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25v, 33, 62). 8 large puzzle initials in red and blue (ff. 79, 107, 117v, 129, 130v, 163v, 182v, 204v). 10 large and smaller initials in plain red or blue (ff. 190, 203, 283v, 284v [with reserved designs], 296, 311
British Library, Royal 17 B XLIX and Royal 17 B L. Circular ink diagrams (f. 1). Initials in red or blue. Medical recipes and charms On f. 21 is the colophon 'Amen quod I. ff. [] qui scripsit hoc (sic)
Catchwords Initials in blue with red penwork decoration. Small initials in brown, some with penwork decoration, especially of two parallel lines. The Historia Aseneth (ff. 53-64v) and Testamenta xii. Patriarcharum filiorum Jacob (ff. 65-96v) Allatby(?) Williams: 14th-century inscription (f. 96v).
116). 2 initials in colours (f. 132). Initials in green with brown and green pen-flourishing, in blue or in brown with brown and blue pen-flourishing (ff. 4-115v). Initials in red (ff. 150-184v). Voyage d'outre mer in English translation; Sir Gowghter;
116). 2 initials in colours (f. 132). Initials in green with brown and green pen-flourishing, in blue or in brown with brown and blue pen-flourishing (ff. 4-115v). Initials in red (ff. 150-184v). Voyage d'outre mer in English translation; Sir Gowghter;
116). 2 initials in colours (f. 132). Initials in green with brown and green pen-flourishing, in blue or in brown with brown and blue pen-flourishing (ff. 4-115v). Initials in red (ff. 150-184v). Voyage d'outre mer in English translation; Sir Gowghter;
116). 2 initials in colours (f. 132). Initials in green with brown and green pen-flourishing, in blue or in brown with brown and blue pen-flourishing (ff. 4-115v). Initials in red (ff. 150-184v). Voyage d'outre mer in English translation; Sir Gowghter;
68, 70v-73v, 75-92). 3 large puzzle initials in red and blue with pen-flourishing in purple and red (ff. 2, 4, 9). Smaller initials in red with purple pen-flourishing or in blue with red pen-flourishing. Summary of the Liber Concordiae Novi
68, 70v-73v, 75-92). 3 large puzzle initials in red and blue with pen-flourishing in purple and red (ff. 2, 4, 9). Smaller initials in red with purple pen-flourishing or in blue with red pen-flourishing. Summary of the Liber Concordiae Novi
68, 70v-73v, 75-92). 3 large puzzle initials in red and blue with pen-flourishing in purple and red (ff. 2, 4, 9). Smaller initials in red with purple pen-flourishing or in blue with red pen-flourishing. Summary of the Liber Concordiae Novi
a black eagle poised on a sword on a gold ground in the upper half, two crossed swords on a blue ground in the lower half, and the initials 'V' and 'B' on either side. f. 152 is a ruled
68, 70v-73v, 75-92). 3 large puzzle initials in red and blue with pen-flourishing in purple and red (ff. 2, 4, 9). Smaller initials in red with purple pen-flourishing or in blue with red pen-flourishing. Summary of the Liber Concordiae Novi
I is a paper flyleaf.Marginal commentary (ff. 87v to 97). 18 large initials in gold on red and blue grounds with red, blue, and brown penwork decoration (ff. 1, 1v, 2, 16, 16v, 32v, 47, 47v, 61v, 79, 79v, 97v,
catchwords. Alternating initials in blue with red pen-flourishing or in red with violet pen-flourishing. Rubrics in red (now faded). Meditations on the Life of Christ Written in 1454 by Jacobus de Parma in Bologna for Frater Gabriel, provincial vicar: colophon,
a black eagle poised on a sword on a gold ground in the upper half, two crossed swords on a blue ground in the lower half, and the initials 'V' and 'B' on either side (f. 1).Nathaniel Noel (fl. 1681,
a black eagle poised on a sword on a gold ground in the upper half, two crossed swords on a blue ground in the lower half, and the initials 'V' and 'B' on either side (f. 1).Nathaniel Noel (fl. 1681,
and colours with interlace combined with a partial decorated border with flowers and heraldry (f. 1). A smaller initial in blue marks the beginning of each book. Marginal notes in green, purple, and red ink, sometimes accompanied by a small
59, 64, 68v, 72, 76v, 85v, 88). Numerous smaller initials in colours and gold. Numerous pen-flourished initials in red and blue. Legend and Life of Francis of Assisi (with Miracles) Written by Alessandro da Bologna, Augustinian friar and scribe, at
on red and blue grounds, with foliate extensions into the margins. At the end, 3 large initials in gold on pink and light blue foliate grounds (ff. 246v, 250v, 252v). Paraph marks in plain red or blue. Nova Statuta (index
on red and blue grounds, with foliate extensions into the margins. At the end, 3 large initials in gold on pink and light blue foliate grounds (ff. 246v, 250v, 252v). Paraph marks in plain red or blue. Nova Statuta (index