• Detail of an historiated initial 'C'(antate) of monks singing at a lectern, at the beginning of Psalm 97., Psalter (the 'Psalter of Queen Philippa'), with a calendar (ff. 2-7v), Psalms (ff. 8-109), Canticles (ff. 109-116v), prayers and litany

of the other Psalms and Canticles, including faces, heraldry, and animals. Small initials in gold on blue, red, and white grounds. Line-fillers in blue and gold or red and gold and white, some with white flowers, fish, or faces. Psalter

• Decorated initial 'A'(usculta) with a foliate motif, in colours, at the beginning of the Benedictine Rule., Martyrology (ff. 14-132), Benedictine Rule, list of founders and benefactors, litany, imperfect at the beginning

35, 46, 59, 71, 83, 96v, 109, 121v, 134). Initials in red, blue, or green, some with penwork decoration in the other colours. Numerals in red or blue. Rubrics in red. Martyrology (ff. 14-132), Benedictine Rule, list of founders and

• Decorated initial 'F'(ur in see bi west Spaynge) at the beginning of the poem, The Land of Cokaygne, which begins: 'Far out to see and west of Spain / There is a country named Cockaygne. / No place no earth compares to this / For sheer delightfulness and bliss.', The Kildare Lyrics, including the Land of Cokaygne (ff. 3-6v)

<http://www.thegoldendream.com/landofcokaygne.htm> [accessed 8 September 2008]. Large initials in red with purple pen-flourishing or in blue with red pen-flourishing. Smaller plain initials in red, some in blue. Paraphs in red. Captials marked in red. The Kildare Lyrics, including the Land of

• Decorated initial 'H'(eri) with foliate decoration at the beginning of the sermon of Fulgentius for the feast of Stephen, at the beginning fo the Sanctorale., Breviary, or Nocturnal, Cistercian Use (see Notes)

239, 258, 270, 288, 327). Small initials in gold on a field of pink and blue (ff. 10v, 13, 15v, etc.). Small initials in blue, pen-flourished in red. Breviary, or Nocturnal, Cistercian Use (see Notes) An unidentified Cistercian house, probably

• Detail of an illuminated initial., Breviary, or Nocturnal, Cistercian Use (see Notes)

239, 258, 270, 288, 327). Small initials in gold on a field of pink and blue (ff. 10v, 13, 15v, etc.). Small initials in blue, pen-flourished in red. Breviary, or Nocturnal, Cistercian Use (see Notes) An unidentified Cistercian house, probably

• Detail of marginal drawing of a man shooting an arrow at a bird., Ab urbe condita: first (ff. 1-113), third (ff. 113-213), and fourth (ff. 214-290v) decades

a bird. 2 historiated initials (f. 65, 222). Large puzzle initials in red and blue with flourishing in the same colours. Small initials in red with blue penwork decoration, or vice versa. Cadells. Most of the rest of the decoration

• Illuminated initial 'D'(ixi)., Breviary, or Nocturnal, Cistercian Use (see Notes)

239, 258, 270, 288, 327). Small initials in gold on a field of pink and blue (ff. 10v, 13, 15v, etc.). Small initials in blue, pen-flourished in red. Breviary, or Nocturnal, Cistercian Use (see Notes) An unidentified Cistercian house, probably

• Illuminated intial., Breviary, or Nocturnal, Cistercian Use (see Notes)

239, 258, 270, 288, 327). Small initials in gold on a field of pink and blue (ff. 10v, 13, 15v, etc.). Small initials in blue, pen-flourished in red. Breviary, or Nocturnal, Cistercian Use (see Notes) An unidentified Cistercian house, probably

• Decorated initials., Breviary, or Nocturnal, Cistercian Use (see Notes)

239, 258, 270, 288, 327). Small initials in gold on a field of pink and blue (ff. 10v, 13, 15v, etc.). Small initials in blue, pen-flourished in red. Breviary, or Nocturnal, Cistercian Use (see Notes) An unidentified Cistercian house, probably

• Miniature of the Crucifixion, with the Virgin and John the Evangelist, at the beginning of the Te igitur in a Missal., Missal

113, 156v, 170v, 197v, 221, 232, 281). 1 small puzzle initial in red and blue (f. 271v). Large and small initials in plain red or blue. Cadels (e.g. f. 122). F. 10v by another hand than ff. 146v, 147. Missal

