• Bar border and initial 'N'(ow) with foliate and spray decoration at the beginning of Chaucer's Retraction., The Canterbury Tales, including the spurious Tale of Gamelyn (ff. 46-55), imperfect

in colours and gold. Initials in gold against grounds of blue and red with white tracery and spray decoration. Initials in blue or red with penwork decoration in red or blue. Running titles in black. Rubrics and marginal notes in

• A fragment of the original parchment flyleaf with ownership inscriptions., The Canterbury Tales, including the spurious Tale of Gamelyn (ff. 46-55), imperfect

in colours and gold. Initials in gold against grounds of blue and red with white tracery and spray decoration. Initials in blue or red with penwork decoration in red or blue. Running titles in black. Rubrics and marginal notes in

• Historiated initial 'Q'(uoniam) with a portrait of Bartholomaeus de S. Concordio and an illuminated initial 'A'(bbas)., Summa Pisana with an index (ff. 222v-226v) (index Summa de casibus conscientiae, Summa Pisanella)

116, 128v, 131v, 143, 162v, 163, 174v, 201, 207). Initials in red with blue penwork decoration or in blue with red penwork decoration. Paraphs in red or blue. Rubrics in red (f. 1). Summa Pisana with an index (ff. 222v-226v)

• Miniature in colours and gold showing Pliny writing in his study and a landscape with animals, rivers, the sea, sun and moon; text with a decorative initial 'M', and decorated borders with a coat of arms., Historia naturalis (index Natural history)

yellow, gold or white on a red, green or blue panel. Initials in gold on a ground combining blue, red and green (from f. 91). Coloured initials in gold or blue (ff. 11-20v). Historia naturalis (index Natural history) Aeneas Silvius

• The arms of René d'Anjou, King of Naples., Book of Hours, Use of Paris ('The Hours of René d'Anjou')

39, 42, 45). Small initials in blue with purple pen-flourishing or in purple with blue pen-flourishing (f. 14r-v), in gold with blue pen-flourishing (f. 23v), and in red with brown pen-flourishing or in blue with red pen-flourishing (ff. 43v-44). Book

• The arms of René d'Anjou, King of Naples, Book of Hours, Use of Paris ('The Hours of René d'Anjou')

39, 42, 45). Small initials in blue with purple pen-flourishing or in purple with blue pen-flourishing (f. 14r-v), in gold with blue pen-flourishing (f. 23v), and in red with brown pen-flourishing or in blue with red pen-flourishing (ff. 43v-44). Book

• Detail of a miniature of the Wafer of Dijon., Book of Hours, Use of Paris ('The Hours of René d'Anjou')

39, 42, 45). Small initials in blue with purple pen-flourishing or in purple with blue pen-flourishing (f. 14r-v), in gold with blue pen-flourishing (f. 23v), and in red with brown pen-flourishing or in blue with red pen-flourishing (ff. 43v-44). Book

• Detail of a full-page miniature of the three heroes bringing King David a cup of water from the well of Bethlehem., Book of Hours, Use of Paris ('The Hours of René d'Anjou')

39, 42, 45). Small initials in blue with purple pen-flourishing or in purple with blue pen-flourishing (f. 14r-v), in gold with blue pen-flourishing (f. 23v), and in red with brown pen-flourishing or in blue with red pen-flourishing (ff. 43v-44). Book

• Detail of inscription., Domesday book (ends imperfectly)

62, 66, 70, 72, 77v, 78, 79v, 81v, 82).date checked JH Large and small initials in red with blue pen-flourishing or in blue with red pen-flourishing, some with reserved designs. Domesday book (ends imperfectly) The Cistercian abbey of St Mary,

• Decorated initial 'P'(ost), with the book number in the upper margin. Citations of the Gospel are marked with their first letters in red (contrasting with green for sections of the commentary) and a diplet in the margin by each line., In Lucam

part of 12.2, according to unpublished notes of Michael Gullick.Quire signatures in small Roman numerals. Catchwords. 7 large initials in blue, red, and green with intricate penwork decoration at the beginning of books and prefatory material (ff. 2, 7, 42v,

• Decorated initial 'V'(irginis) with penwork decoration containing a human head., Processional

a human head. Musical notation. A few large initials in blue with red penwork decoration or in red with brown penwork decoration. Large and small initials in plain red or blue. Processional Petrus Lauzelli, priest of the church of St.

