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British Library Catalogue of Illuminated Manuscripts
foliate borders, in colours and gold, at the beginning of prayers (111v, 114). Small initials in gold on red and blue grounds. All pages heavily ruled with red double lines. Book of Hours, Use of Sarum Portrait of donor in
foliate borders, in colours and gold, at the beginning of prayers (111v, 114). Small initials in gold on red and blue grounds. All pages heavily ruled with red double lines. Book of Hours, Use of Sarum Portrait of donor in
foliate borders, in colours and gold, at the beginning of prayers (111v, 114). Small initials in gold on red and blue grounds. All pages heavily ruled with red double lines. Book of Hours, Use of Sarum Portrait of donor in
foliate borders, in colours and gold, at the beginning of prayers (111v, 114). Small initials in gold on red and blue grounds. All pages heavily ruled with red double lines. Book of Hours, Use of Sarum Portrait of donor in
foliate borders, in colours and gold, at the beginning of prayers (111v, 114). Small initials in gold on red and blue grounds. All pages heavily ruled with red double lines. Book of Hours, Use of Sarum Portrait of donor in
foliate borders, in colours and gold, at the beginning of prayers (111v, 114). Small initials in gold on red and blue grounds. All pages heavily ruled with red double lines. Book of Hours, Use of Sarum Portrait of donor in
foliate borders, in colours and gold, at the beginning of prayers (111v, 114). Small initials in gold on red and blue grounds. All pages heavily ruled with red double lines. Book of Hours, Use of Sarum Portrait of donor in
foliate borders, in colours and gold, at the beginning of prayers (111v, 114). Small initials in gold on red and blue grounds. All pages heavily ruled with red double lines. Book of Hours, Use of Sarum Portrait of donor in
foliate borders, in colours and gold, at the beginning of prayers (111v, 114). Small initials in gold on red and blue grounds. All pages heavily ruled with red double lines. Book of Hours, Use of Sarum Portrait of donor in
foliate borders, in colours and gold, at the beginning of prayers (111v, 114). Small initials in gold on red and blue grounds. All pages heavily ruled with red double lines. Book of Hours, Use of Sarum Portrait of donor in
foliate borders, in colours and gold, at the beginning of prayers (111v, 114). Small initials in gold on red and blue grounds. All pages heavily ruled with red double lines. Book of Hours, Use of Sarum Portrait of donor in
foliate borders, in colours and gold, at the beginning of prayers (111v, 114). Small initials in gold on red and blue grounds. All pages heavily ruled with red double lines. Book of Hours, Use of Sarum Portrait of donor in
foliate borders, in colours and gold, at the beginning of prayers (111v, 114). Small initials in gold on red and blue grounds. All pages heavily ruled with red double lines. Book of Hours, Use of Sarum Portrait of donor in
foliate borders, in colours and gold, at the beginning of prayers (111v, 114). Small initials in gold on red and blue grounds. All pages heavily ruled with red double lines. Book of Hours, Use of Sarum Portrait of donor in
foliate borders, in colours and gold, at the beginning of prayers (111v, 114). Small initials in gold on red and blue grounds. All pages heavily ruled with red double lines. Book of Hours, Use of Sarum Portrait of donor in
the feathering decorated with acanthus, ivy, heart-shaped and kidney-shaped leaves, naturalistic and stylised flowers, pea pods, etc. Coloured initials in blue. A distinctive bright orange is used in the border decoration. Book of hours, Use of Sarum, imperfect The Harley
6, 31v, 54, 70v, 80v (with large flower), 97, 116, 139, 159v, 179v, 199v, 218v, 241, 254v, 269v). Initials in blue with red pen-flourishing. Some capitals, ascenders, and descenders decorated with cadels in brown ink, sometimes including faces (e. g.,
(ff. 14, 36, 47, 62v, 76, 89, 95v, 116, 136, 147, 186, 191v, 204). Coloured initials in alternating red and blue, sometimes with reserved designs. Faces drawn in some capital 'O's (e. g. ff. 105v, 180v). Epistulae ad familiares (index
f. 37 has been damaged. 1 large gold initial with foliate ornament on a blue and purple panel at the beginning of the first satire (f. 1). 13 smaller gold initials, outlined in black, on coloured panels at the beginning
the Bodleian Library, Oxford.Catchwords written horizontally. Leaf signatures. Large white vine initial in colours (f. 1). Numerous smaller initials in blue with red penwork decoration (ff. 31v, 41v, 47, 49, 61, 65v, 68v, etc.), occasionally with reserved lines. Paraphs in