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faces, and some with a blue or green wash. Diagrams in red and black, some with a blue and green wash. Marginal images of the constellations, men, animals, and objects, in red ink with green, blue and/or pink washes (ff.
faces, and some with a blue or green wash. Diagrams in red and black, some with a blue and green wash. Marginal images of the constellations, men, animals, and objects, in red ink with green, blue and/or pink washes (ff.
faces, and some with a blue or green wash. Diagrams in red and black, some with a blue and green wash. Marginal images of the constellations, men, animals, and objects, in red ink with green, blue and/or pink washes (ff.
faces, and some with a blue or green wash. Diagrams in red and black, some with a blue and green wash. Marginal images of the constellations, men, animals, and objects, in red ink with green, blue and/or pink washes (ff.
faces, and some with a blue or green wash. Diagrams in red and black, some with a blue and green wash. Marginal images of the constellations, men, animals, and objects, in red ink with green, blue and/or pink washes (ff.
faces, and some with a blue or green wash. Diagrams in red and black, some with a blue and green wash. Marginal images of the constellations, men, animals, and objects, in red ink with green, blue and/or pink washes (ff.
large puzzle initials in red and blue with red and blue penwork pen-flourishing extending to form a partial border (ff. 119, 122). Small initials in red with blue pen-flourishing. Small initials in red or blue. Musical miscellany 15th-century music on
large puzzle initials in red and blue with red and blue penwork pen-flourishing extending to form a partial border (ff. 119, 122). Small initials in red with blue pen-flourishing. Small initials in red or blue. Musical miscellany 15th-century music on
6d. (Egerton MSS 710-730). 1 large puzzle initial in red and blue with pen-flourishing in blue and red (f. 2). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. New Testament Commentary Erased ex libris (f.
1 large puzzle initial in red and blue with pen-flourishing in blue and red. Smaller initials in red with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in red and blue. Musical notation: square notation on four-line red
1 large puzzle initial in red and blue with pen-flourishing in blue and red. Smaller initials in red with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in red and blue. Musical notation: square notation on four-line red
Large decorated initials in blue or red with reserved designs and elaborate penwork decoration often including foliate forms, occasionally with pen-flourishing (ff. 1, 9, 11v, 12v, 31, 53, 57v, 80). 1 puzzle initial in red and blue with pen-flourishing (f.
Small initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Small initials in red or blue. Highlighting of letters in red. Line-endings in red. Unfinished: spaces left for initials and red initials without blue pen-flourishing (ff. 224v-225v).
Small initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Small initials in red or blue. Highlighting of letters in red. Line-endings in red. Unfinished: spaces left for initials and red initials without blue pen-flourishing (ff. 224v-225v).
Small initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Small initials in red or blue. Highlighting of letters in red. Line-endings in red. Unfinished: spaces left for initials and red initials without blue pen-flourishing (ff. 224v-225v).
and 'Dux Normannorum' (Geoffrey, Count of Anjou). For a more complete copy, see Royal 4 A XIII. Numerous diagrams in blue, red, yelllow, and green, often more than one per page, illustrating principles of natural philosophy (ff. 2, 9v, 11,
and 'Dux Normannorum' (Geoffrey, Count of Anjou). For a more complete copy, see Royal 4 A XIII. Numerous diagrams in blue, red, yelllow, and green, often more than one per page, illustrating principles of natural philosophy (ff. 2, 9v, 11,
and 'Dux Normannorum' (Geoffrey, Count of Anjou). For a more complete copy, see Royal 4 A XIII. Numerous diagrams in blue, red, yelllow, and green, often more than one per page, illustrating principles of natural philosophy (ff. 2, 9v, 11,
and 'Dux Normannorum' (Geoffrey, Count of Anjou). For a more complete copy, see Royal 4 A XIII. Numerous diagrams in blue, red, yelllow, and green, often more than one per page, illustrating principles of natural philosophy (ff. 2, 9v, 11,
and 'Dux Normannorum' (Geoffrey, Count of Anjou). For a more complete copy, see Royal 4 A XIII. Numerous diagrams in blue, red, yelllow, and green, often more than one per page, illustrating principles of natural philosophy (ff. 2, 9v, 11,