• Framed miniature of Justinian and two others in the heaven of mercury., Divina Commedia (index Divine Comedy): Inferno, Purgatorio, Paradiso, with a short Latin commentary; the Capitolo (ff. 187-187v)

margins, in colours and gold. 2 small initials in blue with red penwork decoration or in red with blue penwork decoration (ff. 42v, 187). Paraph marks in plain red or blue. Divina Commedia (index Divine Comedy): Inferno, Purgatorio, Paradiso, with

• Framed miniature of Dante, Beatrice, and four men in the heaven of venus., Divina Commedia (index Divine Comedy): Inferno, Purgatorio, Paradiso, with a short Latin commentary; the Capitolo (ff. 187-187v)

margins, in colours and gold. 2 small initials in blue with red penwork decoration or in red with blue penwork decoration (ff. 42v, 187). Paraph marks in plain red or blue. Divina Commedia (index Divine Comedy): Inferno, Purgatorio, Paradiso, with

• Framed miniature of Beatrice and Dante before five Dominicans in the heaven of the sun., Divina Commedia (index Divine Comedy): Inferno, Purgatorio, Paradiso, with a short Latin commentary; the Capitolo (ff. 187-187v)

margins, in colours and gold. 2 small initials in blue with red penwork decoration or in red with blue penwork decoration (ff. 42v, 187). Paraph marks in plain red or blue. Divina Commedia (index Divine Comedy): Inferno, Purgatorio, Paradiso, with

• Framed miniature of Beatrice and Dante before Dominic, Thomas Aquinas, and Francis in the heaven of the sun., Divina Commedia (index Divine Comedy): Inferno, Purgatorio, Paradiso, with a short Latin commentary; the Capitolo (ff. 187-187v)

margins, in colours and gold. 2 small initials in blue with red penwork decoration or in red with blue penwork decoration (ff. 42v, 187). Paraph marks in plain red or blue. Divina Commedia (index Divine Comedy): Inferno, Purgatorio, Paradiso, with

• Framed miniature of Beatrice, Dante, and a starry sky., Divina Commedia (index Divine Comedy): Inferno, Purgatorio, Paradiso, with a short Latin commentary; the Capitolo (ff. 187-187v)

margins, in colours and gold. 2 small initials in blue with red penwork decoration or in red with blue penwork decoration (ff. 42v, 187). Paraph marks in plain red or blue. Divina Commedia (index Divine Comedy): Inferno, Purgatorio, Paradiso, with

• Decorated initial 'E'(cclesia) and other coloured initials., Panormia (or decretum), with added decretals, including De baptismo in epiphania (ff. 138v-140)

penwork decoration in combinations of purple, green, blue, and/or red (ff. 4, 28, 111, 122). 1 large initial in purple with penwork decoration in blue (f. 12). Plain initials in red, green, blue, or purple, a few with penwork decoration

• Decorated initial 'P'(receptum) at the beginning of book 7., Panormia (or decretum), with added decretals, including De baptismo in epiphania (ff. 138v-140)

penwork decoration in combinations of purple, green, blue, and/or red (ff. 4, 28, 111, 122). 1 large initial in purple with penwork decoration in blue (f. 12). Plain initials in red, green, blue, or purple, a few with penwork decoration

• Illuminated initials 'N'(otandum), 'O'(mnes) and 'O'(sculetur) at the beginning of the Song of Songs., Proverbia, Ecclesiastes, Canticum Canticorum, Sapientia, Ecclesiasticus, glossed

red or blue, with pen-flourishing in the alternate colour. 1 decorated line-filler in red and blue (f. 66). Running headers and chapter numbers in alternate red or blue. Paraphs in red or blue. Rubrics in red or blue. Proverbia, Ecclesiastes,

• Tinted drawing of Locrini, Kambrini, and Albanactis standing under Gothic arches, a puzzle initial 'B'(ritannia), and a plain initial 'E'(neas)., Brief History of the Kings of England and Scotland up to Henry III (Brevis historia Regum Angliae et Scotiae usque ad Henricum III), Story of the Seven Sages of Rome (L'estoire de 7 Sages de Roume), Castle of Love (Le Château d'Amour), Manuel des Péchés (Books VII and VIII), and Omnes articuli fidei Christianae, imperfect

initials in red and blue with pen-flourishing in the same colours (ff. 48, 61v). Large initials in blue with red and blue pen-flourishing. Plain initials in blue or red. Rubrics in red. Paraphs in red or blue. Brief History of

• Tinted drawing of an empress and a decorated intial 'L' ('emperur)., Brief History of the Kings of England and Scotland up to Henry III (Brevis historia Regum Angliae et Scotiae usque ad Henricum III), Story of the Seven Sages of Rome (L'estoire de 7 Sages de Roume), Castle of Love (Le Château d'Amour), Manuel des Péchés (Books VII and VIII), and Omnes articuli fidei Christianae, imperfect

initials in red and blue with pen-flourishing in the same colours (ff. 48, 61v). Large initials in blue with red and blue pen-flourishing. Plain initials in blue or red. Rubrics in red. Paraphs in red or blue. Brief History of

• Detail of a tinted drawing of Robert Grossteste, bishop of Lincoln., Brief History of the Kings of England and Scotland up to Henry III (Brevis historia Regum Angliae et Scotiae usque ad Henricum III), Story of the Seven Sages of Rome (L'estoire de 7 Sages de Roume), Castle of Love (Le Château d'Amour), Manuel des Péchés (Books VII and VIII), and Omnes articuli fidei Christianae, imperfect

initials in red and blue with pen-flourishing in the same colours (ff. 48, 61v). Large initials in blue with red and blue pen-flourishing. Plain initials in blue or red. Rubrics in red. Paraphs in red or blue. Brief History of

• Tinted drawing of Robert Grossteste, bishop of Lincoln., Brief History of the Kings of England and Scotland up to Henry III (Brevis historia Regum Angliae et Scotiae usque ad Henricum III), Story of the Seven Sages of Rome (L'estoire de 7 Sages de Roume), Castle of Love (Le Château d'Amour), Manuel des Péchés (Books VII and VIII), and Omnes articuli fidei Christianae, imperfect

initials in red and blue with pen-flourishing in the same colours (ff. 48, 61v). Large initials in blue with red and blue pen-flourishing. Plain initials in blue or red. Rubrics in red. Paraphs in red or blue. Brief History of

• null, Medical texts, including the Cyrurgia (ff. 3-82), and the Practicella extracta ex dictis Mesue principaliter (ff. 84-100)

Small initials in red or blue, some with minimal penwork decoration in blue or red. Diagrams. Medical texts, including the Cyrurgia (ff. 3-82), and the Practicella extracta ex dictis Mesue principaliter (ff. 84-100) Added in different later hands some recipes

• Drawing of the Mocking of Christ., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Flourished initials, in the Register book of the Archbishop of York., Register book of the Archbishop of York

Flourished initials, in the Register book of the Archbishop of York. Large initials in red with blue pen-flourishing or in blue with red pen-flourishing. Register book of the Archbishop of York Inscribed 'Regestum Archiep. Eborac. FN', and 'Histor. Eborac vol.

• Drawing of the Betrayal., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of Saul holding a spear towards David, who holds a harp., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of the Flagellation., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of Christ being crowned with thorns., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of Christ carrying his cross on the road to Calvary, being harried by escorts with elongated noses., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,