• Text page with a bar border., Psalter, Use of Sarum ('The Bohun Psalter and Hours'), imperfect

inhabited by animals, hybrids, and/or people, on every folio. Line fillers in red, blue, while and gold, some with patterns, masks, animals, or hybrids. Text in red, blue, purple, or gold in the calendar. Psalter, Use of Sarum ('The Bohun

• Blank page, Psalter, Use of Sarum ('The Bohun Psalter and Hours'), imperfect

inhabited by animals, hybrids, and/or people, on every folio. Line fillers in red, blue, while and gold, some with patterns, masks, animals, or hybrids. Text in red, blue, purple, or gold in the calendar. Psalter, Use of Sarum ('The Bohun

• Blank page, Psalter, Use of Sarum ('The Bohun Psalter and Hours'), imperfect

inhabited by animals, hybrids, and/or people, on every folio. Line fillers in red, blue, while and gold, some with patterns, masks, animals, or hybrids. Text in red, blue, purple, or gold in the calendar. Psalter, Use of Sarum ('The Bohun

• Text page with a bar border and an historiated initial 'D'(ominus) of Christ and the twelve Apostles., Psalter, Use of Sarum ('The Bohun Psalter and Hours'), imperfect

inhabited by animals, hybrids, and/or people, on every folio. Line fillers in red, blue, while and gold, some with patterns, masks, animals, or hybrids. Text in red, blue, purple, or gold in the calendar. Psalter, Use of Sarum ('The Bohun

• Text page with puzzle initial, decorated initial and paraphs., Religious and moral poems and a prose treatise; Manuel de Pechies (index: Péchés, Péchéz ); Le Chasteau d'Amour

the end of the volume among the unfoliated flyleaves. Puzzle initials in red and blue with pen-flourishing (ff. 1, 5). Initials and paraphs in red or blue. Rubrics in red. Small capitals highilighted in red. Religious and moral poems and

• Text page with a bar border and a large historiated initial 'D'(ixi) of four scenes in the life of David, in which Saul enters a cave to relieve himself, the cave in which David and his men are hiding, David cuts a corner of Saul's robe off, David calls after Saul with the corner of his robe and Saul speaks to David, confessing that he believes David will soon be king, at the beginning of Psalm 38, The Canticle of David., Psalter, Use of Sarum ('The Bohun Psalter and Hours'), imperfect

inhabited by animals, hybrids, and/or people, on every folio. Line fillers in red, blue, while and gold, some with patterns, masks, animals, or hybrids. Text in red, blue, purple, or gold in the calendar. Psalter, Use of Sarum ('The Bohun

• Historiated initial 'C'(antate) at Psalm 97 with scenes of Absalom by the gate (II Samuel 15:2), Absalom asking leave to go to Hebron (II Samuel 15:14), David leaving Jerusalem (II Samuel 15:16-18), Absalom in battle (II Samuel 18: 6-9), and a group of clerics and a man playing the organ in the border., Psalter, Use of Sarum ('The Bohun Psalter and Hours'), imperfect

inhabited by animals, hybrids, and/or people, on every folio. Line fillers in red, blue, while and gold, some with patterns, masks, animals, or hybrids. Text in red, blue, purple, or gold in the calendar. Psalter, Use of Sarum ('The Bohun

• Historiated initial 'D'(omine) at Psalm 101: Joab and a mourning David (II Samuel 19:4-5), David sitting at the gate (II Samuel 19: 8), Semei before David (II Samuel 19:18), David sparing Semei (II Samuel 19:23), and, in the border, a seated King of France handing a sword to the King of England mounted on a lion below, with a bas-de-page scene of the capture of Jean le Bon., Psalter, Use of Sarum ('The Bohun Psalter and Hours'), imperfect

inhabited by animals, hybrids, and/or people, on every folio. Line fillers in red, blue, while and gold, some with patterns, masks, animals, or hybrids. Text in red, blue, purple, or gold in the calendar. Psalter, Use of Sarum ('The Bohun

