• Historiated initial 'U'(isio) of Isaiah writing, at the beginning of Isaiah., Bible, from Genesis to Job, vol. 1

in silver with blue and red penwork decoration (ff. 248v, 288v, 294), or in gold and silver with red penwork (f. 300). Coloured initials in blue, red, or brown (only f. 19v). Rubrics in red or blue. Bible, from Genesis

• Historiated initial 'U'(erbum) with a man lying in bed with a lady by his side and God above, at the beginning of Hosea., Bible, from Genesis to Job, vol. 1

in silver with blue and red penwork decoration (ff. 248v, 288v, 294), or in gold and silver with red penwork (f. 300). Coloured initials in blue, red, or brown (only f. 19v). Rubrics in red or blue. Bible, from Genesis

• Historiated initial 'U'(ir) of Job on the dungheap, visited by his friends, at the beginning of Job., Bible, from Genesis to Job, vol. 1

in silver with blue and red penwork decoration (ff. 248v, 288v, 294), or in gold and silver with red penwork (f. 300). Coloured initials in blue, red, or brown (only f. 19v). Rubrics in red or blue. Bible, from Genesis

• Inhabited initial 'P'(ost) with foliate tendrils, interlace and naked figures at the beginning of Judges., Bible, from Genesis to Job, vol. 1

in silver with blue and red penwork decoration (ff. 248v, 288v, 294), or in gold and silver with red penwork (f. 300). Coloured initials in blue, red, or brown (only f. 19v). Rubrics in red or blue. Bible, from Genesis

• Historiated initial 'F'(rater) depicting Jerome and Damasus (above), and Jerome and Ambrose (below), with the ownership inscriptions of Abbot Robert de Bello at the top of the page and under the feet of the peacock., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• null, Odes (ff. 5-78v), Epodes (ff. 79-93v), and Carmen saeculare (ff. 94-95v); preceded by a Life of Horace attributed here to Petrus Crinitus (ff. 1-4)

gold, or green (ff. 1, 5, 27, 41, 65, 79, 94). Small initials in gold on a square field of blue, red, purple, green, or gray (ff. 6, 7, 8, etc.). Odes (ff. 5-78v), Epodes (ff. 79-93v), and Carmen saeculare

• null, Odes (ff. 5-78v), Epodes (ff. 79-93v), and Carmen saeculare (ff. 94-95v); preceded by a Life of Horace attributed here to Petrus Crinitus (ff. 1-4)

gold, or green (ff. 1, 5, 27, 41, 65, 79, 94). Small initials in gold on a square field of blue, red, purple, green, or gray (ff. 6, 7, 8, etc.). Odes (ff. 5-78v), Epodes (ff. 79-93v), and Carmen saeculare

• Coloured initials., Portions of saints lives, including the 'Brevis Relatio' of Cuthbert (ff. 1-8); Vita S. Egidii, imperfect (ff. 9-14v); In natali S. Edwoldi (ff. 15-18v); Vita S. Andeoli (ff. 19-23)

in red, with some simple penwork decoration. Small initials in brown. Large initials in blue, red, or green (ff. 9-14v). Highlighting of letters in red (f. 14v). Portions of saints lives, including the 'Brevis Relatio' of Cuthbert (ff. 1-8); Vita

• Detail of a foliate initial 'D'(omino) with human heads, at the beginning of the preface., Commentary on Matthew

1 (ff. 1, 2v). 2 large initials in brown or blue with penwork decoration in red and green, at the beginning of books (ff. 66, 123). Smaller initials in red, blue, brown or green, some with penwork decoration throughout the

• Inhabited initial 'P'(aulus) with white lions interlaced with a foliate scroll and an attached portrait of Peter Lombard writing the first words of his commentary, 'hunc epistola[m] / s/cribit / ap[osto]l[us]s roma/nos'., Pauline Epistles, with the commentary of Peter Lombard

with penwork decoration in green, red, and blue, at the beginning of other Epistles (ff. 54, 89, 107, 122, 133, 140, 146v, 151v, 154v, 162, 166v, 169). Smaller initials in green, red, or blue, some with penwork decoration, throughout the

• Detail of an inhabited initial 'P'(rincipia) with white lions, at the beginning of the prologue., Gloss on the Pauline Epistles

at the beginning of each Epistle and the prologue. Initials in blue with penwork decoration in red, at the beginning of the rest of the commentaries. Initials in blue or red. Running titles in red and green. Gloss on the

• Detail of a historiated initial 'P'(aulus) of Christ blessing and holding a book, at the beginning of Romans, and a historiated initial 'P'(aulus) of a lion and an eagle, at the beginning of the Peter Lombard's commentary to Romans., Gloss on the Pauline Epistles

at the beginning of each Epistle and the prologue. Initials in blue with penwork decoration in red, at the beginning of the rest of the commentaries. Initials in blue or red. Running titles in red and green. Gloss on the

• Detail of a historiated initial 'P'(aulus) of Paul holding a scroll, at the beginning of Corinthians 1., Gloss on the Pauline Epistles

at the beginning of each Epistle and the prologue. Initials in blue with penwork decoration in red, at the beginning of the rest of the commentaries. Initials in blue or red. Running titles in red and green. Gloss on the

• Detail of a historiated initial 'P'(aulus) of Paul holding a scroll and preaching to Corinthians, at the beginning of Corinthians 2., Gloss on the Pauline Epistles

at the beginning of each Epistle and the prologue. Initials in blue with penwork decoration in red, at the beginning of the rest of the commentaries. Initials in blue or red. Running titles in red and green. Gloss on the

• Detail of an inhabited initial 'P'(aulus), at the beginning of Galatians., Gloss on the Pauline Epistles

at the beginning of each Epistle and the prologue. Initials in blue with penwork decoration in red, at the beginning of the rest of the commentaries. Initials in blue or red. Running titles in red and green. Gloss on the

• Detail of a foliate initial 'P'(aulus), at the beginning of Ephesians., Gloss on the Pauline Epistles

at the beginning of each Epistle and the prologue. Initials in blue with penwork decoration in red, at the beginning of the rest of the commentaries. Initials in blue or red. Running titles in red and green. Gloss on the

• Detail of a historiated initial 'P'(aulus) of Paul holding a scroll, at the beginning of Philippians., Gloss on the Pauline Epistles

at the beginning of each Epistle and the prologue. Initials in blue with penwork decoration in red, at the beginning of the rest of the commentaries. Initials in blue or red. Running titles in red and green. Gloss on the

• Detail of a foliate initial 'P'(aulus), at the beginning of Colossians., Gloss on the Pauline Epistles

at the beginning of each Epistle and the prologue. Initials in blue with penwork decoration in red, at the beginning of the rest of the commentaries. Initials in blue or red. Running titles in red and green. Gloss on the

• Detail of an historiated initial 'P'(aulus) of Paul holding a scroll, at the beginning of Thessalonians 1., Gloss on the Pauline Epistles

at the beginning of each Epistle and the prologue. Initials in blue with penwork decoration in red, at the beginning of the rest of the commentaries. Initials in blue or red. Running titles in red and green. Gloss on the

• Detail of an historiated initial 'P'(aulus) of Paul and two Thessalonians, at the beginning of Thessalonians 2., Gloss on the Pauline Epistles

at the beginning of each Epistle and the prologue. Initials in blue with penwork decoration in red, at the beginning of the rest of the commentaries. Initials in blue or red. Running titles in red and green. Gloss on the