• Detail of text page, Aeneis (index Aeneid) , with a verse preface (ff. 1-201); Extract from Servius on Aeneis 6 (f. 202)

I is a paper flyleaf.Marginal commentary (ff. 87v to 97). 18 large initials in gold on red and blue grounds with red, blue, and brown penwork decoration (ff. 1, 1v, 2, 16, 16v, 32v, 47, 47v, 61v, 79, 79v, 97v,

• Puzzle initial 'V'(alerii), and fifteenth-century ownership inscription and pressmark of the Benedictine abbey of Santa Maria ad Martyres extra Muros, Trier., Commentarius in Valerium Maximum; Facta et dicta memorabilia

Benedictine abbey of Santa Maria ad Martyres extra Muros, Trier. 1 large puzzle initial in blue and red with red pen-flourishing (f. 1). 9 smaller blue and red puzzle initials with red pen-flourishing (ff. 2, 54v, 95v, 126v, 153, 183,

• In the lower margin, the ownership inscription of Margam abbey, at the beginning of the Domesday book., Domesday book (ends imperfectly)

62, 66, 70, 72, 77v, 78, 79v, 81v, 82).date checked JH Large and small initials in red with blue pen-flourishing or in blue with red pen-flourishing, some with reserved designs. Domesday book (ends imperfectly) The Cistercian abbey of St Mary,

• Flourished initials with records for Hertfordshire and Buckinghamshire in the Domesday book with small decorated initials., Domesday book (ends imperfectly)

62, 66, 70, 72, 77v, 78, 79v, 81v, 82).date checked JH Large and small initials in red with blue pen-flourishing or in blue with red pen-flourishing, some with reserved designs. Domesday book (ends imperfectly) The Cistercian abbey of St Mary,

• Marginal sketch in the lower margin, related to other marginal drawings in the manuscript, depicting royal and noble figures; with the ownership inscription Margam abbey in the upper margin., Domesday book (ends imperfectly)

62, 66, 70, 72, 77v, 78, 79v, 81v, 82).date checked JH Large and small initials in red with blue pen-flourishing or in blue with red pen-flourishing, some with reserved designs. Domesday book (ends imperfectly) The Cistercian abbey of St Mary,

• Inhabited foliate initial 'A'(bsenti) with small figures, at the beginning of Joannes de Milis's Repertorium aureum sive lexicon juridicum., Repertorium aureum sive lexicon juridicum

25v, 33, 62). 8 large puzzle initials in red and blue (ff. 79, 107, 117v, 129, 130v, 163v, 182v, 204v). 10 large and smaller initials in plain red or blue (ff. 190, 203, 283v, 284v [with reserved designs], 296, 311

• Inhabited foliate initial 'A'(bsenti) with a seated man and a naked man, at the beginning of Joannes de Milis's Repertorium aureum sive lexicon juridicum., Repertorium aureum sive lexicon juridicum

25v, 33, 62). 8 large puzzle initials in red and blue (ff. 79, 107, 117v, 129, 130v, 163v, 182v, 204v). 10 large and smaller initials in plain red or blue (ff. 190, 203, 283v, 284v [with reserved designs], 296, 311

• Circular diagram against lightning; below, a diagram connected with solar and lunar cycles., Medical recipes and charms

British Library, Royal 17 B XLIX and Royal 17 B L. Circular ink diagrams (f. 1). Initials in red or blue. Medical recipes and charms On f. 21 is the colophon 'Amen quod I. ff. [] qui scripsit hoc (sic)

• Decorated initial 'E'(t)., The Historia Aseneth (ff. 53-64v) and Testamenta xii. Patriarcharum filiorum Jacob (ff. 65-96v)

Catchwords Initials in blue with red penwork decoration. Small initials in brown, some with penwork decoration, especially of two parallel lines. The Historia Aseneth (ff. 53-64v) and Testamenta xii. Patriarcharum filiorum Jacob (ff. 65-96v) Allatby(?) Williams: 14th-century inscription (f. 96v).