple penwork decoration and sometimes highlighted in yellow. Rubrics in red or green. Theological miscellany

• Coloured initial 'O'(mnipotentis) at the beginning of the prologue written by the 11th-century abbot of Thorney, Fulcard, to his the lives of the anchorites Thancred, Torhtred and Tova, which he presented to Bishop Walcelin of Winchester. Their veneration seems to have been limited to Thorney and its dependent house, Deeping., Theological miscellany (contents listed in Notes)

S. Nicholai; Miracula S. Nicholai Large initial in red with penwork decoration in green (f. 85). Large initials in red, blue, or green, some with simple penwork decoration and sometimes highlighted in yellow. Rubrics in red or green. Theological miscellany

• Miniature of Pentecost, decorated initial 'D'(omine) and scatter borders, at the beginning of the Hours of the Cross., Book of Hours, Use of Rome

gold. Small decorated initials (2 lines) in grisaille on gold grounds. Small initials (1 line) in gold on red or blue grounds. Book of Hours, Use of Rome Unidentified owner, 16th century, perhaps with the initials 'BDF' (monogram on binding).Inscribed

• Miniature of the Crucifixion, decorated initial 'E'(gressus) and scatter borders, at the beginning of the Passion of Christ according to John., Book of Hours, Use of Rome

gold. Small decorated initials (2 lines) in grisaille on gold grounds. Small initials (1 line) in gold on red or blue grounds. Book of Hours, Use of Rome Unidentified owner, 16th century, perhaps with the initials 'BDF' (monogram on binding).Inscribed

• Miniature of the Annunciation to the Shepherds, decorated initial 'D'(eus) and scatter borders, at the beginning of Terce in the Hours of the Virgin., Book of Hours, Use of Rome

gold. Small decorated initials (2 lines) in grisaille on gold grounds. Small initials (1 line) in gold on red or blue grounds. Book of Hours, Use of Rome Unidentified owner, 16th century, perhaps with the initials 'BDF' (monogram on binding).Inscribed