• Detail of a miniature of a dialogue between a clerk and a knight, with a full border and a shield bearing the royal arms of France flanked by a lion., Le Songe du Vergier

154v, 192v). Initials, paraphs, and running titles in blue with red pen-flourishing, or in red with blue pen-flourishing. Line-fillers in red and blue. Marginal notes and catchwords in frames in red and blue. Le Songe du Vergier Charles V (b.

• Text page., Le Songe du Vergier

154v, 192v). Initials, paraphs, and running titles in blue with red pen-flourishing, or in red with blue pen-flourishing. Line-fillers in red and blue. Marginal notes and catchwords in frames in red and blue. Le Songe du Vergier Charles V (b.

• Text page., Le Songe du Vergier

154v, 192v). Initials, paraphs, and running titles in blue with red pen-flourishing, or in red with blue pen-flourishing. Line-fillers in red and blue. Marginal notes and catchwords in frames in red and blue. Le Songe du Vergier Charles V (b.

• Detail of a dragon from the top of the folio., Le Songe du Vergier

154v, 192v). Initials, paraphs, and running titles in blue with red pen-flourishing, or in red with blue pen-flourishing. Line-fillers in red and blue. Marginal notes and catchwords in frames in red and blue. Le Songe du Vergier Charles V (b.

• Detail of a miniature of the king enthroned with a clerk and a knight debating., Le Songe du Vergier

154v, 192v). Initials, paraphs, and running titles in blue with red pen-flourishing, or in red with blue pen-flourishing. Line-fillers in red and blue. Marginal notes and catchwords in frames in red and blue. Le Songe du Vergier Charles V (b.

• Miniature of Charles V of France receiving the book from the author, and a foliate initial 'A'(udite) with a full border and a shield bearing the royal arms of France flanked by two lions, at the beginning of book 1., Le Songe du Vergier

154v, 192v). Initials, paraphs, and running titles in blue with red pen-flourishing, or in red with blue pen-flourishing. Line-fillers in red and blue. Marginal notes and catchwords in frames in red and blue. Le Songe du Vergier Charles V (b.

• Detail of a miniature of Jean de Meun writing the opening words of his poem (which begins on f. 28), in the Roman de la Rose., Roman de la Rose

red and blue (ff. 3, 3v, 4 (x3), 4v, 5 (x2), 5v, 6, 6v, 8v (x2), 9v, 10v, 11, 26v, 68v, 69v, 108, 127, 136, 137v, 138, 138v). Small initials in red with blue pen-flourishing or in blue with red

• Three miniatures of Felony and Villainy, Coveriousness and Avarice, in the Roman de la Rose., Roman de la Rose

red and blue (ff. 3, 3v, 4 (x3), 4v, 5 (x2), 5v, 6, 6v, 8v (x2), 9v, 10v, 11, 26v, 68v, 69v, 108, 127, 136, 137v, 138, 138v). Small initials in red with blue pen-flourishing or in blue with red

• Miniature depicting God in heaven telling Moses (with horns), Aaron (a bishop with crozier and mitre), and an attendant, all standing before an altar, to instruct the Children of Israel in proper forms of sacrifice. Illuminated initial 'A'(pres) begins Leviticus Chapter One. Decoration extends into a partial border. Instructions to the artist are found at the lower part of the folio., Old Testament (index Bible)

Decorated initials and partial borders, in red, blue and gold, for minor text divisions. 1 diagram, in brown ink (f. 73v). Smaller and small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Old Testament (index Bible)

• Inhabited illuminated initial 'P'(rimum) with human figures and animals, at the beginning of book 1., De universo seu De rerum naturis

(f. 6). Decorated initials with arabesque foliate ornament in blue, red, and green, larger at the beginning of books, and smaller at the beginning of chapters. Small initials in red, blue, or green throughout the text. De universo seu De

• Coloured initials with pen-flourished decoration and music staves., Fragments of a leaf from an early 14th century English Missal containing the Mass for the 5th and 6th Sunday after Pentecost

Museum in the 1814 and 1891 (see notes on f. 1).Musical notation Initials in blue with pen-flourishing in red. Initials and rubrics in red. Paraphs in blue. Musical notation: square notation on four-lines red staves. Fragments of a leaf from

• Detail of a drawing of a Zodiac man., Medical miscellany

of the world (f. 36). Large and small initials in plain red, some with reserved designs. 1 large initial in blue (f. 39). Capital letters highlighted in red. Elaborate cadels with foliate, zoomorphic or human motifs in brown ink decorated

• Detail of a drawing of a Zodiac man., Medical miscellany

of the world (f. 36). Large and small initials in plain red, some with reserved designs. 1 large initial in blue (f. 39). Capital letters highlighted in red. Elaborate cadels with foliate, zoomorphic or human motifs in brown ink decorated

• Detail of a drawing of a vein man., Medical miscellany

of the world (f. 36). Large and small initials in plain red, some with reserved designs. 1 large initial in blue (f. 39). Capital letters highlighted in red. Elaborate cadels with foliate, zoomorphic or human motifs in brown ink decorated

• Drawing of man with notes of body parts., Medical miscellany

of the world (f. 36). Large and small initials in plain red, some with reserved designs. 1 large initial in blue (f. 39). Capital letters highlighted in red. Elaborate cadels with foliate, zoomorphic or human motifs in brown ink decorated

• Detail of an historiated initial 'A'(er) of a man pointing at a depiction of air, shown as a passage of wavy blue., Omne Bonum (Absolucio-Circumcisio)

at a depiction of air, shown as a passage of wavy blue. The only known, and probably autograph copy of the Omne Bonum of James le Palmer, being a general encyclopaedia arranged in alphabetical order. Bound in four volumes: Royal

• Foliate initial 'C'(lemens) with a medallion of a portrait of the author, pope Clement I, at the beginning of the text., Collectio Lanfranci

author, in colours and gold (f. 1). Decorated initials, some with arabesque ornament, in green, red, purple, or / and blue. Initials in red, green, purple. Collectio Lanfranci The Benedictine abbey, Winchcombe, Gloucestershire: attributed to its scriptorium on palaeographical and

• Text page with initials at the beginning of the Historia Scholastica., Historia Scolastica

of the Historia Scholastica. Initials in red, blue, brown or two of these colours, some with penwork decoration. Rubrics, running titles and numbers in red. Historia Scolastica The Franciscan friars of Bridgwater, Somerset, inscribed ' Historie scolastice date communitati Minorum

• Decorated initial 'N'(ostre) with rinceaux decoration extending into the margin. The initial is at Psalm 27, which begins: 'Nostre sires est ma lumiere et mon salut: cui douteraiz je?', Psalter, with a calendar

260, 264v, 268, 286v). Similar initials in colours and gold without marginal extensions. Champ intials. Plain initials in red and blue. Rubrics in red. Marginal notes for rubricator. Psalter, with a calendar Inscription, probably relating to ownership (f. 330v).The Harley

• Illuminated initial 'A'(nno), with a partial border, at the beginning of book 2., Commentary on Unum ex quatuor

82v, 99v, 144v, 189), at the beginning of the prologue and each book. Initials in blue with red pen-flourishing. Small initials in red or blue, at the beginning of capitula (ff. 4-5v). Paraphs in red. 2 catchwords with figural decoration