• null, Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217), and other texts

incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),

• null, Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217), and other texts

incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),

• Decorated initial 'A'(mor) and full border including medaillons with a bird and a rabbit, at the beginning of Matteo Maria Boiardo's Amorum libri tres; heraldic arms in the lower margin., Amorum libri tres

out and replaced with fragments of 15th-century borders (ff. 37, 69). Smaller initials in gold with blue pen-flourishing. Small initials in plain gold or blue. Amorum libri tres Colophon 'die quarto Januarii Mcccclxxvij' (f. 98).Unidentified owner, by c. 1477: arms

• Decorated initial 'Q'(uelle) with a crowned half-bust figure and a partial white-wine border, at the beginning of book 3; the border in the lower margin is a 15th-century replacement., Amorum libri tres

out and replaced with fragments of 15th-century borders (ff. 37, 69). Smaller initials in gold with blue pen-flourishing. Small initials in plain gold or blue. Amorum libri tres Colophon 'die quarto Januarii Mcccclxxvij' (f. 98).Unidentified owner, by c. 1477: arms

• Miniature of Christ carrying the cross and donors with Anthony, decorated initial 'A'(pprehendit) and foliate borders including heraldic arms, at the beginning of the Passion of Christ according to John., Book of Hours, unidentified Use

large initials in gold on red and blue grounds at the beginning of the litany and the Obsecro te (ff. 98v, 147v). Small initials and line fillers in gold on red and blue grounds. Book of Hours, unidentified Use Unidentified

• Miniature of the Adoration of the Magi, decorated initial 'D'(eus) and foliate borders, at the beginning of Sext in the Hours of the Virgin., Book of Hours, unidentified Use

large initials in gold on red and blue grounds at the beginning of the litany and the Obsecro te (ff. 98v, 147v). Small initials and line fillers in gold on red and blue grounds. Book of Hours, unidentified Use Unidentified

• Historiated initial 'O' with Christ in the garden of Gethsemane and foliate borders including heraldic arms., Breviary, Use of the Humiliati

colours and gold (ff. 89, 207v, 311v). Smaller initials in gold on red, blue and/or green grounds. Small initials in red with purple pen-flourishing or in blue with red pen-flourishing. Breviary, Use of the Humiliati Unidentified owner, by 1471: arms,

• Historiated initial with the Kiss of Judas., Breviary, Use of the Humiliati

colours and gold (ff. 89, 207v, 311v). Smaller initials in gold on red, blue and/or green grounds. Small initials in red with purple pen-flourishing or in blue with red pen-flourishing. Breviary, Use of the Humiliati Unidentified owner, by 1471: arms,

• Text page with decorated initials., Anglo-Norman romance

St Catherine (now Additional 40143, ff. 1-6) Large puzzle initial in red and blue with penwork decoration in brown and green (f. 1). Initials in red or blue with pen-flourishing in the other colour at the beginning of each verse.

• Miniature depicting the Pentecost. Decorated initials in gold and colours, and full foliate border., Book of Hours, unidentified Use

large initials in gold on red and blue grounds at the beginning of the litany and the Obsecro te (ff. 98v, 147v). Small initials and line fillers in gold on red and blue grounds. Book of Hours, unidentified Use Unidentified

• Decorated initials 'P'(ostea) and 'I'(n)., Sermones in evangelium S. Johannis (Sermons on the Gospel of John)

Horizontal catchwords.ff. [vi], 227 are former parchment pastedowns. Puzzle initials in red and blue, some with penwork decoration in brown ink. Large plain initials in red or blue. Rubrics in red. Capitals marked in red. Sermones in evangelium S. Johannis

• Decorated initial 'P'(ost) with foliate decoration including acanthus leaves combined with a three-sided border at the beginning of the prologue., Polychronicon to c. 1400 (imperfect)

117, 143v, 163v) or large puzzle initial in red and blue with pen-flourishing in red and purple (f. 94v) at the beginning of each book. Numerous smaller initials in blue with red pen-flourishing including foliate decoration and flowers. Polychronicon to

• Decorated initial 'D'(e partibus) at the beginning of Georgius Trapezuntius' text., De quatuor declinabilibus partibus ex Prisciani compendium

in 1471.Catchwords written vertically. Leaf signatures.ff. i-iii are blank flyleaves.Composite codex. Large initial in blue with red pen-flourishing (f. 1). Large coloured initials in red or blue, some with reserved lines, others with a small amount of penwork decoration in

• Initial 'N'(aso) and unidentified arms in the lower margin., Epistulae ex Ponto

been torn off at the top of f. 1. 1 large initial in gold on a blue ground with an unidentified coat of arms in the lower margin (f. 1). 3 large gold initials on coloured panels with simple foliate

• Decorated initial 'V'(ideo) with pen-flourishing in Cicero's In catilinam., Disputationes tusculanae (ff. 1-67v), Orationes in Catilinam (ff. 67v-85v)

and vertically. Leaf signatures. 9 initials in red or blue with pen-flourishing in the other colour (ff. 1, 3v, 17v, 39v, 51, 67v, 72v, 77, 81v). Coloured initials in red or blue. Capitals marked in red. Disputationes tusculanae (ff. 1-67v),

• Decorated initials 'A'(l)' and 'N'(ondum) at the beginning of book 12 of Statius' Thebaid., Thebais (index Thebaid)

outer bifolio in each quire is made of parchment. Very large initials with reserved designs in blue or red with penwork decoration in the other colour, or in red with brown penwork (ff. 1v (x2), 14v (x2), 28 (x2), 41,

• Decorated initial 'C'(armina) with acanthus leaves and naturalistic flowers at the beginning of the text., De Consolatione Philosophiae (index Consolation of Philosophy)

A very large puzzle initial in red and blue with pen-flourishing in the same colours at the beginning of each subsequent book (ff. 9v, 20v, 35, 47). Numerous smaller initials in blue with red pen-flourishing or in red with brown

• Decorated initial 'Q'(ui) and white vine decoration in the border enclosing defaced arms, probably that of the Sassetti family, at the beginning of Ovid's Amores., Amores

on a blue panel at the beginning of each book (ff. 2, 17, 34v (initial enclosing a smaller initial)). White vine marginal decoration enclosing a defaced coat of arms (f. 2). Coloured initials in alternating red or blue. Amores Probably

• Puzzle initial 'V'(alerii), and fifteenth-century ownership inscription and pressmark of the Benedictine abbey of Santa Maria ad Martyres extra Muros, Trier., Commentarius in Valerium Maximum; Facta et dicta memorabilia

Benedictine abbey of Santa Maria ad Martyres extra Muros, Trier. 1 large puzzle initial in blue and red with red pen-flourishing (f. 1). 9 smaller blue and red puzzle initials with red pen-flourishing (ff. 2, 54v, 95v, 126v, 153, 183,

• Pen-flourished initials 'C'(orduba); 'B'(ella); and 'Q'(uis)., Pharsalia

in a Northern style. 1 large initial in blue with red and purple penwork decoration (f. 1). 1 large initial in red with purple penwork decoration (f. 118v). 4 initials in blue with purple penwork decoration or pen-flourishing (ff. 12,