• Miniature of a group of Christians with dogs setting out to find the body of Edmund., Metrical lives of Saints Edmund and Fremund, in the presentation copy for Henry VI, including the prologue (ff. 1v-5)

decoration extending into the margins (ff. 2, 4, 4v, 5, 6, 118v, 119v). Large initials in gold on red and blue patterned grounds, with foliate sprays in colours and/or gold extending into the margins. Large initial in green, pink, and

• Detail of a miniature of Edmund's head calling out "Here! Here! Here!" all day long until the men searching for it found it hidden in a thicket, being guarded from predatory animals by a wolf., Metrical lives of Saints Edmund and Fremund, in the presentation copy for Henry VI, including the prologue (ff. 1v-5)

decoration extending into the margins (ff. 2, 4, 4v, 5, 6, 118v, 119v). Large initials in gold on red and blue patterned grounds, with foliate sprays in colours and/or gold extending into the margins. Large initial in green, pink, and

• Detail of a miniature of the arrival of the Danes and their king, Sweyn, in England., Metrical lives of Saints Edmund and Fremund, in the presentation copy for Henry VI, including the prologue (ff. 1v-5)

decoration extending into the margins (ff. 2, 4, 4v, 5, 6, 118v, 119v). Large initials in gold on red and blue patterned grounds, with foliate sprays in colours and/or gold extending into the margins. Large initial in green, pink, and

• Miniature of the death of Sweyn, the king of the Danes; miniature of a woman being pulled from the shrine of Edmund., Metrical lives of Saints Edmund and Fremund, in the presentation copy for Henry VI, including the prologue (ff. 1v-5)

decoration extending into the margins (ff. 2, 4, 4v, 5, 6, 118v, 119v). Large initials in gold on red and blue patterned grounds, with foliate sprays in colours and/or gold extending into the margins. Large initial in green, pink, and

• Detail of a miniature of the installation of abbot Baldwin and the building of the abbey at Bury St. Edmond's., Metrical lives of Saints Edmund and Fremund, in the presentation copy for Henry VI, including the prologue (ff. 1v-5)

decoration extending into the margins (ff. 2, 4, 4v, 5, 6, 118v, 119v). Large initials in gold on red and blue patterned grounds, with foliate sprays in colours and/or gold extending into the margins. Large initial in green, pink, and

• Detail of a miniature of the entombment of Edmund in the abbey at Bury St. Edmunds., Metrical lives of Saints Edmund and Fremund, in the presentation copy for Henry VI, including the prologue (ff. 1v-5)

decoration extending into the margins (ff. 2, 4, 4v, 5, 6, 118v, 119v). Large initials in gold on red and blue patterned grounds, with foliate sprays in colours and/or gold extending into the margins. Large initial in green, pink, and

• Detail of a miniature of Edmund praying, and the miraculous appearance of five springs., Metrical lives of Saints Edmund and Fremund, in the presentation copy for Henry VI, including the prologue (ff. 1v-5)

decoration extending into the margins (ff. 2, 4, 4v, 5, 6, 118v, 119v). Large initials in gold on red and blue patterned grounds, with foliate sprays in colours and/or gold extending into the margins. Large initial in green, pink, and

• Miniature of the death of Sweyn, the king of the Danes, and on the right, a woman being pulled from the shrine of Edmund., Metrical lives of Saints Edmund and Fremund, in the presentation copy for Henry VI, including the prologue (ff. 1v-5)

decoration extending into the margins (ff. 2, 4, 4v, 5, 6, 118v, 119v). Large initials in gold on red and blue patterned grounds, with foliate sprays in colours and/or gold extending into the margins. Large initial in green, pink, and

• White vine initial 'Q'(uam) at the beginning of De officiis., De officiis

vine initials in colours at the beginning of each book (ff. 1, 38v, 61). Coloured initials in alternating red or blue. De officiis Part 1 written by Blasius Axeretinus in Milan in 1433: inscribed 'M. Tulij ciceronis liber [...] incipit

• White vine initial 'Q'(uemadmodum) in colours at the beginning of the book., De officiis

vine initials in colours at the beginning of each book (ff. 1, 38v, 61). Coloured initials in alternating red or blue. De officiis Part 1 written by Blasius Axeretinus in Milan in 1433: inscribed 'M. Tulij ciceronis liber [...] incipit

• Historiated initial 'D' of Matthew writing wiith his symbol holding the book at the beginning of his Gospel., Bible (ff. 1-455), with tables of the ecclesiastical lessons, and the office of the Mass

at the beginning of the prologues or books of Genesis and Matthew (ff. 3v, 4, 368v, 369). Large initials in blue, purple, red, green, or brown, or combinations of these colours with pen-flourishing in red, purple, or green, or combinations

• Illuminated initial 'I'(in principio) at the beginning of the book of Genesis., Bible (ff. 1-455), with tables of the ecclesiastical lessons, and the office of the Mass

at the beginning of the prologues or books of Genesis and Matthew (ff. 3v, 4, 368v, 369). Large initials in blue, purple, red, green, or brown, or combinations of these colours with pen-flourishing in red, purple, or green, or combinations

• Detail of white vine initial 'Q'(uam) at the beginning of De officiis., De officiis

vine initials in colours at the beginning of each book (ff. 1, 38v, 61). Coloured initials in alternating red or blue. De officiis Part 1 written by Blasius Axeretinus in Milan in 1433: inscribed 'M. Tulij ciceronis liber [...] incipit

• Drawing of two shepherds, one standing with his flock, the other seated, playing a pipe., Bucolica (index Bucolics, Eclogues) (ff. 1-4v); Georgica (index Georgics) (ff. 4v-14v0; Aeneis (index Aeneid) with verse preface (ff. 15-61); various works by Lucan (ff. 61v-101); Statius Thebaid (ff. 101-120v); Horace (ff. 121-155v); Persius (ff. 156-159); Juvenal (ff. 159-159v); and Ovid (ff. 160-173)

7). 5 drawings in brown ink of agricultural tasks (ff. 1, 4v, 9v, 12, 15, the last, added). Initials in blue with red pen-flourishing and in red with purple pen-flourishing (ff. 121-139v). Rubrics in red. Capitals marked in red. Bucolica

• Miniature of a man pruning vines., Bucolica (index Bucolics, Eclogues) (ff. 1-4v); Georgica (index Georgics) (ff. 4v-14v0; Aeneis (index Aeneid) with verse preface (ff. 15-61); various works by Lucan (ff. 61v-101); Statius Thebaid (ff. 101-120v); Horace (ff. 121-155v); Persius (ff. 156-159); Juvenal (ff. 159-159v); and Ovid (ff. 160-173)

7). 5 drawings in brown ink of agricultural tasks (ff. 1, 4v, 9v, 12, 15, the last, added). Initials in blue with red pen-flourishing and in red with purple pen-flourishing (ff. 121-139v). Rubrics in red. Capitals marked in red. Bucolica

• Detail of a drawing of a shepherd with his flock., Bucolica (index Bucolics, Eclogues) (ff. 1-4v); Georgica (index Georgics) (ff. 4v-14v0; Aeneis (index Aeneid) with verse preface (ff. 15-61); various works by Lucan (ff. 61v-101); Statius Thebaid (ff. 101-120v); Horace (ff. 121-155v); Persius (ff. 156-159); Juvenal (ff. 159-159v); and Ovid (ff. 160-173)

7). 5 drawings in brown ink of agricultural tasks (ff. 1, 4v, 9v, 12, 15, the last, added). Initials in blue with red pen-flourishing and in red with purple pen-flourishing (ff. 121-139v). Rubrics in red. Capitals marked in red. Bucolica

• Drawing of an armed horseman., Bucolica (index Bucolics, Eclogues) (ff. 1-4v); Georgica (index Georgics) (ff. 4v-14v0; Aeneis (index Aeneid) with verse preface (ff. 15-61); various works by Lucan (ff. 61v-101); Statius Thebaid (ff. 101-120v); Horace (ff. 121-155v); Persius (ff. 156-159); Juvenal (ff. 159-159v); and Ovid (ff. 160-173)

7). 5 drawings in brown ink of agricultural tasks (ff. 1, 4v, 9v, 12, 15, the last, added). Initials in blue with red pen-flourishing and in red with purple pen-flourishing (ff. 121-139v). Rubrics in red. Capitals marked in red. Bucolica

• Detail of marginal notes from a text page of Ovid's Metamorphoses., Bucolica (index Bucolics, Eclogues) (ff. 1-4v); Georgica (index Georgics) (ff. 4v-14v0; Aeneis (index Aeneid) with verse preface (ff. 15-61); various works by Lucan (ff. 61v-101); Statius Thebaid (ff. 101-120v); Horace (ff. 121-155v); Persius (ff. 156-159); Juvenal (ff. 159-159v); and Ovid (ff. 160-173)

7). 5 drawings in brown ink of agricultural tasks (ff. 1, 4v, 9v, 12, 15, the last, added). Initials in blue with red pen-flourishing and in red with purple pen-flourishing (ff. 121-139v). Rubrics in red. Capitals marked in red. Bucolica

• Text page of Ovid's Metamorphoses., Bucolica (index Bucolics, Eclogues) (ff. 1-4v); Georgica (index Georgics) (ff. 4v-14v0; Aeneis (index Aeneid) with verse preface (ff. 15-61); various works by Lucan (ff. 61v-101); Statius Thebaid (ff. 101-120v); Horace (ff. 121-155v); Persius (ff. 156-159); Juvenal (ff. 159-159v); and Ovid (ff. 160-173)

7). 5 drawings in brown ink of agricultural tasks (ff. 1, 4v, 9v, 12, 15, the last, added). Initials in blue with red pen-flourishing and in red with purple pen-flourishing (ff. 121-139v). Rubrics in red. Capitals marked in red. Bucolica

• Large white vine initial 'O'(mnes) enclosing a putto, with a butterfly in the margin, at the beginning of the text., Catilina (ff. 1-16), Jugurtha (ff. 16-46), Epitome historiarum Trogi Pompeii (ff. 46-137v), Epitoma de Tito Livio (index Epitome of Livy) (ff. 138-176v)

a butterfly in the margin (f. 1). Numerous large white vine initials in gold and colours. Numerous smaller initials in blue ink. Catilina (ff. 1-16), Jugurtha (ff. 16-46), Epitome historiarum Trogi Pompeii (ff. 46-137v), Epitoma de Tito Livio (index Epitome