• Miniature of the Trinity, decorated initial 'D'(eus), and full foliate borders, at the beginning of the suffrages., Book of Hours ('The Entwisle Hours'), Use of Sarum

and gold. Large and smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. 1 quire including the Annunciation (f. 41) and the Visitation (f. 45v) related to the Master of the

• Miniature of the Annunciation, full foliate borders including prophets and heraldic arms, at the beginning of the Hours of the Virgin., Book of Hours ('The Entwisle Hours'), Use of Sarum

and gold. Large and smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. 1 quire including the Annunciation (f. 41) and the Visitation (f. 45v) related to the Master of the

• Miniature of the Nativity., Book of Hours ('The Entwisle Hours'), Use of Sarum

and gold. Large and smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. 1 quire including the Annunciation (f. 41) and the Visitation (f. 45v) related to the Master of the

• Miniature of the Trinity., Book of Hours ('The Entwisle Hours'), Use of Sarum

and gold. Large and smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. 1 quire including the Annunciation (f. 41) and the Visitation (f. 45v) related to the Master of the

• Miniature of the Crucifixion., Book of Hours ('The Entwisle Hours'), Use of Sarum

and gold. Large and smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. 1 quire including the Annunciation (f. 41) and the Visitation (f. 45v) related to the Master of the

• Miniature of the Resurrection., Book of Hours ('The Entwisle Hours'), Use of Sarum

and gold. Large and smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. 1 quire including the Annunciation (f. 41) and the Visitation (f. 45v) related to the Master of the

• Miniature of the Trinity, with Christ on a crucifix., Book of Hours ('The Entwisle Hours'), Use of Sarum

and gold. Large and smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. 1 quire including the Annunciation (f. 41) and the Visitation (f. 45v) related to the Master of the

• Miniature of a woman in prayer before the Virgin and Child., Book of Hours ('The Entwisle Hours'), Use of Sarum

and gold. Large and smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. 1 quire including the Annunciation (f. 41) and the Visitation (f. 45v) related to the Master of the

• Miniature of John the Baptist., Book of Hours ('The Entwisle Hours'), Use of Sarum

and gold. Large and smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. 1 quire including the Annunciation (f. 41) and the Visitation (f. 45v) related to the Master of the

• Miniature of Peter., Book of Hours ('The Entwisle Hours'), Use of Sarum

and gold. Large and smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. 1 quire including the Annunciation (f. 41) and the Visitation (f. 45v) related to the Master of the

• Miniature of Stephen., Book of Hours ('The Entwisle Hours'), Use of Sarum

and gold. Large and smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. 1 quire including the Annunciation (f. 41) and the Visitation (f. 45v) related to the Master of the

• Miniature showing a woman washing her feet in a small fountain with a crowned king watching from afar, with a decorated initial 'D'(omine) and a full architectural border., Book of Hours, Use of Rome

(x2), 134, 135, 135v, 136, 136v (x2), 137, 137v). Smaller and small initials and line-fillers in gold on red or blue grounds.Jean Pichore (ff. 13, 19v, 25, 42, 43v, 45, 81, 130, 130v), his workshop (ff. 14v, 15v, 16v, 17,

• Miniature of the Annunciation to the Shepherds, with a decorated initial 'D'(eus) and a full architectural border., Book of Hours, Use of Rome

(x2), 134, 135, 135v, 136, 136v (x2), 137, 137v). Smaller and small initials and line-fillers in gold on red or blue grounds.Jean Pichore (ff. 13, 19v, 25, 42, 43v, 45, 81, 130, 130v), his workshop (ff. 14v, 15v, 16v, 17,

• Text panel with entwined roses at the beginning of Misopenes., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Text page with initials in gold on coloured panels, bearing the names of the protagonists of the dialogue., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Text panel with entwined roses at the beginning of Alithia., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Putto holding aloft a text panel., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Text panel with entwined roses at the beginning of Bombarda., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Coloured capitals at the beginning of Lucian's Dialogues., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Decorated initial 'E'(x) with a partial border., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,