• Text panel with entwined roses at the beginning of Alithia., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Putto holding aloft a text panel., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Text panel with entwined roses at the beginning of Bombarda., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Coloured capitals at the beginning of Lucian's Dialogues., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Decorated initial 'E'(x) with a partial border., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Decorated initial 'V'(idisti) with a partial border., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Decorated initial 'A'(ge) with a partial border., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Historiated initial 'V'(erbum)., Bible

1, 3). Large decorated initials, with partial foliate borders, in colours and gold. Small initials in gold on red and blue grounds, developing bars with foliate endings or 'U' shaped hooks containing 305 marginal miniatures, in colours and gold; some

• Detail of a minature of George fighting the dragon., Book of Hours, Use of Sarum

decorated initials (2 lines), in colours and gold. Small initials (1 line) and line fillers in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Sarum Sir William Oldhall of Narford (d. 1460),

• Detail of a miniature of a peacock from the right-hand margin of the folio., Book of Hours, Use of Sarum

decorated initials (2 lines), in colours and gold. Small initials (1 line) and line fillers in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Sarum Sir William Oldhall of Narford (d. 1460),

• Detail of a miniature of the martyrdom of Thomas Becket, archbishop of Canterbury, at the beginning of his suffrage, struck through in accordance with suppression of the cult under Henry VIII., Book of Hours, Use of Sarum

decorated initials (2 lines), in colours and gold. Small initials (1 line) and line fillers in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Sarum Sir William Oldhall of Narford (d. 1460),

• Detail of a miniature of an eagle, from the left-hand border of the suffrage of Thomas Becket., Book of Hours, Use of Sarum

decorated initials (2 lines), in colours and gold. Small initials (1 line) and line fillers in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Sarum Sir William Oldhall of Narford (d. 1460),

• Miniature of Christ carrying the cross, decorated initial 'H'(ora) and foliate borders including a hybrid grotesque figure, at the beginning of Sext in the Hours of Passion (intermixed with the Hours of the Virgin)., Book of Hours, Use of Sarum

decorated initials (2 lines), in colours and gold. Small initials (1 line) and line fillers in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Sarum Sir William Oldhall of Narford (d. 1460),

• Detail of a miniature of Christ carrying the cross, at the beginning of Sext in the Hours of Passion (intermixed with the Hours of the Virgin)., Book of Hours, Use of Sarum

decorated initials (2 lines), in colours and gold. Small initials (1 line) and line fillers in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Sarum Sir William Oldhall of Narford (d. 1460),

• Detail of a grotesque hybrid creature, with a tonsure and reading a book, in the right margin of the folio., Book of Hours, Use of Sarum

decorated initials (2 lines), in colours and gold. Small initials (1 line) and line fillers in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Sarum Sir William Oldhall of Narford (d. 1460),

• Miniature of George fighting the dragon to rescue the princess, with patron in prayer, large decorated initial 'O' including heraldic arms, with foliate borders including a peacock, at the beginning of the suffrage to George., Book of Hours, Use of Sarum

decorated initials (2 lines), in colours and gold. Small initials (1 line) and line fillers in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Sarum Sir William Oldhall of Narford (d. 1460),

• Miniature of the Virgin and Child with patroness in prayer, with her heraldic arms, decorated initial 'O' and foliate borders including a peacock, at the beginning of the prayer 'O intemerata'., Book of Hours, Use of Sarum

decorated initials (2 lines), in colours and gold. Small initials (1 line) and line fillers in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Sarum Sir William Oldhall of Narford (d. 1460),

• Miniature of Ethelburga., Book of Hours, Use of Sarum

decorated initials (2 lines), in colours and gold. Small initials (1 line) and line fillers in gold on red and blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Sarum Sir William Oldhall of Narford (d. 1460),

• Full white vine border inhabited by putti, with a white vine initial 'P'(ost), and, in the lower margin, a circlet of vines framing arms that have been effaced., Institutiones

(ff. 24v, 44v, 63v, 80, 103, 119v, 138, 158, 186, 189v, 206, 216v, 229v). Numerous plain initials in red and blue. Rubrics in red. Epigraphic capitals in red ink (f. 250). Institutiones Written in 1434: colophon, 'Sub anno domini millesimo

• Full acanthus border with a large white vine initial 'P'(rofitetur) and the Fiato arms in the lower margin., Epitome in vitas scriptorum illustrium

annis domini 1438 die 21 Julij in vigilia sanctae Marie Magdalene. Deo gratias' (f. 263v); the Fiato arms of a blue dragon on a helm with the initials 'B' and 'FI' (f. 1). Joannes Rhodius of Padua (1587-1659): (see Wright).John