• Bar border and initial 'W'(ith) with foliate and spray decoration at the beginning of the Canon's Yeoman's Tale., The Canterbury Tales, including the spurious Tale of Gamelyn (ff. 46-55), imperfect

in colours and gold. Initials in gold against grounds of blue and red with white tracery and spray decoration. Initials in blue or red with penwork decoration in red or blue. Running titles in black. Rubrics and marginal notes in

• Bar border and initial 'L'(ordyngis) with foliate and spray decoration at the beginning of the Pardoner's Tale., The Canterbury Tales, including the spurious Tale of Gamelyn (ff. 46-55), imperfect

in colours and gold. Initials in gold against grounds of blue and red with white tracery and spray decoration. Initials in blue or red with penwork decoration in red or blue. Running titles in black. Rubrics and marginal notes in

• Bar border and initial 'A' with foliate and spray decoration at the beginning of the Shipman's Tale., The Canterbury Tales, including the spurious Tale of Gamelyn (ff. 46-55), imperfect

in colours and gold. Initials in gold against grounds of blue and red with white tracery and spray decoration. Initials in blue or red with penwork decoration in red or blue. Running titles in black. Rubrics and marginal notes in

• Bar border and initial 'O' with foliate and spray decoration at the beginning of the Prioress's Tale., The Canterbury Tales, including the spurious Tale of Gamelyn (ff. 46-55), imperfect

in colours and gold. Initials in gold against grounds of blue and red with white tracery and spray decoration. Initials in blue or red with penwork decoration in red or blue. Running titles in black. Rubrics and marginal notes in

• Bar border and initial 'L'(istneth) with foliate and spray decoration at the beginning of the Chaucer's Tale of Sir Thopas., The Canterbury Tales, including the spurious Tale of Gamelyn (ff. 46-55), imperfect

in colours and gold. Initials in gold against grounds of blue and red with white tracery and spray decoration. Initials in blue or red with penwork decoration in red or blue. Running titles in black. Rubrics and marginal notes in

• Initials with penwork decoration., The Canterbury Tales, including the spurious Tale of Gamelyn (ff. 46-55), imperfect

in colours and gold. Initials in gold against grounds of blue and red with white tracery and spray decoration. Initials in blue or red with penwork decoration in red or blue. Running titles in black. Rubrics and marginal notes in

• Bar border and initial 'A' with foliate and spray decoration at the beginning of the Nun's Priest's Tale., The Canterbury Tales, including the spurious Tale of Gamelyn (ff. 46-55), imperfect

in colours and gold. Initials in gold against grounds of blue and red with white tracery and spray decoration. Initials in blue or red with penwork decoration in red or blue. Running titles in black. Rubrics and marginal notes in

• Decorated initial 'W'(ete) and space left blank for miniature at the beginning of the Prologue of the Manciple's Tale, with space left blank for a miniature., The Canterbury Tales, including the spurious Tale of Gamelyn (ff. 46-55), imperfect

in colours and gold. Initials in gold against grounds of blue and red with white tracery and spray decoration. Initials in blue or red with penwork decoration in red or blue. Running titles in black. Rubrics and marginal notes in

• Bar border and initial 'W'(han) with foliate and spray decoration at the beginning of the Manciple's Tale., The Canterbury Tales, including the spurious Tale of Gamelyn (ff. 46-55), imperfect

in colours and gold. Initials in gold against grounds of blue and red with white tracery and spray decoration. Initials in blue or red with penwork decoration in red or blue. Running titles in black. Rubrics and marginal notes in

• Bar border and initial 'O' with foliate and spray decoration at the beginning of the Parson's Tale., The Canterbury Tales, including the spurious Tale of Gamelyn (ff. 46-55), imperfect

in colours and gold. Initials in gold against grounds of blue and red with white tracery and spray decoration. Initials in blue or red with penwork decoration in red or blue. Running titles in black. Rubrics and marginal notes in

• Bar border and initial 'N'(ow) with foliate and spray decoration at the beginning of Chaucer's Retraction., The Canterbury Tales, including the spurious Tale of Gamelyn (ff. 46-55), imperfect

in colours and gold. Initials in gold against grounds of blue and red with white tracery and spray decoration. Initials in blue or red with penwork decoration in red or blue. Running titles in black. Rubrics and marginal notes in

• A fragment of the original parchment flyleaf with ownership inscriptions., The Canterbury Tales, including the spurious Tale of Gamelyn (ff. 46-55), imperfect

in colours and gold. Initials in gold against grounds of blue and red with white tracery and spray decoration. Initials in blue or red with penwork decoration in red or blue. Running titles in black. Rubrics and marginal notes in

• Historiated initial 'Q'(uoniam) with a portrait of Bartholomaeus de S. Concordio and an illuminated initial 'A'(bbas)., Summa Pisana with an index (ff. 222v-226v) (index Summa de casibus conscientiae, Summa Pisanella)

116, 128v, 131v, 143, 162v, 163, 174v, 201, 207). Initials in red with blue penwork decoration or in blue with red penwork decoration. Paraphs in red or blue. Rubrics in red (f. 1). Summa Pisana with an index (ff. 222v-226v)

• Decorated initial O(paca) in blue, magenta, and green with floral sprays and bezants. Marginal hand and text hand by Gunthorpe., Tragoediae (index Tragedies)

22, 40, 51, 91, 111, 147). The two remaining decorated initials in blue, magenta, and green with floral sprays and bezants (ff. 130, 163). Initials in red or blue at the beginning of each scene. Paraphs. Tragoediae (index Tragedies) John

• Miniature in colours and gold showing Pliny writing in his study and a landscape with animals, rivers, the sea, sun and moon; text with a decorative initial 'M', and decorated borders with a coat of arms., Historia naturalis (index Natural history)

yellow, gold or white on a red, green or blue panel. Initials in gold on a ground combining blue, red and green (from f. 91). Coloured initials in gold or blue (ff. 11-20v). Historia naturalis (index Natural history) Aeneas Silvius

• Detail of inscription., Domesday book (ends imperfectly)

62, 66, 70, 72, 77v, 78, 79v, 81v, 82).date checked JH Large and small initials in red with blue pen-flourishing or in blue with red pen-flourishing, some with reserved designs. Domesday book (ends imperfectly) The Cistercian abbey of St Mary,

• Decorated initial 'P'(ost), with the book number in the upper margin. Citations of the Gospel are marked with their first letters in red (contrasting with green for sections of the commentary) and a diplet in the margin by each line., In Lucam

part of 12.2, according to unpublished notes of Michael Gullick.Quire signatures in small Roman numerals. Catchwords. 7 large initials in blue, red, and green with intricate penwork decoration at the beginning of books and prefatory material (ff. 2, 7, 42v,

• Detail of illuminated initial., De amicitia (ff. 2-30v), De senectute (ff. 31-58v), Paradoxa (ff. 59-72)

caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia

• Detail of lower border., De amicitia (ff. 2-30v), De senectute (ff. 31-58v), Paradoxa (ff. 59-72)

caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia

• Detail of illuminated initial., De amicitia (ff. 2-30v), De senectute (ff. 31-58v), Paradoxa (ff. 59-72)

caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia