• Detail of an historiated initial 'D'(ixit) of Christ and Thomas, at the beginning of Psalm 109., Psalter

rose and blue grounds with penwork decoration in white and with partial bar-borders, at the beginning of other Psalms. Small initials in gold on rose and blue grounds, at the beginning of verses. Line fillers in red, blue, and gold,

• Miniature of the Harrowing of Hell, following Psalm 109., Psalter

rose and blue grounds with penwork decoration in white and with partial bar-borders, at the beginning of other Psalms. Small initials in gold on rose and blue grounds, at the beginning of verses. Line fillers in red, blue, and gold,

• Text panel with entwined roses at the beginning of Misopenes., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Text page with initials in gold on coloured panels, bearing the names of the protagonists of the dialogue., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Text panel with entwined roses at the beginning of Alithia., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Putto holding aloft a text panel., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Text panel with entwined roses at the beginning of Bombarda., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Coloured capitals at the beginning of Lucian's Dialogues., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Decorated initial 'E'(x) with a partial border., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Decorated initial 'V'(idisti) with a partial border., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Decorated initial 'A'(ge) with a partial border., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Historiated initial 'N' of Dante and Virgil in a dark wood, with four half-length figures representing Justice, Power, Peace and Temperance., Divina Commedia (index Divine Comedy)

190). Large decorated initials with foliate extensions into the margins, in colours and gold. Small initials in gold on pink, blue, and/or green grounds. Divina Commedia (index Divine Comedy) Alphonso V, king of Aragon, Naples and Sicily (reigned 1416 to

• Text page., Divina Commedia (index Divine Comedy)

190). Large decorated initials with foliate extensions into the margins, in colours and gold. Small initials in gold on pink, blue, and/or green grounds. Divina Commedia (index Divine Comedy) Alphonso V, king of Aragon, Naples and Sicily (reigned 1416 to

• Miniature of Dante's vision of hell, where he is attacked by three wild beasts; the leopard, representing lust, the lion, pride, and the she-wolf, greed, and at the left, Dante meeting Virgil, in illustration of Canto I., Divina Commedia (index Divine Comedy)

190). Large decorated initials with foliate extensions into the margins, in colours and gold. Small initials in gold on pink, blue, and/or green grounds. Divina Commedia (index Divine Comedy) Alphonso V, king of Aragon, Naples and Sicily (reigned 1416 to

• Illuminated initials on a text page., Divina Commedia (index Divine Comedy)

190). Large decorated initials with foliate extensions into the margins, in colours and gold. Small initials in gold on pink, blue, and/or green grounds. Divina Commedia (index Divine Comedy) Alphonso V, king of Aragon, Naples and Sicily (reigned 1416 to

• Illuminated initials on a text page., Divina Commedia (index Divine Comedy)

190). Large decorated initials with foliate extensions into the margins, in colours and gold. Small initials in gold on pink, blue, and/or green grounds. Divina Commedia (index Divine Comedy) Alphonso V, king of Aragon, Naples and Sicily (reigned 1416 to

• Illuminated initials on a text page., Divina Commedia (index Divine Comedy)

190). Large decorated initials with foliate extensions into the margins, in colours and gold. Small initials in gold on pink, blue, and/or green grounds. Divina Commedia (index Divine Comedy) Alphonso V, king of Aragon, Naples and Sicily (reigned 1416 to

• Miniature of Dante and Virgil standing before the gates of Hell, with the three sainted ladies, Beatrice, Lucia, and Rachel, floating in clouds above, in illustration of Canto II., Divina Commedia (index Divine Comedy)

190). Large decorated initials with foliate extensions into the margins, in colours and gold. Small initials in gold on pink, blue, and/or green grounds. Divina Commedia (index Divine Comedy) Alphonso V, king of Aragon, Naples and Sicily (reigned 1416 to

• Miniature of Dante and Virgil in the vestibolo, in illustration of Canto III., Divina Commedia (index Divine Comedy)

190). Large decorated initials with foliate extensions into the margins, in colours and gold. Small initials in gold on pink, blue, and/or green grounds. Divina Commedia (index Divine Comedy) Alphonso V, king of Aragon, Naples and Sicily (reigned 1416 to

• Illuminated initials on a text page., Divina Commedia (index Divine Comedy)

190). Large decorated initials with foliate extensions into the margins, in colours and gold. Small initials in gold on pink, blue, and/or green grounds. Divina Commedia (index Divine Comedy) Alphonso V, king of Aragon, Naples and Sicily (reigned 1416 to