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and 94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line
parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line 7/8-end, and there
94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line 7/8-end,
and 94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line
94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line 7/8-end,
and 94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line
Troper (Sanctus and Agnus tropes). Musical notation: square notation on four-line red staves. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Added one line of musical notation without text: white mensural notation, France ?, early
and Agnus tropes). Musical notation: square notation on four-line red staves. Large initials in blue with red foliate pen-flourishing. Small initials in plain red or blue. Two leaves of a noted Missal, with part of the masses for the dead
Munk Olsen 1982. Numerous large initials sometimes with reserved designs, in blue, green, red and/or yellow ink (enclosing a human face on f. 29v). Display script in red and blue. Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v),
Munk Olsen 1982. Numerous large initials sometimes with reserved designs, in blue, green, red and/or yellow ink (enclosing a human face on f. 29v). Display script in red and blue. Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v),
Munk Olsen 1982. Numerous large initials sometimes with reserved designs, in blue, green, red and/or yellow ink (enclosing a human face on f. 29v). Display script in red and blue. Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v),
Munk Olsen 1982. Numerous large initials sometimes with reserved designs, in blue, green, red and/or yellow ink (enclosing a human face on f. 29v). Display script in red and blue. Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v),
Munk Olsen 1982. Numerous large initials sometimes with reserved designs, in blue, green, red and/or yellow ink (enclosing a human face on f. 29v). Display script in red and blue. Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v),
131v), one with a dragon (f. 17). 1 initial in red with penwork decoration in blue (f. 1). Numerous smaller initials in red or blue. Rubrics in red. Display script in brown ink for letters following 2 foliate initials (ff.
Munk Olsen 1982. Numerous large initials sometimes with reserved designs, in blue, green, red and/or yellow ink (enclosing a human face on f. 29v). Display script in red and blue. Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v),
Munk Olsen 1982. Numerous large initials sometimes with reserved designs, in blue, green, red and/or yellow ink (enclosing a human face on f. 29v). Display script in red and blue. Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v),
Munk Olsen 1982. Numerous large initials sometimes with reserved designs, in blue, green, red and/or yellow ink (enclosing a human face on f. 29v). Display script in red and blue. Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v),
unfinished, as they lack contour lines. 2 large initials, outlined in brown ink, coloured yellow and green, on a red, blue and violet ground, with foliate, rope and knotwork motifs (f. 2) and, with animal heads (f. 14v). Large initials
the manuscript. Pricking holes. Puzzle initials in red and blue at the beginning of the prologue to Genesis and at the beginning of Genesis (ff. 2, 4v). Plain initials in blue or red, many initials not added. Running titles. Bible
with penwork decoration in red (f. 1). 1 large initial in blue with reserved designs and penwork decoration including arabesque motifs in red (f. 4v). Numerous initials in blue, red or green, occasionally with reserved designs or some penwork decoration