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176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine
176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine
of two bishops in green, red, and brown on a blue ground (f. 1). 2 large initials with animals or animals heads in red, green, and brown, or also with blue (ff. 1, 18v). Simple initials in red or green,
colours and gold, with three-sided border incorporating arms. Small initials in gold on a ground of red, blue, and green; or in plain blue. De caelesti hierarchia (ff. 3-117), De mystica theologia (ff. 117v-120v), and Epistolae (ff. 120v-135v), preceded (ff.
colours and gold, with three-sided border incorporating arms. Small initials in gold on a ground of red, blue, and green; or in plain blue. De caelesti hierarchia (ff. 3-117), De mystica theologia (ff. 117v-120v), and Epistolae (ff. 120v-135v), preceded (ff.
colours and gold, with three-sided border incorporating arms. Small initials in gold on a ground of red, blue, and green; or in plain blue. De caelesti hierarchia (ff. 3-117), De mystica theologia (ff. 117v-120v), and Epistolae (ff. 120v-135v), preceded (ff.
incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),
incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),
incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),
gold (f. 196). Large initial in gold with blue and red leaf forms extending to form a 2-sided border with gold balls and green leaves (f. 5). Large initials in gold on blue and red grounds with foliate sprays with
gold (f. 196). Large initial in gold with blue and red leaf forms extending to form a 2-sided border with gold balls and green leaves (f. 5). Large initials in gold on blue and red grounds with foliate sprays with
62, 66, 70, 72, 77v, 78, 79v, 81v, 82).date checked JH Large and small initials in red with blue pen-flourishing or in blue with red pen-flourishing, some with reserved designs. Domesday book (ends imperfectly) The Cistercian abbey of St Mary,
part of 12.2, according to unpublished notes of Michael Gullick.Quire signatures in small Roman numerals. Catchwords. 7 large initials in blue, red, and green with intricate penwork decoration at the beginning of books and prefatory material (ff. 2, 7, 42v,
caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia
caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia
caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia
a human head. Musical notation. A few large initials in blue with red penwork decoration or in red with brown penwork decoration. Large and small initials in plain red or blue. Processional Petrus Lauzelli, priest of the church of St.
(ff. 13 [smaller inital in gold on a red and blue ground], 34v, 46, 51v, 55v, 60, 64, 71). Smaller and small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Paris Inscription in
(ff. 13 [smaller inital in gold on a red and blue ground], 34v, 46, 51v, 55v, 60, 64, 71). Smaller and small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Paris Inscription in
(ff. 13 [smaller inital in gold on a red and blue ground], 34v, 46, 51v, 55v, 60, 64, 71). Smaller and small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Paris Inscription in