• Miniature with a dead landscape, at the beginning of Philippus Albericus's De mortis effectibus, on the facing page a brief prose letter addressed to Joachim Bretoner., Tabula Cebetis, De mortis effectibus and other poems

red ground (f. 21). 1 small initial in gold on a blue ground (f. 24). Capital letters at the beginning of a line written alternately in red or blue. Tabula Cebetis, De mortis effectibus and other poems Dedicated to Henry

• Miniature with Cebes and an Old Man pointing to the Tabula Cebetis, facing a decorated initial with a full border, at the beginning of Philippus Albericus's Tabula Cebetis. A foreigner, Cebes, enters the temple of Saturn. He sees a painted tablet, now worn by withering age, the meaning of which he was not at all able to make out. An Old Man, who was a native of the place, saw that he and his companions were uncertain about the picture. When asked by Cebes, he uncovered the meanings veiled in the figures and, taking up a pointer, he explained the whole thing in order (see Carlson 1993)., Tabula Cebetis, De mortis effectibus and other poems

red ground (f. 21). 1 small initial in gold on a blue ground (f. 24). Capital letters at the beginning of a line written alternately in red or blue. Tabula Cebetis, De mortis effectibus and other poems Dedicated to Henry

• Miniature with allegories failed by Fortune, facing a decorated initial 'A'(lter), at the beginning of the second circle of Philippus Albericus's Tabula Cebetis. Those whom Fortune has enriched beforehand lead a congenial life. Vainglory, Gluttony, and Pleasure embrace them. But when Fortune's gifts fail them, these people are immediately driven away; in order to recover their previous way of life, some take to murder, others to theft, and many to swearing falsely by the gods, for little reward. But some are shut up in a dark building, and these Sorrow, Lament, and Punishment afflict with sufferings. Whence they are lead to a glittering hall; when they have been purged of their crimes there, they are able to return to a better life. Penance batters the door with her rod and continually excites their hearts to honest deeds (see Carlson 1993)., Tabula Cebetis, De mortis effectibus and other poems

red ground (f. 21). 1 small initial in gold on a blue ground (f. 24). Capital letters at the beginning of a line written alternately in red or blue. Tabula Cebetis, De mortis effectibus and other poems Dedicated to Henry

• Text in two columns surrounded by a full-page border inset with roundels containing insects., 2 leaves from a prose treatise on the Seven Vices (index Cocharelli Treatise)

in the lower borders, in colours and gold (ff. 1, 2v). Large and small initials in gold on red and blue grounds. Line fillers made of insects like caterpillars, etc (f. 2). 2 leaves from a prose treatise on the

• Text on the vice of treachery, surrounded by scenes of murder in the top, right and bottom margins., 2 leaves from a prose treatise on the Seven Vices (index Cocharelli Treatise)

in the lower borders, in colours and gold (ff. 1, 2v). Large and small initials in gold on red and blue grounds. Line fillers made of insects like caterpillars, etc (f. 2). 2 leaves from a prose treatise on the

• Text in two columns surrounded by a full-page foliate border inset with roundels containing insects in the lower margin., 2 leaves from a prose treatise on the Seven Vices (index Cocharelli Treatise)

in the lower borders, in colours and gold (ff. 1, 2v). Large and small initials in gold on red and blue grounds. Line fillers made of insects like caterpillars, etc (f. 2). 2 leaves from a prose treatise on the

• Detail of a coloured drawing of a man poking a knife into Christ on the cross., Various works including the tale of Adam of Bristol (ff. 19-27v) and 'Les trente et troys folis' (in French verse; ff. 27v-31v)

1808. Drawing in colours of the Crucifixion (f. 22). Historiated initial in colours (f. 22). Puzzle initial in red and blue (f. 19). Paraphs in red. Various works including the tale of Adam of Bristol (ff. 19-27v) and 'Les trente

• Decorated foliate initial 'A'(dventus) at the beginning of Florus's Epitome bellorum, and foliate border with heraldic arms., Epitome bellorum omnium annorum DCC

gold ground (f. 1, perhaps 19th-century ?), with a three-sided border incorporating heraldic arms. Small initials alternately plain red or blue, often in unusual angular forms. Epitome bellorum omnium annorum DCC An ecclesiastical member of the Capra family, perhaps Bartolomeo

• Miniature of a hunting party, with birds around the margins., 2 leaves from a prose treatise on the Seven Vices (index Cocharelli Treatise)

in the lower borders, in colours and gold (ff. 1, 2v). Large and small initials in gold on red and blue grounds. Line fillers made of insects like caterpillars, etc (f. 2). 2 leaves from a prose treatise on the

• Illuminated initials., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')