• The arms of René d'Anjou, King of Naples., Book of Hours, Use of Paris ('The Hours of René d'Anjou')

39, 42, 45). Small initials in blue with purple pen-flourishing or in purple with blue pen-flourishing (f. 14r-v), in gold with blue pen-flourishing (f. 23v), and in red with brown pen-flourishing or in blue with red pen-flourishing (ff. 43v-44). Book

• The arms of René d'Anjou, King of Naples, Book of Hours, Use of Paris ('The Hours of René d'Anjou')

39, 42, 45). Small initials in blue with purple pen-flourishing or in purple with blue pen-flourishing (f. 14r-v), in gold with blue pen-flourishing (f. 23v), and in red with brown pen-flourishing or in blue with red pen-flourishing (ff. 43v-44). Book

• Detail of a miniature of the Wafer of Dijon., Book of Hours, Use of Paris ('The Hours of René d'Anjou')

39, 42, 45). Small initials in blue with purple pen-flourishing or in purple with blue pen-flourishing (f. 14r-v), in gold with blue pen-flourishing (f. 23v), and in red with brown pen-flourishing or in blue with red pen-flourishing (ff. 43v-44). Book

• Detail of a full-page miniature of the three heroes bringing King David a cup of water from the well of Bethlehem., Book of Hours, Use of Paris ('The Hours of René d'Anjou')

39, 42, 45). Small initials in blue with purple pen-flourishing or in purple with blue pen-flourishing (f. 14r-v), in gold with blue pen-flourishing (f. 23v), and in red with brown pen-flourishing or in blue with red pen-flourishing (ff. 43v-44). Book

• Puzzle initial 'I'(n) with pen-flourishing at the beginning of the text., Dialogus

seems to be missing a leaf. Puzzle initial in red and blue with pen-flourishing in both colours (f. 3). Coloured initials in red or blue. Paraphs in red or blue. A few descenders and catchwords decorated with brown ink including

• Decorated initial 'W'(han) with pen-flourishing., The Consolation of Philosophy (index De consolatione philosophiae), in English verse with the Latin text in the margin (ending imperfectly) and other texts (see notes)

initial in red and blue with red pen-flourishing (f. 4). 4 large initials in blue with red pen-flourishing at the beginning of each book (ff. 17, 33, 59, 74v). Small coloured initials in red or blue throughout. The Consolation of

• Miniature of Dante and Virgil entering the area devoted to simoniacs and magicians, while Dante speaks to the upside-down figure of Pope Nicholas III, with a figure of the True Church in the centre, as a lady dressed in blue with a gold star on her breast, and a seven-headed monster before her (presumably the false church), in illustration of Canto XIX., Divina Commedia (index Divine Comedy)

figure of Pope Nicholas III, with a figure of the True Church in the centre, as a lady dressed in blue with a gold star on her breast, and a seven-headed monster before her (presumably the false church), in illustration

• Detail of a miniature of Dante and Virgil entering the area devoted to simoniacs and magicians, while Dante speaks to the upside-down figure of Pope Nicholas III, with a figure of the True Church in the centre, as a lady dressed in blue with a gold star on her breast, and a seven-headed monster before her (presumably the false church), in illustration of Canto XIX., Divina Commedia (index Divine Comedy)

figure of Pope Nicholas III, with a figure of the True Church in the centre, as a lady dressed in blue with a gold star on her breast, and a seven-headed monster before her (presumably the false church), in illustration

• Text panel with entwined roses at the beginning of Misopenes., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Text page with initials in gold on coloured panels, bearing the names of the protagonists of the dialogue., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Text panel with entwined roses at the beginning of Alithia., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Putto holding aloft a text panel., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Text panel with entwined roses at the beginning of Bombarda., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Coloured capitals at the beginning of Lucian's Dialogues., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Decorated initial 'E'(x) with a partial border., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Decorated initial 'V'(idisti) with a partial border., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Decorated initial 'A'(ge) with a partial border., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Historiated initial 'N' of Dante and Virgil in a dark wood, with four half-length figures representing Justice, Power, Peace and Temperance., Divina Commedia (index Divine Comedy)

190). Large decorated initials with foliate extensions into the margins, in colours and gold. Small initials in gold on pink, blue, and/or green grounds. Divina Commedia (index Divine Comedy) Alphonso V, king of Aragon, Naples and Sicily (reigned 1416 to

• Text page., Divina Commedia (index Divine Comedy)

190). Large decorated initials with foliate extensions into the margins, in colours and gold. Small initials in gold on pink, blue, and/or green grounds. Divina Commedia (index Divine Comedy) Alphonso V, king of Aragon, Naples and Sicily (reigned 1416 to

• Miniature of Dante's vision of hell, where he is attacked by three wild beasts; the leopard, representing lust, the lion, pride, and the she-wolf, greed, and at the left, Dante meeting Virgil, in illustration of Canto I., Divina Commedia (index Divine Comedy)

190). Large decorated initials with foliate extensions into the margins, in colours and gold. Small initials in gold on pink, blue, and/or green grounds. Divina Commedia (index Divine Comedy) Alphonso V, king of Aragon, Naples and Sicily (reigned 1416 to