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1 large initial in colours with heraldinc decoration on a gold ground (f. 3). Large initials in blue with red penwork decoration in foliate forms. Paraphs in red. Line-fillers in red. Cadels, often with red penwork decoration, some in the
forms (f. 3). 1 large initial in colours with heraldinc decoration on a gold ground (f. 3). Large initials in blue with red penwork decoration in foliate forms. Paraphs in red. Line-fillers in red. Cadels, often with red penwork decoration,
1 large initial in colours with heraldinc decoration on a gold ground (f. 3). Large initials in blue with red penwork decoration in foliate forms. Paraphs in red. Line-fillers in red. Cadels, often with red penwork decoration, some in the
1 large initial in colours with heraldinc decoration on a gold ground (f. 3). Large initials in blue with red penwork decoration in foliate forms. Paraphs in red. Line-fillers in red. Cadels, often with red penwork decoration, some in the
forms (f. 3). 1 large initial in colours with heraldinc decoration on a gold ground (f. 3). Large initials in blue with red penwork decoration in foliate forms. Paraphs in red. Line-fillers in red. Cadels, often with red penwork decoration,
forms (f. 3). 1 large initial in colours with heraldinc decoration on a gold ground (f. 3). Large initials in blue with red penwork decoration in foliate forms. Paraphs in red. Line-fillers in red. Cadels, often with red penwork decoration,
f. 62; f. 75 is a fragment; leaves lost after f. 121.Crossed tironian ets. Numerous initials in alternate red and blue, with pen-flourishing in the other colour. Sententiae, imperfect; including Jacques de Vitry's Sermons The Harley Collection, formed by Robert
Oxford. 7 large white vine initials in colours and gold (ff. 1, 31v, 55v, 81,109v 134v, 161v). Plain initials in blue. Rubrics and marginal notations in red. Capitals marked in red. The Divine Institutes (index Divinarum Institutionem) Edward Harley (b.
in colours and gold, at the beginning of the remaining books (ff. 15, 26v, 40, etc.). Small initials in plain blue. Epistolae ad familiares Unidentified Italian owners, middle of the 15th century: marginal annotations by two main hands in humanistic
in colours and gold, at the beginning of the remaining books (ff. 15, 26v, 40, etc.). Small initials in plain blue. Epistolae ad familiares Unidentified Italian owners, middle of the 15th century: marginal annotations by two main hands in humanistic
in colours and gold, at the beginning of the remaining books (ff. 15, 26v, 40, etc.). Small initials in plain blue. Epistolae ad familiares Unidentified Italian owners, middle of the 15th century: marginal annotations by two main hands in humanistic
13 large white vine initials, in gold against a blue field, at the beginning of each book (ff. 1, 10, 37, 46v, 50, 58, 63v, 70v, 74v, 81, 91v, 99v, 113), the first with a matching white vine roundel enclosing
in colours and gold, at the beginning of the remaining books (ff. 15, 26v, 40, etc.). Small initials in plain blue. Epistolae ad familiares Unidentified Italian owners, middle of the 15th century: marginal annotations by two main hands in humanistic
in colours and gold, at the beginning of the remaining books (ff. 15, 26v, 40, etc.). Small initials in plain blue. Epistolae ad familiares Unidentified Italian owners, middle of the 15th century: marginal annotations by two main hands in humanistic
in colours and gold, at the beginning of the remaining books (ff. 15, 26v, 40, etc.). Small initials in plain blue. Epistolae ad familiares Unidentified Italian owners, middle of the 15th century: marginal annotations by two main hands in humanistic
in colours and gold, at the beginning of the remaining books (ff. 24, 36, 46v, etc.). Small initials alternately plain blue or red. Epistolae ad familiares Unidentified Veronese owner, 16th century: inscribed in Veronese dialect, 'Questo libro sie de mi
white vine initials, in gold against a blue field, at the beginning of each book (ff. 1, 10, 37, 46v, 50, 58, 63v, 70v, 74v, 81, 91v, 99v, 113), the first with a matching white vine roundel enclosing heraldic arms.
at the beginning of the Magna Carta. Large initials in blue with red foliate pen-flourishing. 2 leaves with church music, used as flyleaves and pastedowns at the beginning and the end Lord Burleigh: inscribed in pencil a note on the
forms (f. 3). 1 large initial in colours with heraldinc decoration on a gold ground (f. 3). Large initials in blue with red penwork decoration in foliate forms. Paraphs in red. Line-fillers in red. Cadels, often with red penwork decoration,
three-sided foliate borders, in colours and gold (ff. 2, 13, 19v). Small initials in gold on red and blue grounds, with foliate extensions into the margins. Maistir of Game (index Maister of Game) (ends imperfectly) Dedicated to Henry (b. 1386/7,