• Text-page with flourished initials 'S'(alehadins) and 'I'(l)., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Text-page with flourished initials 'T'(andis) and 'I'(usqua)., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Historiated initial 'A'(pres) of the Emperor John enthroned, with a courtier and a messenger, who points to the lower part of the initial that extends into the margin, where John's knights are assaulting two men., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Historiated initial 'R'(eines) with a mail-coated Nureddin, the Sultan of Damascus, with bare legs and an open helmet, fleeing on horseback with a foal underfoot from two knights (Godfrey Martel and Hugh de Lusignan the elder) pursuing him on war horses, trampling a dismembered torso., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Historiated initial 'B'(uymonz) of Saladin's mounted soldiers forcing captives and livestock from the burning city., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Historiated initial 'C'(ez) of Bishop Adhemar of Le Puy lying in state with a mitre, a crozier, and a chalice on his breast, and a number of ecclesiastical figures about him., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Decorated letters 'KL', at the beginning of February in the Calendar., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

171, 172, 172v, 173), accompanied by partial foliate borders, in colours and gold. Small initials in gold on red or blue grounds. Originally with three-sided borders with white vine ornament, foliate decoration, and all'antica elements, including putti, etc. for major

• Calendar page for February., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

171, 172, 172v, 173), accompanied by partial foliate borders, in colours and gold. Small initials in gold on red or blue grounds. Originally with three-sided borders with white vine ornament, foliate decoration, and all'antica elements, including putti, etc. for major

• Decorated initial 'D'(eus) and full foliate border, at the beginning of Prime in the Hours of the Virgin., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

171, 172, 172v, 173), accompanied by partial foliate borders, in colours and gold. Small initials in gold on red or blue grounds. Originally with three-sided borders with white vine ornament, foliate decoration, and all'antica elements, including putti, etc. for major

• Decorated initial 'D'(eus) and partial border, in Prime in the Hours of the Virgin., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

171, 172, 172v, 173), accompanied by partial foliate borders, in colours and gold. Small initials in gold on red or blue grounds. Originally with three-sided borders with white vine ornament, foliate decoration, and all'antica elements, including putti, etc. for major

• Decorated initial 'D'(eus) and full foliate border, at the beginning of Terce in the Hours of the Virgin., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

171, 172, 172v, 173), accompanied by partial foliate borders, in colours and gold. Small initials in gold on red or blue grounds. Originally with three-sided borders with white vine ornament, foliate decoration, and all'antica elements, including putti, etc. for major

• Decorated initials 'D'(omine) and 'M'(emento) and partial border, in Compline in the Hours of the Virgin., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

171, 172, 172v, 173), accompanied by partial foliate borders, in colours and gold. Small initials in gold on red or blue grounds. Originally with three-sided borders with white vine ornament, foliate decoration, and all'antica elements, including putti, etc. for major

• Detail of an historiated initial 'O' of Arthur drawing the sword from the stone., Joseph d'Arimathie (ff. 1-18), Le Livre de Merlin (ff. 18v-74), Suite de Merlin (ff. 74-226), ('the Huth Manuscript')

from the text. Partial bar borders with hybrid creatures, animals and human figures. Puzzle initials with pen-flourished decoration in red, blue and gold. Line-fillers in colours with gold. Joseph d'Arimathie (ff. 1-18), Le Livre de Merlin (ff. 18v-74), Suite de

• Detail of an historiated initial 'O' with image of King Arthur setting infants adrift in a boat., Joseph d'Arimathie (ff. 1-18), Le Livre de Merlin (ff. 18v-74), Suite de Merlin (ff. 74-226), ('the Huth Manuscript')

from the text. Partial bar borders with hybrid creatures, animals and human figures. Puzzle initials with pen-flourished decoration in red, blue and gold. Line-fillers in colours with gold. Joseph d'Arimathie (ff. 1-18), Le Livre de Merlin (ff. 18v-74), Suite de