• Decorated initials and ink drawings of teaching and writing., Miscellany, including a calendar, Psalter with prayers and Hours of the Virgin, imperfect, Bestiaire d'amour; Rules, and the Chronicle of Turpin (see Notes)

the text (ff. 70-81). Initials in blue with red pen-flourishing (f. 70). Large puzzle or decorated initials in red and blue with penwork decoration in red and blue. Initials in brown, red or blue, some with penwork decoration. Cadels, some

• Ink drawings of animals, including a donkey, a cricket and a swan., Miscellany, including a calendar, Psalter with prayers and Hours of the Virgin, imperfect, Bestiaire d'amour; Rules, and the Chronicle of Turpin (see Notes)

the text (ff. 70-81). Initials in blue with red pen-flourishing (f. 70). Large puzzle or decorated initials in red and blue with penwork decoration in red and blue. Initials in brown, red or blue, some with penwork decoration. Cadels, some

• Ink drawings of a bird picking out the eyes of a human corpse, and a lion fighting with a man., Miscellany, including a calendar, Psalter with prayers and Hours of the Virgin, imperfect, Bestiaire d'amour; Rules, and the Chronicle of Turpin (see Notes)

the text (ff. 70-81). Initials in blue with red pen-flourishing (f. 70). Large puzzle or decorated initials in red and blue with penwork decoration in red and blue. Initials in brown, red or blue, some with penwork decoration. Cadels, some

• Ink drawing of animals, including a phoenix, and a man keeping beehives., Miscellany, including a calendar, Psalter with prayers and Hours of the Virgin, imperfect, Bestiaire d'amour; Rules, and the Chronicle of Turpin (see Notes)

the text (ff. 70-81). Initials in blue with red pen-flourishing (f. 70). Large puzzle or decorated initials in red and blue with penwork decoration in red and blue. Initials in brown, red or blue, some with penwork decoration. Cadels, some

• Ink drawings of animals including a man with a horn and a lion, and women with a cow., Miscellany, including a calendar, Psalter with prayers and Hours of the Virgin, imperfect, Bestiaire d'amour; Rules, and the Chronicle of Turpin (see Notes)

the text (ff. 70-81). Initials in blue with red pen-flourishing (f. 70). Large puzzle or decorated initials in red and blue with penwork decoration in red and blue. Initials in brown, red or blue, some with penwork decoration. Cadels, some

• Ink drawing of a bird and a corpse., Miscellany, including a calendar, Psalter with prayers and Hours of the Virgin, imperfect, Bestiaire d'amour; Rules, and the Chronicle of Turpin (see Notes)

the text (ff. 70-81). Initials in blue with red pen-flourishing (f. 70). Large puzzle or decorated initials in red and blue with penwork decoration in red and blue. Initials in brown, red or blue, some with penwork decoration. Cadels, some

• Coloured initials., Miscellany, including a calendar, Psalter with prayers and Hours of the Virgin, imperfect, Bestiaire d'amour; Rules, and the Chronicle of Turpin (see Notes)

the text (ff. 70-81). Initials in blue with red pen-flourishing (f. 70). Large puzzle or decorated initials in red and blue with penwork decoration in red and blue. Initials in brown, red or blue, some with penwork decoration. Cadels, some

• Coloured initials., Miscellany, including a calendar, Psalter with prayers and Hours of the Virgin, imperfect, Bestiaire d'amour; Rules, and the Chronicle of Turpin (see Notes)

the text (ff. 70-81). Initials in blue with red pen-flourishing (f. 70). Large puzzle or decorated initials in red and blue with penwork decoration in red and blue. Initials in brown, red or blue, some with penwork decoration. Cadels, some