• Historiated initial 'D'(ixit) at the beginning of Psalm 109: David and Abisag (I Kings 1:3), Adonias making a sacrifice (I Kings 1:9), Bathsheba and Nathan telling David of Abishai (I Kings 1:22), Solomon on David’s mule (I Kings 1:38), and men climbing a ladder towards God the father and God the son in the border., Psalter, Use of Sarum ('The Bohun Psalter and Hours'), imperfect

inhabited by animals, hybrids, and/or people, on every folio. Line fillers in red, blue, while and gold, some with patterns, masks, animals, or hybrids. Text in red, blue, purple, or gold in the calendar. Psalter, Use of Sarum ('The Bohun

• Historiated initial 'D'(eus): the faifhful pray, historiated initial 'D'(eus) at Prime: Christ healing a man possessed (Luke 4:35), Christ healing Simeon's wife's mother of a fever (Luke 4:39), Simeon's wife's mother feeding Christ (Luke 4:39), Christ healing the sick (Luke 4:40), and, in the border, the Resurrection, the Ascension, and the incredulity of Thomas., Psalter, Use of Sarum ('The Bohun Psalter and Hours'), imperfect

inhabited by animals, hybrids, and/or people, on every folio. Line fillers in red, blue, while and gold, some with patterns, masks, animals, or hybrids. Text in red, blue, purple, or gold in the calendar. Psalter, Use of Sarum ('The Bohun

• Historiated initial 'D'(eus) at Terce: a man with palsy being healed by Christ (Luke 5: 19), the healed man departing with his bed (Luke 5: 25); Christ calling Matthew (Luke 5:27), the apostles being chosen (Luke 6:13), and, in the border, two Marian legends and the Virgin and Child, historiated initial 'V'(eni) with Christ receiving the centurion's message., Psalter, Use of Sarum ('The Bohun Psalter and Hours'), imperfect

inhabited by animals, hybrids, and/or people, on every folio. Line fillers in red, blue, while and gold, some with patterns, masks, animals, or hybrids. Text in red, blue, purple, or gold in the calendar. Psalter, Use of Sarum ('The Bohun

• Historiated initial D'(eus) at Vespers: the servant returns (Luke 14:2)1 and the poor, the feeble, the blind, and the lame come in (Luke 14:21), Christ eating with the publicans and sinners (Luke 15:1-7), the parable of the prodigal son (Luke 15: 11-12), and, in the border, a bishop and two scenes of the miracle of Theophilus; historiated initial 'L'(etatus) with the prodigal son leaving., Psalter, Use of Sarum ('The Bohun Psalter and Hours'), imperfect

inhabited by animals, hybrids, and/or people, on every folio. Line fillers in red, blue, while and gold, some with patterns, masks, animals, or hybrids. Text in red, blue, purple, or gold in the calendar. Psalter, Use of Sarum ('The Bohun

• Historiated initial 'V'(irgine) at the Matins of the Office of the Dead: Noli me tangere, Christ showing his wounds to his disciples (John 20:20), the incredulity of Thomas, Christ and his disciples praying and, in the border, a tomb (perhaps the Earl of Arundel's), a grave with a shrouded corpse, two men putting treasure in a chest, and the arms of England (before 1340) and the arms of Bohun., Psalter, Use of Sarum ('The Bohun Psalter and Hours'), imperfect

inhabited by animals, hybrids, and/or people, on every folio. Line fillers in red, blue, while and gold, some with patterns, masks, animals, or hybrids. Text in red, blue, purple, or gold in the calendar. Psalter, Use of Sarum ('The Bohun

• Calendar page for January, with marginal scenes, including the water carrier, Aquarius., Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• Double-page with a historiated initial 'A'(d) with a monkey standing on a dog, and full borders, in the Book of Hours., Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• Miniature of the Flight into Egypt, with an historiated initial 'D'(eus) of a mourner, and a bas-de-page scene of the Entombment of Christ, at the beginning of Vespers in the Hours of the Virgin., Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of