• Miniature of the Betrayal of Christ with Judas receiving money and Christ being arrested, following Psalm 38., Psalter

rose and blue grounds with penwork decoration in white and with partial bar-borders, at the beginning of other Psalms. Small initials in gold on rose and blue grounds, at the beginning of verses. Line fillers in red, blue, and gold,

• Historiated initial 'Q'(uid) of Christ washing the feet of the apostles, at the beginning of Psalm 51., Psalter

rose and blue grounds with penwork decoration in white and with partial bar-borders, at the beginning of other Psalms. Small initials in gold on rose and blue grounds, at the beginning of verses. Line fillers in red, blue, and gold,

• Detail of an historiated initial 'D'(ixit) of the Ascension of Christ, at the beginning of Psalm 52., Psalter

rose and blue grounds with penwork decoration in white and with partial bar-borders, at the beginning of other Psalms. Small initials in gold on rose and blue grounds, at the beginning of verses. Line fillers in red, blue, and gold,

• Miniature of the Scourging of Christ, following Psalm 52., Psalter

rose and blue grounds with penwork decoration in white and with partial bar-borders, at the beginning of other Psalms. Small initials in gold on rose and blue grounds, at the beginning of verses. Line fillers in red, blue, and gold,

• Miniature of Christ carrying the cross, preceding Psalm 68., Psalter

rose and blue grounds with penwork decoration in white and with partial bar-borders, at the beginning of other Psalms. Small initials in gold on rose and blue grounds, at the beginning of verses. Line fillers in red, blue, and gold,

• Detail of an historiated initial 'S'(alvum) of the Pentecost, at the beginning of Psalm 68., Psalter

rose and blue grounds with penwork decoration in white and with partial bar-borders, at the beginning of other Psalms. Small initials in gold on rose and blue grounds, at the beginning of verses. Line fillers in red, blue, and gold,

• Detail of a historiated initial 'E'(xultate) of the Resurrection of Christ, at the beginning of Psalm 80., Psalter

rose and blue grounds with penwork decoration in white and with partial bar-borders, at the beginning of other Psalms. Small initials in gold on rose and blue grounds, at the beginning of verses. Line fillers in red, blue, and gold,

• Historiated initial 'D'(omine) of the Last Judgement of Christ, at the beginning of Psalm 101., Psalter

rose and blue grounds with penwork decoration in white and with partial bar-borders, at the beginning of other Psalms. Small initials in gold on rose and blue grounds, at the beginning of verses. Line fillers in red, blue, and gold,

• Detail of an historiated initial 'D'(ixit) of Christ and Thomas, at the beginning of Psalm 109., Psalter

rose and blue grounds with penwork decoration in white and with partial bar-borders, at the beginning of other Psalms. Small initials in gold on rose and blue grounds, at the beginning of verses. Line fillers in red, blue, and gold,

• Miniature of the Harrowing of Hell, following Psalm 109., Psalter

rose and blue grounds with penwork decoration in white and with partial bar-borders, at the beginning of other Psalms. Small initials in gold on rose and blue grounds, at the beginning of verses. Line fillers in red, blue, and gold,

• Detail of an historiated initial 'D'(omine) with the Resurrection of the Souls. (index Last Judgement), Book of Hours, Use of Tournai, imperfect

and flowers (ff. 18, 18v, 19v, 20v, 21v, 22, 23). Smaller initials in blue with red pen-flourishing or in gold with grey or ochre pen-flourishing. Line-fillers in blue and gold. Capitals marked in red. Book of Hours, Use of Tournai,

• Detail of a peacock, from the right margin of the folio., Book of Hours, Use of Tournai, imperfect

and flowers (ff. 18, 18v, 19v, 20v, 21v, 22, 23). Smaller initials in blue with red pen-flourishing or in gold with grey or ochre pen-flourishing. Line-fillers in blue and gold. Capitals marked in red. Book of Hours, Use of Tournai,

• Detail of a lion playing a trumpet, from the right margin of the folio., Book of Hours, Use of Tournai, imperfect

and flowers (ff. 18, 18v, 19v, 20v, 21v, 22, 23). Smaller initials in blue with red pen-flourishing or in gold with grey or ochre pen-flourishing. Line-fillers in blue and gold. Capitals marked in red. Book of Hours, Use of Tournai,

• Detail of an archer with a crossbow, emerging from a flower in the right margin of the folio., Book of Hours, Use of Tournai, imperfect

and flowers (ff. 18, 18v, 19v, 20v, 21v, 22, 23). Smaller initials in blue with red pen-flourishing or in gold with grey or ochre pen-flourishing. Line-fillers in blue and gold. Capitals marked in red. Book of Hours, Use of Tournai,

• Historiated initial with the Virgin and Child on a crescent (index Apocalyptic Woman) combined with a three-sided bar border and a full border with acanthus leaves, flowers, birds, a musician angel, and a coat of arms., Book of Hours, Use of Tournai, imperfect

and flowers (ff. 18, 18v, 19v, 20v, 21v, 22, 23). Smaller initials in blue with red pen-flourishing or in gold with grey or ochre pen-flourishing. Line-fillers in blue and gold. Capitals marked in red. Book of Hours, Use of Tournai,

• Puzzle initial with pen flourishing and initial in gold and colours with large curling acanthus leaves for the prologue and beginning of I Chronicles., Bible

(f. 232). 1 large initial in gold and colours with light foliate scrolls (f. 247v). 4 large puzzle initials in blue and red with red and purple flourishing and acanthus leaves (ff. 84, 129v, 154v, 155). Flourishing not painted in,

• Historiated initial 'D'(omine) with the Resurrection of the Souls combined with a three-sided bar border and a full border with acanthus leaves, flowers, birds, a peacock, an archer, a coat of arms and a lion playing the trumpet at the beginning of the Penitential Psalms. (index Last Judgement), Book of Hours, Use of Tournai, imperfect

and flowers (ff. 18, 18v, 19v, 20v, 21v, 22, 23). Smaller initials in blue with red pen-flourishing or in gold with grey or ochre pen-flourishing. Line-fillers in blue and gold. Capitals marked in red. Book of Hours, Use of Tournai,

• Decorated initial 'D'(olor), at the beginning of the De compunctione cordis., De compunctione cordis, De die iudicii et de resurrectione, De beatitudine animae, De paenitentia, De luctaminibus and De die iudicii; patristic excerpts

Quire signatures (Roman numbers). 2 large foliate initials in red with blue, red, and green washes (ff. 3, 59). Initials in red, or in green, some with penwork decoration in red. De compunctione cordis, De die iudicii et de resurrectione,

• Frontispiece of green drapery bearing the royal arms of England, with masks, jewels, putti, and the inscription 'Fortunam Augusti superes et Nestoris annos'., Strategikos (a treatise on military tactics)

border and a laural wreath encircling a cartouche with the author's name and the title in gold capitals on a blue ground (f. 1v). Large initials in brown ink. Rubrics in red. Strategikos (a treatise on military tactics) The royal

• Miniature of the Trinity., Book of Hours, Use of Sarum

foliate borders, in colours and gold, at the beginning of prayers (111v, 114). Small initials in gold on red and blue grounds. All pages heavily ruled with red double lines. Book of Hours, Use of Sarum Portrait of donor in