• Detail of a pen drawing of a dragon and an elephant., Miscellany, including a calendar, Psalter with prayers and Hours of the Virgin, imperfect, Bestiaire d'amour; Rules, and the Chronicle of Turpin (see Notes)

the text (ff. 70-81). Initials in blue with red pen-flourishing (f. 70). Large puzzle or decorated initials in red and blue with penwork decoration in red and blue. Initials in brown, red or blue, some with penwork decoration. Cadels, some

• Ink diagram of a left hand, inscribed with suggestions for nightly meditations., Miscellany, including a calendar, Psalter with prayers and Hours of the Virgin, imperfect, Bestiaire d'amour; Rules, and the Chronicle of Turpin (see Notes)

the text (ff. 70-81). Initials in blue with red pen-flourishing (f. 70). Large puzzle or decorated initials in red and blue with penwork decoration in red and blue. Initials in brown, red or blue, some with penwork decoration. Cadels, some

• Detail of a miniature of John the Baptist pointing to the Lamb of God in a landscape, at the beginning of the reading for the feast of John the Baptist., Epistle Lectionary

of f. 15. 'Champ' initials in gold on rose and blue grounds with penwork decoration in white, sometimes with foliate extensions. Initials in gold with black pen-flourishing, or in blue with red pen-flourishing. Epistle Lectionary The London city church of

• Miniature of Boniface VIII delivering the Liber Sextus, at the beginning of Liber Sextus Decretalium., Liber Sextus Decretalium and Extravagantes with Apparatus ad Sextum

the beginning of chapters and major gloss divisions. Initials in red with purple pen-flourishing, or in blue with red pen-flourishing. Paraphs in red or blue. Liber Sextus Decretalium and Extravagantes with Apparatus ad Sextum Added alphabetical index, 14th-15th century (f.

• Detail of an inhabited initial 'V'(espe), with birds, dragons, and the face of Christ in a roundel., Homiliary

with entwined animals and head terminals. Large initials in red, green, yellow, purple, or blue, some with penwork decoration. Small initials in brown, green or blue. Rubrics in red. Homiliary The Benedictine abbey of St Augustine, Canterbury: liturgical evidence; corresponds

• Detail of an inhabited initial 'P'(rimo) with animals and animal and human-head terminals., Homiliary

with entwined animals and head terminals. Large initials in red, green, yellow, purple, or blue, some with penwork decoration. Small initials in brown, green or blue. Rubrics in red. Homiliary The Benedictine abbey of St Augustine, Canterbury: liturgical evidence; corresponds

• Marginal drawing of the standard used at the Battle of the Standard, with an inscription reading 'Standard'., Chronica; Tractatus de legibus et consuetudinibus regum Angliae, and other texts

blue ink (f. 88), and of a red star (f. 100), and 1 drawing in black and red ink of a seal of William, king of Sicily (f. 160v). Initials in red with penwork decoration in blue, initials in

• Illuminated initial 'B'(Eati) with a floriate motif, in blue, red, green, and gold., Psalter and Book of Hours (the 'Howard Psalter and Hours') (Arundel 83 I) (ends imperfectly); including a calendar of uncertain East Anglian destination (ff. 6-11v), a liturgical Psalter with canticles, litany, and Office of the Dead (ff. 14-113v), and an incomplete Hours of the Passion (ff. 113v-116v)

last part of the manuscript (ff. 106-116v). Smaller initials in gold on red and blue grounds. Small initials in gold with purple foliate pen-flourishing or in blue with red foliate pen-flourishing. Psalter and Book of Hours (the 'Howard Psalter and

• Detail of an historiated initial 'V' of Godfrey of Bouillon and his train setting out on horseback., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Detail of an historiated initial 'S'(i cum) of Godfrey of Bouillon being created the Lord of the city., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Detail of an historiated initial 'E'(stez) with Bohemund and Daimbert, Patriarch of Jerusalem, sailing for Apulia, in a ship flying the cross of St George., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Detail of an historiated initial 'X'(erses) of Ebremars, the Archbishop of Caesarea, bringing the True Cross to Antioch., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232